Reliving For a Night

A creative writing class from the UAB English department attended the Nazi Germany and Jim Crow South symposium in February. Six students, including Taylor, submitted their reflections on the interview with Riva Hirsh, a Holocaust survivor, and Josephine Bolling McCall, daughter of lynching victim, Elmore Bolling. Their honest and emotionally raw selections will post over the course of this week. — AR

a picture of a barn in the middle of a field at night
Source: Brian Spratley, Creative Commons

Riva Hirsch scans the room with wide eyes and white hair. Her shoulders are draped in purple and gold, her veiny hands clutched around her microphone. When the interviewer asks her to tell the room about her childhood and family, she stands up and brings the microphone to her lips.

“I had everything I needed until the murderer came.”

Her voice comes out grainy and loud, her lips probably kissing the microphone. She shakes with emotion I’m sure she’s felt for a lifetime.

The interviewer turns to Josephine Bolling McCall, who sits in her chair with her ankles crossed, robed in shades of emerald. Her hair is as red as fall leaves before the separate from branches and litter sidewalks. Like Riva, she wears glasses. The interviewer asks her the same question and she stands. Her voice is softer, as steady as a librarian talking while leading you through the stacks and pulling the book you need from the shelf.

“I lived in Lowndes Country, Alabama. It was known as ‘Blood Lowndes’,” she reveals. I look around the room and watch a few audience members shift in their seats. One squints his eyes, as if trying to imagine just how bloody it had been. “I was only 5 when my father was killed.” Even I shift in my seat.

Riva begins the heartbreaking tale of bring separated from her family by the Nazis. She was seven when war came to her town. A family friend named Joshua warned her family to leave. The second time he came, Riva tells us “I could smell human flesh.” Riva and her family were forced to leave their home, taking only the packages her mother and grandmother made. Joshua hid them until he could hide them no more. One day Joshua came running.

“The SS are coming!” Riva and her family were forced into the forest, where they lived in sickness, became covered in lice. Eventually they were caught and separated by the SS. Riva tells the room of alert eyes and open mouths that her mother was beat in front of her when she refused to let go of her children. They were forced to wear the yellow star and told they would be taken to a better place. She tells us of the trains they were forced on and leaves us with an image that chills to the bone and boils blood all at once.

“There were piles of dead bodies on the train. We were all moving from life to death, death to life.”

Josephine tells us about her father, Elmo, before he was killed. “He had airhorns on his truck,” she reminisces. Her father would blow his horns as he passed the family in the shop or the house. But in December of 1947, gunshots could be heard some time after the airhorns. No one thought anything of it until they were told her father was dead. “He was laying there in the ditch and his eyes were still open,” she says, looking down into the microphone. I know we all imagined a 5-year-old mind replaying that image, understanding more of its horror as time passes.

When asked about the community’s reaction to her father’s murder, Josephine admits that everyone was afraid to talk. “Keep your mouth shut, stay inside, and don’t say anything,” she recites. This was the law of their land. Josephine’s brother saw the murder of their father and saw the car that appeared to be following their father before the murder. Her brother wrote the tag number in the dirt in front of a sheriff, trying to give him the information. The sheriff had no interest. “My father’s murder had been planned,” Josephine says. And the room understands that the sheriff already knew.

Riva is asked to talk about her savior, a man who spoke German. “A man put his hand on my mouth,” she says. “I was so sick with malaria and typhoid. He told me to play dead. He put me on his shoulder and started to run with me.” The German man hid Riva in a carriage to smuggle her out of the camp. The carriage was stopped, but Riva went undiscovered until she was brought to a convent. “He handed me off to a nun and then she started to run with me,” and I imagine a nun’s black clothing flailing in the still of night, a sick child limp in her arms. She was brought to a place where more children were hidden and told the nuns would bring them food as often as they could, but not too often as to draw attention. “They were my guardian angels,” Riva confesses.

After Josephine’s family fled Lowndes County to Montgomery, she found information that would launch her into an investigation about her father’s murder. In the Montgomery Advertiser had an article about her father’s murder. “He had been shot 6 times with a pistol, once in the back with a shot gun. What does that tell you? That there was more than one person there,” Josephine urges into the microphone. After retrieving the article from historical archives and interviewing others, Josephine discovers that many people had known her father’s murder was planned. She also discovered that by definition, her father’s murder had been a lynching. In a Chicago newspaper headline about her father’s murder, the word “lynch” appeared.

The interviewer asks, “Why was it important for your father’s murderers to not make it look like a lynching?”

“Counties were being held responsible and fined,” Josephine responds. “The Association of Southern Women to Protect Lynching (ASWPL) came to Lowndes County to stop the lynching from happening.” The murderers were trying to protect themselves.

Riva tells us about her life after the way. She never went to school, but taught herself 7 languages. She married another Holocaust survivor, who lost his whole family to the gas chambers. He was the only survivor. 28 years ago, Riva came to Birmingham. Her daughter and step-daughter and still with her. She lost her husband 4 years ago, her son 9 years ago. She still claims with excitement, “America is the best place in the world.”

Josephine started a foundation in memory of her father. She wrote a book, The Penalty of Success: My Father was Lynched in Lowndes County, Alabama, and had two book signings a day for a week in Boston. She continues to share her story.

Both women leave us with their own words of advice. Riva cautions, “Make sure you speak to educate our students because the future is in their hands.” She pins us all with a determined stare before finishing, “Never ever let it happen again.” Josephine follows Riva, urging that “we have to acknowledge what has gone on before we can reconcile and come together.” Finally, she points us to Bible, Hebrews 13:1, “Let brotherly love continue.”

 

Taylor Byas is a graduate student at UAB pursuing her Master’s Degree in English, Creative Writing. She aspires to teach Creative Writing at the collegiate level.

The Importance of Art in Human Rights

How does art affect humanity and human rights? Does it play an important role in human rights advocacy? Throughout history, people have used the arts as a form of self-expression by reflecting on their lives and what they observe. Art and design are constantly changing, and growing, with history. It is constantly being influenced while influencing societal events. As an artist and graphic designer, I believe that use of imagery influences societies, helping raise awareness of social and political issues. In the vast world of social and political arts, there are a few examples of work that stood out to me because of their contribution to society, namely: “The Hand That Will Rule the World” by Ralph Chaplin, “All Power to the People” by Emory Douglas, “The Anatomically Correct Oscar” by The Guerilla Girls, “Red Sand Project” by Molly Gochman, “The Blue Bra” by Bahia Shehab, and “America” by Touba Alipour. These are a few good examples of how art and design can impact human rights with solidarity, awareness, and protest.

“The Hand That Will Rule the World” by Ralph Chaplin. June 30, 1917

The symbol of the clinched fist has been a symbol of solidarity as early as 1917. “The Hand That Will Rule the World” by Ralph Chaplin is an illustration referring to the IWW (Industrial Workers of The World). Industrial unionism began when skilled workers were displaced by modern machinery and the monopolization of industries. It was a union that believed industries should be controlled by the workers, benefiting the many instead of enriching the few, and create better working conditions. In this image, the workers are uniting their arms and creating one giant fist, which represents solidarity and unity, while holding tools, representing manuallabor, while factories in the backdrop symbolize the machinery displacing the workers.

“All Power to the People” by Emory Douglas, March 9, 1969

The Black Panther Party was an African-American organization founded October 15, 1966 in Oakland, CA. One of their greatest successes was using imagery to reach people across the country about their movement. According to The New York Times, even though the Black Panther Party was associated with armed resistance, their most powerful weapon was reaching out to African-American communities through works of art. Emory Douglass, the artist behind many these images, has a background in printmaking and activism, pushing him to create images that show the injustice toward communities of color in the United States. His illustration “All Power to the People” is another example of the solidarity symbolism employed by the raised fist. The raised fist and the words “All Power to The People” brings a sense of unity to the viewer. Also, the person’s expression speaks on an emotional level, as if they’re shouting these words, making it a very powerful piece of artwork.

“The Anatomically Correct Oscar” by The Guerrilla Girls, 26 Feb 2016

The Guerilla Girls are feminist activist group comprised of more than 55 artists. They describe themselves by saying: “We wear gorilla masks in public and use facts, humor and outrageous visuals to expose gender and ethnic bias as well as corruption in politics, art, film, and pop culture. We undermine the idea of a mainstream narrative by revealing the understory, the subtext, the overlooked, and the downright unfair.” This group of activist artists started in 1985 and, by the early-21st century, have expanded their awareness into the media world, namely the film industry. “The Anatomically Correct Oscar” brings awareness to the racism and sexism in the film industry by portraying a white male holding his genitals with text boxes demonstrating the percentage of people of color that have won Oscars in the past 86 years. The Guerilla Girls displayed this billboard in Hollywood a few months leading up to 2016 Oscars, noting, “the people we want to reach will see it…There is so much positive press around the Oscars – the gowns, the stars – that we decided it was time for another point of view.

“Red Sand Project” by Molly Gochman

Molly Gochman’s “Red Sand Project” is a worldwide instillation that takes a hands-on approach of bringing awareness to human trafficking. This project encourages all communities to pour red sand into cracks on sidewalks to recognize the overlooked populations (refugees, immigrants, girls, and others) that are at risk of slavery and exploitation. “These interventions remind us that we can’t merely walk over the most marginalized people in our communities — those who fall through the metaphoric cracks”, explains Molly Gochman. This informative, and largely interactive, work of art takes simple, yet powerful, gestures and to bring worldwide awareness through photography and social media. It is an ongoing project, raising action for those who are overlooked and vulnerable to human trafficking.

“The Blue Bra” by Bahia Shehab, 2011

In 2011, various outbursts of popular protests swept the Middle East and North Africa, causing a revolutionary wave called the Arab Spring. Staring from Tunisia and later spreading to Egypt, Yemen, Bahrain, Libya, and Syria, people were rising against their oppressive leaders. As the protests grew larger they were met with violent responses from authorities. One of the striking things that came out of this short period was the growth in street art, graffiti, and calligraphy. “The Blue Bra” by Bahia Shehab, located in Cairo, Egypt, is a great example of protest of oppression. This graffiti is part of an instillation called “Thousand Times No” which Shehab explains, “represents a rejection of both the conformity and the repression that often stifle the Arabic speaking region and Islamic cultures.” The text above the Blue Bra is saying “no stripping the people” and the sole of the military boot reads “long live a peaceful revolution”, calling the incident of a veiled girl who was stripped and beaten by police on December 18, 2011, and happened to be wearing a blue bra. In another location, Sheab installed a calligraphic graffiti which is an Arabic translation of Pablo Neruda’s quote, “you may crush the flowers, but you cannot delay the spring”.

“America” by Touba Alipour, 2017

Touba Alipour’s “America” is a mixed media artwork, curated by gallery director and artist Indria Cesarine, placed in The Untitled Space gallery’s “ONE YEAR OF RESISTANCE” exhibition in January 2017, shortly after the election of U.S. President Donald Trump. This exhibition, which included over 80 artists, addressed and protested policies that challenged human rights in our society such as immigration rights, health care, reproductive rights, climate change, transgender rights, white supremacy, gender equality, gun control, sexual harassment and many others. Among these artists, Touba Alipour addressed the travel bans placed by Trump which prevented people from six Muslim countries to enter the United States. “Being from Iran, it definitely affected me in different ways”, mentions Alipour, “I’ve seen families being torn apart, and they had green cards, they were living here, they just went to travel, and when they came back they were told they can no longer enter the country”.

Art is a way for people to express themselves, whether for the sake of imagination or to express ideas. It has been used effectively today, and throughout history, to send public messages about social and political issues. Human rights and the arts go together because of the expressive nature of both subjects. As people, we can stand up for our rights through expression. Due to their ability to create visual interest and to promote solidarity, awareness, and protest, artists and designers play a pivotal role in society by promoting human rights advocacy. Especially in the modern age, where people rely heavily on technology and media, it is important to send messages that work toward creating a society that respects human rights for themselves as well as others.

What is Gender-Based Violence?

Growing up, I was resentful of the social freedoms my male friends naturally enjoyed. Unlike the parents of my male friends, my parents were very strict about things like curfews, not being outside at night alone, and avoiding certain neighborhoods. My dad would always say, “We trust you, but we don’t trust the people around you”. Although I was still resentful, I know my father enforced those stringent rules because he was trying his best to protect me from gender based violence (GBV). GBV is defined as violence towards an individual that is motivated based on his or her gender identity, biological gender, “or perceived adherence to socially defined norms of masculinity and femininity”. The term ‘violence’ encompasses physical, sexual, and psychological abuse along with coercion, threats and compromised liberty. Examples of GBV include sexual violence like rape, domestic violence, and human trafficking. Both men and women are affected by GBV; however it is recognized women and girls are at most risk for exposure due to the imbalanced power relations between men and women “which have led to domination over and discrimination against women by men … and that violence against women is one of the crucial social mechanisms by which women are forced into a subordinate position compared with men.”

Violence against women and girls is a prevalent human rights violation resulting in disproportionate negative consequences on females’ physical, mental and sexual and reproductive wellbeing including but limited to including, but not limited to: “i) fatal outcomes; ii) acute and chronic physical injuries and disabilities, iii) serious mental health problems and behavioral deviations increasing the risk of subsequent victimization and iv)  gynecological disorders, unwanted pregnancies, obstetric complications and HIV/AIDS .”

International Womens Day Strike. Source: Molly Adams. Creative Commons

Some troubling statistics on GBV:

  • In 2014, a UNICEF study projected that ~120 million girls (almost 1 in 10) under the age of 20 have been forced to perform sexual intercourse or other sexual acts during some point of their lives.
  • Almost half of the women killed in 2012 were murdered by a family member or intimate partner.
  • Globally, the WHO estimates 35% of women worldwide have experienced either physical and/or sexual intimate partner or non-partner violence or sexual violence. Other national studies have estimated up to 70% of women experience GBV.
  • “Women and girls together account for 71 per cent, with girls representing nearly three out of every four child trafficking victims. Nearly three out of every four trafficked women and girls are trafficked for the purpose of sexual exploitation.”

Although a pressing issue, it wasn’t until 1992 when the Convention on the Elimination of All Forms of Discrimination against Women (CEDAW) formally adopted General Recommendation No. 19: Violence against Women (GR 19), which legally categorized violence against women a distinct form of discrimination. Likewise, it wasn’t until 1993 the United Nations General Assembly adopted the Declaration on the Elimination of Violence against Women (DEVAW), forming the first ever internationally-recognized definition of GBV. Both documents explicitly outline how GBV violates basic human rights mentioned throughout the UDHR such as the right to life, dignity, and health.

Health Effects of Exposure to GBV

Sexual and Reproductive Health
GBV is a major public health concern contributing to mass amounts of mortality and morbidity. Specifically, the relationship between GBV and HIV and other STIs has been recognized as an important pathway for the contraction and spread of such diseases. WHO states that, in some regions, women facing sexual partner violence are 1.5x more likely to contract HIV, and 1.6x more likely to contract syphilis. Here’s how:

First, increased vulnerability to HIV and STI’s stems from sexual violence such as rape. “Violence reduces victims’ abilities to influence the timing and circumstances of sex, resulting in more unwanted sex and less condom use, including situations where women are coerced or pressured not to use condoms.” For example, of the estimated minimum 250,000 women brutally raped during the Rwanda Genocide, 70% of those survivors tragically acquired HIV.

Second, another important pathway from GBV to HIV is men who are physically violent are also more likely to be HIV positive. Studies find violent men are more likely to engage in risky sexual behavior such as having multiple sex partners and utilizing transactional sex, increasing their chances of contracting and spreading HIV and other STIs.

Along with the spread of disease, women and girls experience unwanted pregnancies due to GBV. The WHO states that women with previous exposure to GBV are more likely to account having had a self-induced abortion. Globally, “80 million unintended pregnancies each year, at least half are terminated through induced abortion and nearly half of those take place in unsafe conditions.” A study analyzing the relationship between GBV and sexual and reproductive health among low-income youth in three Brazilian cities, supports WHO’s statement that women in abusive relationships are more likely to experience unwanted pregnancies. The study found adolescent females who became pregnant as teenagers were more likely to have been victims of controlling behavior or physical abuse compared to teenage girls whom have never gotten pregnant. Among the girls who got pregnant as a teenager during the study, “20% reported having suffered physical violence from a partner and 10% reported having been subjected to sexual violence from a partner, compared to 5% and 3% respectively of those who did not get pregnant as teenagers.”

Mental Health:

Along with physical harm, studies highlight women and children face serious mental health problems after enduring traumatic experiences with GBV. “Exposures to traumatic events can lead to stress, fear and isolation, which, in turn, may lead to depression and suicidal behavior.” According to the WHO, women abused by a non-partner are 2.3 times more likely to have alcohol use disorders and 2.6 times more likely to have depression or anxiety. A cross-sectional study based on the Australian National Mental Health and Well-being Survey in 2007 found that of the 4,451 female respondents, 1,218 (27.45%) of the women have experienced one of the four types of GBV analyzed in the study (IPV, stalking, sexual assault, and rape). Of the 139 women who experienced at least three types of GBV, the rates for mental disorders were 77.3% for anxiety disorders, 47.1% for substance abuse disorders, 34.7% for attempted suicide, and 56.2% for PTSD.

Right On. Source: Liz Spikel. Creative Commons

Potential Solutions to Address Gender-Based Violence

In light in of April being sexual assault awareness month, itself a form of GBV, it is essential to break through the culture of silence. Our health care system can be more active is addressing the prevention of GBV, and also the aftermath of GBV. First, providing survivors with mental health services such as counseling is critical for these women and girls to address their psychological trauma and progress with their lives. Mental health services are vital in providing survivors a voice to express themselves. Second, our health care system could potentially be a major stakeholder in identifying and stopping GBV.

“GBV is very common, but most health care providers fail to diagnose and register GBV, not only due to socio-cultural and traditional barriers, lack of time, resources and inadequate physical facilities; but even more so due to lack of awareness, knowledge and poor clinical practices with limited direct communication and failure to do a full physical examination, not to mention register and monitor the effectiveness and quality of care.”

Moving forward, there needs to be a systematic change within in the health sector. The World Bank, amongst other NGO’s, have provided approaches on how to address this issue. Some strategies to consider include, but of course not limited to:

1) Requiring GBV screenings during doctor visits to ensure early intervention
2) Train and educate health care personal about GBV to improve provider’s knowledge, medical services and attitudes towards GBV.
3) Providing survivors access to adequate infrastructure within hospitals which includes private counseling and examination rooms.

Women are approximately 50% of our global population, yet gender-based violence is one of the most prevalent and widespread human rights violations. Gender equity is an inalienable right protected in numerous human rights documents, however change will never be achievable until we break this vicious cycle of violence through education and strict policy changes. Ultimately, women have proven they are just as equally capable as men, and gender-based violence and discrimination over an uncontrollable biological factor is simply unjust.

Angélique Kidjo Brings Batonga to Birmingham

On Thursday, March 22, Grammy Award-winning Beninise performer and human rights activist, Angélique Kidjo, offered a lecture at UAB’s Alys Stephens Performing Arts Center titled, Give Her Wings – Teach Girls and Empower Women. After bestowing the audience with an opening melody, Kidjo spoke of her diverse musical influences, such as R&B, funk and jazz, then shared stories about her childhood, personal growth and activism for girls — periodically breaking out in song whilst incorporating the crowd.

Angélique Incorporates the Crowd. Source: UAB Institute for Human Rights

Born into a music family, Kidjo was not shy about her childhood, confessing she had “cool parents” shared with nine other siblings. Claiming to have never lived with fear, she was pressured into her first stage performance at the age of six, gracefully under spotlight, displaying her young talent which led to a standing ovation. However, during her adolescence, her singing become an issue for some boys in her community in which she became the victim of sexist ridicule and physical confrontation. Being discouraged by this incident, she told her mother she no longer wanted to sing, but was uplifted when told, “If you let people define who you are, you will never have a life”. Her father also claimed that once you engage in a physical fight, you have lost the battle – the most powerful tool is your brain. This encouraged Kidjo to coin the term Batonga which confidently means, “Get the heck out of my life. I’ll be whoever I want to be”.

In secondary school, Kidjo started noticing children not attending class, which confused her, then realized keeping girls in secondary school limits helping mothers in the home. This gave her conviction that without secondary education, girls are limited to being mothers and wives, influencing her activism for children’s education and girl’s empowerment. Kidjo’s Batonga Foundation addresses the gender disparity in secondary and higher education throughout Africa, offering scholarships, books, tutoring, mentoring and meals.

Kidjo believes educating girls will engender world peace and influence them to not raise macho men who hijack women in the name of fear. She asked the crowd, “How do you view your kids, if your wife is viewed as inferior? Man up!”. She then briefly touched on her experiences as an African woman living in 1980s Paris, being shocked by blatant racism but standing her ground, and declared the brain and soul have no color, the world is yours and don’t be afraid to challenge people – a mindset inherited from the empowered women who raised and supported her.

Kidjo ended her lecture with one final number that included the crowd. With her grace and leadership, the crowd joined her and steadily chanted, “Chez mama, chez mama Africa”, a precursor to the following night’s concert.

Kidjo and the IHR Gang. Source: UAB Institute for Human Rights

Soon after, young girls and boys rushed to the microphone and asked Kidjo how they could be leaders just like her. She expressed to many of these young, impressionable minds how the liberating power of music gives one the confidence and strength in the face of adversity – Batonga.

Protests: Movement Towards Civil Rights

** The National Walkout Day last week and the upcoming March for Our Lives protests organized by the surviving students of the Parkland school shooting in February has prompted this blog repost from 2016. 

Signs carried by many marchers during March on Washington, 1963. Source: Library of Congress, Creative Commons.

 

Have you ever considered the pilgrims’ decision to leave England over religious freedoms, as a protest? Or slave rebellions as a protest to the dehumanizing treatment of being viewed as less than human or 3/5 of a person? Or the suffragettes dressed in white marching for the constitutional right to vote? Often most people point to protest images of the Civil Rights movement or Vietnam War as finite examples of protest, believing that protests are a thing of the past and no longer applicable in 2016. What I find fascinating is how quickly a protest is discounted as merely a group of unsatisfied people gathering together under a banner of their perceived oppression.

I use the phrase “perceived oppression” because it was used as a matter of fact, rather than projected opinion, by Facebook webstar Tomi Lahren in an interview two weeks ago. During a segment, Lahren assumed that Colin Kaepernick’s national anthem protest was rooted in his “perceived oppression” about how black people and people of color are treated in this country. Aside from The Daily Show audience, Tomi Lahren’s videos boast between 7-17 million views – an incredible feat for someone who doesn’t seem to understand the power of her platform. Lahren is entitled to her opinion. She is granted that right as a human being and a citizen of this country, as written in the first amendment. Additionally, Colin Kaepernick, Black Lives Matter, gay rights activists, and anti-abortionists do too. Here’s where I have issue: the lack of regard for fact and truth. So where does a disregard for truth and fact leave the minorities who are oppressed? They remain outcasts due to opinion rather finding allies through fact.

The fact is oppression is real.

It is not just an impact felt by American minorities; it is an international way of societal coexistence to which the natural response is protest and resistance. **For the sake of this blog, the term ‘minority’ means every group that is not a part of the majority, whether by race, gender, class, ethnicity, sexual orientation, and/or ability.

Many have concluded that the not-so-silent white majority came out in force in support of Trump over Clinton in this election. The narrative is that for the past 6-8 years, their voices had been silenced under a lack of jobs, healthcare, and education. In this election and with this new president, their voices are now being heard. Yet, what about the voices of the minority groups who have been asking for the same things for longer than 6-8 years… how about centuries? When and how will their voices be heard?

Most major languages have a word for violence; however, the idea of nonviolence is the combination of the words that mean ‘not violence’. The Sanskrit word, ahimsa, means ‘not doing harm’, and Mahatma Gandhi reiterated that ahimsa “does not mean meek submission to the will of the evildoer, but it means pitting one’s whole soul against the will of the tyrant.” Gandhi and Dr. Martin Luther King, Jr. are names synonymous to the principle and practice of nonviolent resistance.

Gandhi was the first to explore the expansion of nonviolence from an individual lifestyle into a concerted political and social justice strategy, believing that nonviolence was used with more frequency and brought about more success than violence. Dr. Erica Chenoweth and Maria Stephan analyzed 323 violent and nonviolent resistance movement from over 100 years, substantiating Gandhi’s claim: “nonviolent resistance campaigns were nearly twice as likely to achieve full or partial success as their violent counterparts.” Dr. Stephen Zunes concludes that nonviolent action, in the form of resistance, has been taking place as a part of political life for centuries. It is their success which has garnered attention as the cause of human rights has advanced as a direct result of “toppling or dramatically reforming repressive regimes.” Nonviolence protest is a deliberate tool for social change. It is not an ad hoc strategy. It is, rather, a methodical method of struggle which is no longer simply rooted in religious or ethical principles. Gene Sharp labels it as political defiance.

So what is protest?

Protest is a right. The first amendment of our Constitution grants all Americans the right to peaceful assembly and to express dissatisfaction to the government. Additionally, according to Article 20 of the Universal Declaration of Human Rights (UDHR), peaceful assembly has been declared a human right. The clarifying word is peaceful, or nonviolent, in both documents. It is imperative to understand that a riot is not a right.

Protest is different to riot. Dr. King emphasized that the riot is socially destructive and self-defeating but it is also the “language of the unheard,” thus the counteraction to a riot is to organize in nonviolent resistance based on the principle of love.

Kiev monk hearing confession during protest. Source: Jim Forest, Creative Commons.

 

Protest is not passive. Students in Serbia (Yugoslavia) organized a nonviolent resistance in cities around the country as a means of protesting the dictatorship of Slobodan Milosevic. They called themselves, Otpor!. By adapting Gene Sharp’s book as a manual, Otpor! positioned themselves under a threefold banner of unity, planning, and nonviolent discipline. The strategy was nonviolent resistance with concerts, sprayed painted slogans, and ridicule of the government, including a “birthday party for Milosevic”. The resistance which began as a student-led protest became a movement of more than 700,000, resulting in an overthrown government.

Protest is the struggle for recognition of an injustice. By honing in on societal structural violence, which is made manifest through cultural and social institutions, nonviolent protests are not about ‘attacking people’ as much as they are about calling attention to and addressing the “psychological, social, economic, and political weapons applied by the population and the institutions of the society”, believes Gene Sharp. In New York City 1985, at the height of the AIDS epidemic, the gay community and their heterosexual allies took to the streets in protest of governmental failure to fund and research a cure. At the time, millions of people worldwide had succumbed to AIDS-related illnesses. Activists under the banner of ACT UP and TAG sought to bring awareness and solution to governmental decision to penalize human beings for their lifestyle choice. Therefore, not only were they denied their constitutional right to protest but their human right to medical care which is included in the standard of living, identified in Article 25 of the Universal Declaration of Human Rights (UDHR).

The UDHR is the international standard for the treatment of human beings. The document sheds light on Dr. King’s pronouncement that “Justice is indivisible. Injustice anywhere is a threat to justice everywhere.” What interesting is that the Pledge of Allegiance and the Constitution of the United States of America both speak of liberty and justice is for all, and that all men are created equal. Equality is a misnomer for some citizens of this country and the world.

How does justice exist for all if you are the target of a hate crime or laws designed against you?

Gandhi said, “The first condition of nonviolence is justice all round in every department of life. Perhaps, it is too much to expect of human nature. I do not, however, think so. No one should dogmatize the capacity of human nature for degradation or exaltation.” To find justice all round in every department of life, a person must begin with self. Johann Gottlieb Fichte announced, “if you are to see differently, you must first of all become different.”

Source: Revolution Messaging, Creative Commons.

Protest is the courageous outward expression of inner dissatisfaction or disapproval. Angela Y. Davis asserts that the struggle is exemplified in protest. Grassroots nonviolent movements, or as Diana Francis refers to them as “people power” movements, have consistently challenged repressive and unjust systems for generations. So what can you do to join nonviolent resistance movements which seek to expose and eradicate structural violence directed at minorities in the form of oppression and repression? Adapt four characteristics of a nonviolent ethic as exemplified in Gandhi and King. The four characteristics of identity and ethics from the lives of Dr. King and Gandhi are a compassionate, cosmopolitan worldview, a truthful reality, an educated voice, and love. As students of their work and life, we can possess and impress these characteristics upon others, transforming the world through personal change in order to garner social change.

  • A compassionate, cosmopolitan worldview: The word cosmopolitan comes from the Greek words cosmo meaning world, as in universe not earth, and polis referring to the city that one owes loyalty. Voltaire says, “Cosmopolitans… regard all the peoples of the earth as so many branches of a single family, and the universe as a state, of which they, with innumerable other rational beings, are citizens, prompting together under the general laws of nature the perfection of the whole, while each in his own fashion is busy about his own well-being.” Therefore, the possession of a cosmopolitan worldview means we have placed ourselves under the loyalty of the world and the citizens who share this common space, with the added dimension of compassion.
  • A truthful reality: A truthful reality is not a denial of the past. It is the understanding that the past and those who endured it, are the launching pad for those of us living in the present. Davis states, “in the 1960s we confronted issues that should have been resolved in the 1860s. And I’m making this point because what happens when 2060 rolls around? Will people still be addressing these same issues? And I also think it’s important for us to think forward and imagine future history in a way that is not restrained by our own lifetimes.”
  • An educated voiceWilliam Ellery Channing concluded that “others are affected by what I am, and say, and do. And these others have also their sphere of influence. So that a single act of mine may spread in widening circles through a nation or humanity.” Everett Rogers studies the diffusion of innovations in societies. He has concluded that for an idea–whether true or false, good or bad—to become embedded in society, it only takes 5% of the population to believe it, and if 20% become aware of the idea, it becomes unstoppable. In Rwanda, the genocide of Tutsis by Hutus in April 1994, was because of untruths spewed from the radio.
  • Love: Dr. King professed that “love is the only creative, redemptive, transforming power in the universe.” The beauty of love is that you can love and disagree. Love is a choice. You choose to be ruled and guided by love, just as you choose to be ruled and guided by fact or opinion, or emotions and feelings.

Protest gives an AND rather than an OR.

 

Black Panther: A Game-Changing Film

A laughing boy.
Child laughing. Source: cheriejoyful, Creative Commons

On February 16, 2018, the revolutionary movie, Black Panther, was finally released for the world to enjoy.  The film provides the audience with a much-needed source of representation for the black community, both on and off-screen.  Black Panther is part of a revolutionary change in an industry that has historically disregarded people of color.

Depiction of Black Characters

It is easy to see that Black Panther is a game-changer in the film industry in relation to its production, but it also includes a much-improved depiction of black characters.  They are multi-dimensional and have their own personal histories and experiences.  They are not forced into any one single role, challenging the idea that people of minorities are limited to the surface-level narratives that society usually expects.  They are real people who have struggles, fears, and triumphs.  It lacks the stereotypes that films often use to create characters of color.  The normative roles given to black actors are often of dangerous criminals with limited education, such as drug dealers and con-artists.  These kinds of characters worsen the incorrect and harmful perception that much of society has of black men.  When black roles are actually given positive characteristics, they are still generally given littles depth, and are used as nothing more than support for the white main character.

The Black Panther himself, T’Challa, is not just a superhero (though his being a superhero is significant in itself).  He is the king of Wakanda and acts as a diplomat, representing and speaking on behalf of his country at the United Nations.  He is respectful of women and recognizes their value and strength, as seen through his female bodyguards, the Dora Milaje.  He does not let toxic masculinity impact his actions and has a strong connection to his family.  T’Challa is brave, intelligent, and compassionate, making him a well-developed main character and hero.

Even Eric Killmonger is given depth and undeniably human experiences.  If one seeks a traditional villain among the movies’ characters, most signs point to him.  All of his actions are focused around defeating the Black Panther and taking over the throne, and he does not care what it takes to do so.  However, if we look closer, the circumstances are not so black and white.  His anger towards T’Challa stems from the death of his father and Wakanda’s years of ignorance of the suffering of African Americans.  His primary goal in defeating T’Challa, is to send Wakandan resources to people facing oppression.  His methods were misguided, but his motivations are fairly easy to understand.

The development of Killmonger conveys the idea that we all think of ourselves as the hero in our own stories.  T’Challa sees himself as the hero, fighting to save the country he knows and loves.  Killmonger sees himself as the hero, trying to correct the wrongs of the past and seek what he believes to be justice.  The only thing that changes is the framework of the story, the perspective through which you are experiencing it.  In real life, the vast majority people make the choices they make because they believe they are doing the right thing (even when they are wrong).  While this does not excuse actions that harm other people or mean that everyone is concerned with doing the right things, it does suggest that wrongdoings are not independent events.  Every experience we have impacts the choices we make.  If we want to make the world a better place, we have to address the causes and events that have led to different negative situations.

People are complex.  The fact that this concept is explored in a film about characters of color is indescribably important because it goes against the stereotypes and archetypes that are often used to create such characters.  It gives the characters dimensions which reflect the human experience that connects all people.

Depiction of Women of Color

The film’s use of well-rounded characters does not end with those who are male.  The character stereotype of black women in films is loud and dramatic and is perceived as having an attitude problem.  They are considered bossy, aggressive, and sometimes even mean.  The female characters in Black Panther defy traditional expectations and radiate empowerment.  Black Panther depicts numerous powerful black women without objectifying and over-sexualizing them as many movies do.  They are just normal women.  Realistic, intelligent, kind, and brave. These characters stand on their own and serve a greater purpose than supporting the development the male characters.

Shuri, T’Challa’s half-sister, is a sixteen-year-old genius who leads the development of Wakandan technology.  She offers representation for increasing number of women and young girls, especially those of color, who aspire to be part of the STEM field.  She is not limited to being “the smart one.”  When the time comes, she is ready and more than willing to be part of the fight to protect her country.  In addition to her brilliance and strength, she is also equipped with a vibrant personality.

Okoye is a member of Dora Milaje, the group of women who act as bodyguards for the Black Panther.  She is a fierce warrior, dedicated to serving her people to the best of her ability.  She is strong and loyal, ready to sacrifice her relationship to do what is right for her country.  She would do anything to protect Wakanda.

Nakia is a Wakandan spy, who goes undercover in an effort to undermine human traffickers in the beginning of the film.  She takes action and puts herself in dangerous situations in order to help others.  Her work is her passion and main priority, and she refuses to sacrifice it for the sake of romance. She also encourages T’Challa to share the resources of Wakanda with the rest of the world.  She is driven and wants to make the world better place.  She is a world-shaker.

A smiling boy.
Jamaican. Source: Ashley Campbell, Creative Commons

Watching Black Panther as a White Woman

This film is not just important for the black community, or even just for minority groups.  It is important for white people to watch the film as well.  As a white woman, I originally went to watch Black Panther to simply support a film I knew was important for people of color and to enjoy the experience.  However, as I sat in a theater full of children of color, listening to their reactions to the dialogue and every plot twist, I truly believe that I gained a deeper understanding of the film’s importance.  The kids were excited and absorbed in every moment.  I realized the extent to which I am privileged to have characters I can identify with in just about every movie and television show.  It is something that I have taken for granted for a long time.

I also realized how important it is that black people have an increased opportunity to speak.  White people need to be close allies of course, but we should not dominate the conversation.  We need to support the creation and maintenance of platforms from which they can represent themselves.  We have a history of making everything about us, and we need to ensure that that does not continue.  In the past, white people have stolen land, enslaved entire nations of people, and destroyed families for their own selfish gain.  We now need to be a part of fixing the damage that our ancestors have caused and work to empower people of color in every way possible.

Why Does this Matter?

There are some people who question the importance of representation in the media.  They do not understand why it is so vital to have well-developed characters of color and female characters.  Dr. Christopher Bell provided a thorough explanation of this in his TED Talk, “Bring on the Female Superheroes!”  In his talk, Bell explains public pedagogy, or “how societies are taught ideologies.”  This involves concepts such as what it means to be a member of the different genders, how to behave while in public, and how to be polite.  According to Bell, we now live in a 100% media saturated society, meaning every part of our lives, including public pedagogy, is influenced by what we seen on television, in films, and on social media.  The characters and the people that children see through the media are key in their understanding of the world.  When children are unable to see people they identify with as leaders, scientists, or artists, it is difficult for them to see a future where they are doing those things.  The media you consume impacts your outlook on who you can be.

The film shows traditional gender roles being smashed through all its characters.  Women can be warriors, scientists, and world-changers. They can be protectors and leaders. Men can be compassionate and emotional. They do not have to fit into ‘traditional masculinity’.  People can support each other in their choices, regardless of how it fits societal expectations.  In the film, the country of Wakanda contains a society in which gender roles do not seem to apply.  The proposal of a woman becoming the leader and Black Panther is not questioned.  The king’s guards are women, and no one tries to fight it or questions the Dora Milaje’s ability to protect their leader.  All people are equal and are offered the same opportunities.

In addition to its being a huge leap in representation, the film also acts as a proof that change is possible.  More representation, better opportunities, and a better future are all within reach for marginalized groups.  It is crucial that we maintain this momentum.  The Black Panther film is an immense milestone, but there is still more to do.  There still needs to be more representation for the black community and similar representation for other people of color.  We need to work towards a future where such a representative film is a norm rather than an anomaly.

 

Angélique Kidjo and the Importance of Education

On March 22, 2018, Grammy-award winning singer and human rights activist Angélique Kidjo will be speaking at the University of Alabama at Birmingham about the importance of education for girls and boys. Angélique is from Benin, a small country in West Africa; the IHR has previously published on challenges facing Benin on our blog, which may be found here. One pressing human rights concern facing the Beninese people is access to education. The Batonga Foundation, Angélique Kidjo’s non-profit organization states, in Benin, 3 out of 4 girls do not make it do middle school, and 1 in 3 girls get married before the age of 18. Per UNESCO, in 2015, only 48.93% of students enrolled in secondary education were female compared to 68.52% of enrolled male students in Benin. Lastly, in 2012, the female literacy rate for female population aged 15 – 24 in Benin was only 40.94%.

Grammy Award winner Singer / Songwriter and Unicef Goodwill Ambassador Angelique Kidjo visits Kazanchis Health Center in Addis Ababa, Ethiopia 11 November 2013. Photo by Jiro Ose

As Angélique explained to CNN, unlike the majority of girls in Benin, she grew up in a household that emphasized the critical necessity of education. Growing up with ten siblings and one paycheck, Angélique used to sing for extra money for her family. She eventually wanted to drop out of school and work as a full-time singer, however, her father insisted females should be educated and made dropping out of school non-negotiable.

“My education has empowered me so much: it gave me the confidence not only to sing but also to speak on CNN or BBC and to meet world leaders to lobby on the behalf of the women of Africa.”

– Angélique Kidjo, ONE

Primary and secondary education for all children is now accepted as a universal basic need and human right. Data from the World Bank highlights the sobering relationship between education and development. The poorest countries in the world have national secondary education enrollment rates of less than 35%, along with low levels of tertiary enrollment of less than 15% (Sachs 254). Higher education institutions are necessary “to ensure that there are qualified teachers, sufficient numbers of technical workers, and a generation of young people trained in public policy and sustainable development (Sachs 255).”

In many communities, cultural roles and expectations create substantial gender gaps in the division of household responsibilities, economic opportunities such as employment, access to job-training skills, and education levels. The burden of gender inequality has detrimental and disproportionate impacts on the economic security, poverty levels, health, nutrition and environmental safety of women worldwide. These can also be prevented. Education provides mothers and children the opportunity to break the cycle of poverty and fuel social mobility, which here refers to the change in social class and socioeconomic status of individuals or families.

The Ripple Effect of Education on Social Mobility

  • Educating women equates to higher economic productivity. Studies determine lower female enrollment rates in school is associated with lower GDP per capita. Specifically, UNICEF states in 2011 that one percentage point increase in female education increases the average level of GDP by 0.37 percentage points. As a result of basic education and skills, women are able to work and contribute to the economic growth and productivity of their country. Likewise, education plays a key role in endogenous growth – economic growth based on new technological breakthroughs, such as the internet and advancements in computer science using research and development (Sachs 271). The current revolution of new information and communication technology (ICT) is exceedingly dependent on trained individuals with advanced degrees in their fields of study. Research and development is deeply concentrated in high income countries due the complex interplay of successful management systems ranging from universities to high tech business companies, and even national laboratories (Sachs 273). The fundamental anchor for the success of these institutions is strong systems of higher education in sciences, public policy and engineering.

At the local level, educated women are able to work and provide for their families. UNICEF states every added year of primary school enhances girls’ ensuing wages by 10 – 20% and another 15-25% for every additional year of secondary school. Employment opportunities provides financial stability, and thus averts families from falling into poverty due to the parents’ ability to invest in their children’s human capital. Human capital is here defined as the “collective skills, knowledge, or other intangible assets of individuals that can be used to create economic value for the individuals, their employers, or their community.”

  • Educating women translates to reduced child mortality. The number one indicator for the survival of a child under the age of five is the mother’s education level. Education establishes health behaviors and customs that have a constructive impact on an individual’s health. Specifically,“Educated mothers have a greater ability to identify healthcare services for treating their child’s illnesses; higher receptivity to new health-related information; familiarity with modern medical culture; access to financial resources and health insurance; better decision-making power; and increased self-worth and self-confidence.” (Bado 2016)

Reduced child mortality breaks the intergenerational cycle of poverty of the future generation. First, healthy children and less likely to miss school and more likely to complete their education. Higher levels of education are associated with better socio-economic status. Second, healthy children grow up to be active members of society, and contribute to the productivity of their national economy. Third, families with healthy children can invest money into other areas of development and human capital such as education rather than health services.

  • Parental educational level is an important predictor of children’s educational outcomes. Educating women translates to increased chances of education for the next generation regardless of one’s social environment or income. Educated parents understand the critical relationship between education and social mobility, increasing the likelihood of putting their children through school. Likewise, educated parents have the financial means to help put their children through school. Lastly, parent education levels are associated with the parents providing children a more stimulating cognitive, emotional physical environment in the household. Motivating home environments have a positive influence on a child’s achievements and aspirations (Gunn 518-540).

“The association of  family income and parent’s education with children’s academic achievement was mediated by the home environment. The mediation effect was stronger for maternal education than for family income.”

Educating girls and women is the most cost-effective way to reduce poverty and improve quality of life. Education enables both national and local social return that continue to affect quality of life years after formal education is completed.

Female education is an imperative stakeholder in the development of women all over the world. Angélique Kidjo uses her voice and social influence to advocate for female education all over Africa. In 2002, Angélique Kidjo’s advocacy journey flourished as she became a UNICEF Goodwill Ambassador for education. As a Goodwill Ambassador, Angélique has campaigned for education on behalf of UNICEF by attending high level meetings, speaking and performing at public events, and granting media interviews. Her advocacy work continues to bring attention to these issues. Along with her work with UNICEF, Angélique founded a non-profit, the Batonga Foundation. Angélique created the word batonga which means “get off my back, I can be whoever I want to be.” According to Angélique, she created the word during her Junior year of high school to protect herself against male bullies at her school. The word confused the boys, who eventually left her alone. The Batonga foundation focuses on the education of women and girls throughout Africa. Their services focus on providing scholarships, book materials, latrines across schools, shoes for walking to schools, and access to girls clubs.

The IHR is proud to host Angélique Kidjo. On Thursday, March 22nd at 6:00 p.m., Angélique will present an educational lecture at the UAB Alys Stephens Center. This event is free and open to the public.

Additionally, on Friday, March 23rd at 8:00 p.m.,  Angélique Kidjo give a musical performance at the UAB Alys Stephens Center. Registration for her performance can be found at the UAB Institute for Human Rights website.

References:

Sachs, Jeffery. (2015). Enviornmental Sustainability and Peace. New York: Colombia University Press

Greg, D., Brooks-Gunn, J. (1997). The Consequences of Growing Up Poor. New York: Russell Sage Foundation

Covenants without the sword: International humanitarian law (IHL) and sexual violence

by LISA SHARLACH, PhD

Miss Jiuliancheng and the Russian soldier (Kyûrenjô no heiki). Source: LOC Library of Congress Prints and Photographs Division 2009630462.

**Trigger warning: this blog speaks about sexual violence against women.

How do we stop sexual violence in civil war?  My goal is not to offer a comparative assessment of various tactics to stop war rape.  Instead, I look at the ineffectiveness of one particular tactic – law, both domestic and international.  In the mid-1600s, Thomas Hobbes wrote that “covenants, without the sword, are but words, and of no strength to secure a man at all”.  Unfortunately, even today, international law and, to a large degree, domestic law on rape in conflict have not had the backing of the proverbial sword of justice.  No legal code condones rape, whether in war or peace. Regardless, as I demonstrate in the book manuscript I am completing, the international community and individual states’ willingness to prosecute the crimes has been lacking.  The end result has been near-complete impunity for wartime rapists.

This topic is not one limited to academia.  The London Summit of 2014 increased popular awareness of the problem of wartime rape.  Grassroots activists and transnational human rights organizations, such as Amnesty International and Human Rights Watch, have amassed country-specific information on sexual violence and, in their words, “demanding accountability” from governments.  These are positive steps, but insufficient.  Condemnation alone has not stopped mass rape.  For example, newspaper and television stories, human rights watchdog organizations’ reports, and U.N. General Assembly resolutions all condemned the political use of rape by ethnic Serbs in Bosnia-Herzegovina in the early 1990s.  However, none of this prevented Serbian soldiers and paramilitaries from using similar rape warfare tactics against ethnic Albanian women and girls in Kosovo in 1999.

The book I am finishing focuses on few case studies of mass rape:  Bangladesh; Cambodia;  Guatemala;  Peru;  Bosnia-Herzegovina;  Rwanda;  and India. (Rapists may, of course, target anyone, but the preponderance of these attacks have been upon women and girls).  I assess patterns and the scope of rape in these conflicts, and the miniscule numbers of convictions that courts and tribunals were able to secure for the rapists thereafter.  That only an infinitesimal fraction of rapes in the conflicts were ever prosecuted, much less convicted, sends a message to combatants today that they, too, most likely will be able to rape, if they so desire, without fear of punishment.

Bangladesh, Cambodia, Bosnia-Herzegovina, and Rwanda have tried or are trying sexual violence through international tribunals and/or truth commissions; the process has been expensive and ineffective.  In these countries’ civil wars combined, hundreds of thousands, perhaps even a million, rapes took place.  Only a couple of hundred sexual violence cases ever actually appeared before an international tribunal in all these countries combined, and the numbers of convictions is, of course, even lower.  The total number of rapes or other episodes of sexual violence in these countries that went to any sort of trial at all is approximately seven thousand.   The vast majority of these appeared in Rwanda’s informal gacaca courts, and a sizeable number were tried in the national courts of Bosnia-Herzegovina.   The percentage of the seven thousand or so trials that resulted in conviction of the rapist is unknown.  When there are only a few thousand convictions for hundreds and hundreds of thousands of rapes, the unintended message sent by the tribunals to militants around the world is that they can almost certainly rape – and get away with it.

This finding is likely to make one despair of the value of international law in convicting wartime rape.  Unfortunately, the lesson learned from the case studies concerning the efficacy of national courts in this regard is that they are no better.  In India, Peru, and Guatemala, advocates have used the national court system to try to win justice for survivors of mass rape.  Guatemala and Peru have each convicted two of the men determined to have raped in those countries’ protracted, Cold War-era “dirty wars.” In India, only a few men have been found guilty of rape during the 2002 communal violence in Gujarat.  (Throngs of Hindu-nationalist men gang-raped hundreds of Muslim women, most of whom they burned to death immediately thereafter.  Their incineration, a Hindu funerary ritual, precluded a Muslim burial – and also destroyed forensic evidence, which in India is necessary to prosecute most instances of rape. The only Hindu women similarly attacked had Muslim husbands).  In sum, one may count on one’s hands the total number of men found guilty of raping during the riots in Gujarat, India and the wars in Guatemala and Peru combined, even though these instances of mass rape transpired at least fifteen and most often not quite forty years ago.

At present, legal covenants, whether domestic or international, are clearly an ineffective deterrent to rape in conflict.  The question of what might be a better deterrent is a subject open for much-needed discussion.  It is likely that Thomas Hobbes would suggest that “the sword,” or military might, is required, as law – words on paper – is meaningless without it.

In some instances of genocide or gross ethnic/racial inequality, such as during apartheid in South Africa, international actors have, in conjunction with domestic forces, deemed a violation of the norm of sovereignty to be warranted.  Third party governments, coalitions, or armies have intervened and stopped the killing, and, in the case of South Africa, pressured the white oligarchy to give up its monopoly on political power. Why should instances of gross sexual inequality – resulting in mental trauma, bodily injury and even death — matter less?

In recent history, there has been no international intervention intended specifically to protect women’s human rights, although mass rape has been used by governments as additional legitimization for a military campaign that was already underway for other reasons.  An example is President George W. Bush’s frequent allusion to Saddam’s alleged “rape rooms” as one justification for the U.S. invasion.  We do not know that these “rape rooms” ever existed; Bush ceased referring to them after the photographs of sexual violence at occupied Iraq’s Abu Ghraib prison became public.  We are all familiar with the rape accompanying the wars in Syria and in South Sudan;  with the kidnappings and sexual slavery perpetrated by ISIL and by Boko Haram;  and with the daily femicides, or sexualized murders, of women in Central America for which almost no one is ever charged, much less convicted.  And, to date, world leaders seem helpless to stop such increasingly open and aggressive sexual violence.  As long as the international community demurs that violence against women is of little consequence, a cultural practice, a matter of course or of nature, an unfortunate side-effect of ethnic rivalry, a domestic rather than an international problem, not a threat to our vital security interests, or a private affair, then the use of rape as a political weapon is likely to continue and perhaps even to increase.

 

 

Lisa Sharlach is an Associate Professor of Government and the Director of Women’s and Gender Studies at the University of Alabama, Birmingham. She received her Ph.D. from the University of California, Davis, in political science. The focus of her research is the intersection of ethnicity, gender, and political violence.

Neither Voice nor Representation: When and Where I Enter

Photo shows Mrs. Ella Watson by Gordon Parks
Photo shows Mrs. Ella Watson by Gordon Parks. Source: Library of Congress, Creative Commons.

As mentioned in part one of this blog, enfranchisement is the act of participating in the political process, namely through voting. It is the acknowledgement and acceptance of citizenship. White men determined and established citizenship for themselves as leaders in the public and political sphere during the founding of the United States. By securing citizenship for themselves, an automatic disenfranchisement of white women, Natives and the enslaved occurred.

The perception of female inferiority finds evidence in the engendered stratification implemented by the founding fathers. Identified as property and void of personal agency rendered women fully reliant upon men. Married women looked after the home and land while the rearing and socializing the children. The labelling of single women as witches and heretics remained commonplace by the religious elite. The depiction of female enslaved as promiscuous and animalistic positioned them at the bottom of the gender and race spectrum. This position for Black women becomes a point of division as the fight for enfranchisement persists.

With the establishment of the laws of the land, women began to resist because as Abigail Adams suggests in a 1776 letter to Mercy Otis Warren, “we would not hold ourselves bound by any laws in which we had neither a voice nor representation.” Adams reveals she threatened her husband, John Adams with a rebellion of a “Tribe more numerous and powerful than all the rest…” he scoffed at the idea. Sarah Moore Grimke wrote in 1838 that men selfishly subjected women to their will for sexual pleasures and promotion of their egos. The subjugation of women finds roots in the unwillingness of men to see women achieve their full potential.

Elizabeth Cady Stanton and Susan B. Anthony, along with Lucretia Mott challenged the political establishment and their regulated domestic life during the 1848 Women’s Convention at Seneca Falls, New York. During the convention, the women pronounced the “Declaration of Sentiments and Resolutions”, in which they changed the US Declaration of Independence by adding “and women” and “her” to each relevant statement. Frederick Douglass, orator and former enslaved person, spoke at the convention as a proponent for the acknowledgment of women as citizens. His push to include Blacks as a part of the campaign brought about a significant turning point for suffrage.

The purpose of the Seneca Falls Convention was to facilitate the procurement of the ballot for women, but not for all women: only white women. Following the Emancipation Proclamation and at the height of the Reconstruction Era, Douglass and Sojourner Truth lamented at the lack of solidarity that manifested in the failure to recognize Blacks as citizens. Douglass’ desire for the inclusivity of Blacks brought a division within the movement. For him, as Davis writes, Black suffrage was an emergency measure. “The ballot was not a means of ensuring…hegemony in the South. It was basically a survival measure—a means of guaranteeing the survival of the masses of his people.” The 13th, 14th, and 15th amendments granted citizenship rights to Blacks on paper and ‘under the law’; however, the right to the ballot for Americans of African descent, especially women, stalled under the discriminatory practices of the Jim Crow laws of the South.

The implementation of literacy tests, grandfather clauses, and poll taxes stripped the enfranchisement of Blacks created equally by their Creator but not under the law. The 1898 civil rights case of Plessy vs Ferguson confirmed the notion of “separate but equal”, further reducing American citizens of African descent to second-class. The work of Cady Stanton, Anthony, and Mott achieved fruition in 1920 with the 19th amendment, granting the right to vote to women. The path for Blacks to the ballot box remained marred for the subsequent 45 years.

The political system continues to rest on inequality. Cain argues that the expression of a true democracy is political equality. He suggests that those who view (and viewed) the Voting Rights Act of 1965 as a provision that allowed special treatment for Blacks fail to see the democratic system that favors one race or class over another as exclusively flawed and unjust. The decision to rationalize the discrepancy gives rise to a white populism. White populism, or white backlash as mentioned by Dr. King, becomes the expressive mode for the frustrations and concerns of whites who seek their claim to democracy through “referendums, recalls, and initiatives.” These referendums, recalls, and initiatives like gerrymandering and rezoning districts, denying restoration of voting rights to the formerly incarcerated, and closing DMVs for the purpose of limiting access to state identification for Black American constitutes constitutional and human rights violations.

The political establishment received a powerful blow in December 2017 by a group of unlikely citizens: Black women. Black women, including the former incarcerated, in Alabama, secured the victory for Senate nominee Doug Jones. Jones prosecuted and brought about the conviction of a klansman involved in the 16th Street Baptist Church bombing that killed Addie Mae Collins, Carole Robertson, Cynthia Wesley, and Denise McNair on September 15, 1963. The historic victory challenges the racist and sexist undercurrent of American politics because as Anna Julia Cooper remarked, “Only the Black Woman can say ‘when and where I enter, in the quiet undisputed dignity of my womanhood, without violence and without suing or special patronage, then and there the whole Negro race enters with me.” The enfranchisement of Black women—women excluded from the political and social narrative—brings about both the voice and the representation of all citizens.

The Persistence Grit of Suffragettes

a picture of an "I Voted" sticker
Day 36/366…I voted. Source: Denise Cross, Creative Commons

Enfranchisement is the act of participating in the political process, namely through voting. It is the acknowledgement and acceptance of citizenship. Sociologist T.H. Marshall defines citizenship as the status a person enjoys as a full member of a community. Citizenship participation in the community has three components that function as rights and duties: civil, political, and social. First, civil citizenship encompasses all individual freedoms—the inalienable rights given to each human being. Second, political citizenship afford the right to participate in the political process, regardless of race, ethnicity, class, gender, and/or ability. Lastly, social citizenship provides the right for an adequate standard of living. Full participation in a community, through the act of enfranchisement, has been a difficult and tenuous process for half of humanity: women.

Women have sought to gain full citizenship status for centuries. While this blog briefly focuses on the women’s suffrage movements in the United States (US) and the United Kingdom (UK), the breath of the women’s rights movement extends to and finds mirroring throughout Europe and in New Zealand, Canada, Australia, and parts of South America and Africa according to Dolton. She reminds that women’s movements are grassroots operations, which strike at the heart of hegemonic institutional and cultural systems. The Universal Declaration of Human Rights (UDHR) ascribes the right for everyone to take part in their country’s government with equal access to public service, and the expression of the collective will through free and equal voting. In other words, while voting is a method utilized in some nation-states, an understanding of the variations in governmental form is imperative.

The US and UK Suffragette Movements

American women were growing dissatisfied with their lack of position and subsequent silence within the public sphere. The outgrowth of this dissatisfaction was the Seneca Falls Women’s Convention led by Elizabeth Cady Stanton and Susan B. Anthony. The topic of voting was a part of the discussion, as was divorce and martial rape. Despite economic and social progress during the 19th century, including Wyoming becoming the first state to extend voting rights to women, the failure to grant voting rights in all states left women undeterred. English women were dissatisfied also but seemingly protested quietly until the late 1890s.

Emmeline Pankhurst initiated the UK suffragist movement in 1898, following the death of her husband. By 1903, she began the Women’s Social and Political Union and recruited her daughter, Christabel, and cultivated an alliance with the Independent Labour Party. The outbreak of WW1 brought about the suspension of politics; yet, the enfranchisement of women, under 30 who met a minimum set of requirements, occurred in 1918. Full enfranchisement for all persons over 21 took place in 1928.

August 18, 1920

Two years following the enfranchisement in the UK, the long-awaited battle for women’s suffrage in the US ended with the passage of the 19th amendment on August 18, 1920. The amendment afforded women the right to vote in the US. The victory secured the right to vote for some but not all.