Thoughts on Homelessness in Birmingham

Image of shelter made of cardboard boxes.
David Hilgart. Home. Creative Commons for Flickr.

During the winter break, I spent a lot of time in Birmingham, staying with my sister and with friends, far away from my farm and home in Columbiana. Our farm is more like an animal rescue or sanctuary that does not generate much income but enough to accommodate. Besides hundreds of animals being surrendered or abandoned, we have even had strays walk up our driveway. Our goat, Fred, was the first I remember as we were in disbelief that a goat was just walking the streets and checking out the very sparse neighborhood, curiously coming up to us with some twine wrapped around his neck. For Fred and everyone to follow, my parents and family members have never refused taking in, rehabilitating, or rehoming an animal in need, so maybe that’s why it was so much more obvious of how much worse the picture I have seen in Birmingham is, or what this article is about. In Birmingham, it is people living in the streets witnessed by a city full of people. Walking through five points and down 20th, there is so much evidence and example of homelessness.  Passerby witness but rarely realize that they are seeing many at their most vulnerable or the harsh, daily routine.

Image of street and tunnel wall lined with bags and boxes and evidence of someone's home
Chris Yarzab. Creative Commons for Flickr.

Responsibility of the State

People experiencing homelessness face violations of many human rights, such as inaccessibility to safe and secure housing, an inadequate standard of living, education, liberty and security of the person, privacy, social security, freedom from discrimination, voting, and more which are interconnected.  These human rights are protected by several international human rights treaties. The International Covenant on Civil and Political Rights (ICCPR), the International Covenant on Economic, Social and Cultural Rights (ICESCR), and the Convention on the Rights of the Child (CRC), which bind the state to legal and moral obligations in realizing and protecting the rights of all people. Also, the right to housing recognized by international human rights law doesn’t just mean a right to shelter. It must be adequate and accessible. Battling and overcoming homelessness is not a task of charity as much as an act of justice. Our Public policy and structures should facilitate or lead to a dignified life in the United States. As one of the wealthiest nations in the world, we should figure out how to shelter or house those who are homeless.

No one is asking what happened to all the homeless. No one cares, because it’s easier to get on the subway and not be accosted.- Richard Linklater

More recently, I saw many cops parked in the middle of five points as they held up traffic to address some of the people I have seen more statically living there, which brought up the thought of criminalization of homelessness and left me wondering if those cops offer rides to shelters before the ride to a cell.

A look at more vulnerable populations

The most visible type of homelessness is what we see when we walk through Birmingham: people living on the streets or sleeping in the parks or street tunnels. However, more move between shelters and temporary homing maybe with their friends or relatives and more long-term shelter where their experience may not be included in the conversation of homeless persons.

Within 2018 records reported by Continuums of Care to the U.S. Department of Housing and Urban Development, there were almost 3,500 people homeless on a given night (280 were family households, 339 were Veterans, 158 were unaccompanied young adults (aged 18-24), and 540 were individuals experiencing chronic homelessness). Over 900 of those were concentrated in the Birmingham area. Over the year, there were 14,112 students who faced homelessness in Alabama.

A large portion of the homeless population is affected by mental illness. People with mental illness or other disabilities may face social isolation and may face chronic homelessness. Such individuals may require special types of accommodation or support that may be an obstacle to rehabilitation.  Health issues may cause a person’s homelessness as well as they may be intensified by the experience where poverty and lack of access to care contribute to disparities in health. Another thing to think about is when someone handicapped by a disability loses their parents or caretaker, who will take care of them or will they find tools to live? They could become homeless.

Through the lingering effects of systematic denial of equal rights and opportunities, African American are particularly overrepresented in this system facing a higher risk of poverty, housing discrimination, and incarceration than White Americans

Indigenous people face greater social and economic disadvantage such as lower levels of education or higher levels of unemployment which contribute to higher levels of homelessness in their communities

Women may make up a big portion of those forced to leave their homes fleeing domestic violence or sexual assault. Homeless women may become more isolated for fear of violence, rape, or other abuse. Further, a woman may be separated from her children if she is unable to care for them which challenges her parental rights.

Children and young people are disproportionately affected by homelessness. I have known many classmates and friends who have been homeless as they pursue their education at UAB. Also, Covenant House proclaims that every year, more than 2 million kids in America will face a period of homelessness (The link provides more enlightening and harder-to-swallow statistics). Youth like those emancipated from the foster care system may not have another option. In addition to general human rights laws, children are protected under special rights, like those afforded in the Covenant on the Rights of a Child which describes a higher standard of living and right to protection against neglect, cruelty, exploitation, etc.

Untreated depression and mental illness, self-medication and addiction, childhood trauma and chronic PTSD, abuse and any circumstance that may lead one to homelessness may also create a loop to imprison them. For example, where abstinence is a prerequisite or requirement for homelessness assistance programs, one may not receive help unless they quit, but one cannot quit without relief.

Image of person sitting on roadside
Pedro Ribeiro Simões. Creative Commons for Flickr.

A veteran should not have to stand on the asphalt with a cardboard sign begging for a living in a nation they helped secure and people should not be in the position to be turned down asking for food that was about to be thrown out. In fact, everyone has made contributions and continues to contribute to their society. Homelessness includes people who have paid or pay taxes and those who are paid less than a living wage. It includes people of all labels fleeing abusive conditions or facing escalating housing and living costs. It includes parents and it includes their children who have not had a chance. It also includes all students who are trying to pursue an education to hopefully get a job that will afford them housing. Besides all these achievements, many, including those facing chronic homelessness have endured full lives and have witnessed different forms of trauma. Still, they have survived the circumstances of homelessness, maintaining their humanity and resilience and- intentionally or unintentionally- being that example for others.

Also, keep in mind that going from place to place and not knowing what to do or where you will end up could understandably create a lot of pain and anger. Desperation or frustration may be harder to deal with. Being homeless could even make you apprehensive of ownership or pursuing certain routes that could be encouraged. However, everyone should be afforded options and certain securities.

10 Strategies to End Chronic Homelessness posted by the United States Interagency Council on Homelessness:

https://www.usich.gov/tools-for-action/10-strategies-to-end-chronic-homelessness

More immediate examples for anyone to help everyday

If it’s raining or about to, offer the warmth and privacy of an umbrella.

Offer to pay for an uber ride to a nearby shelter as some cannot walk to or have no means of transportation to one.

If you are not comfortable lending cash, you may offer supplies. You could keep these care bags of everyday products, essentials (maybe small shower things you could find in the travel section, gloves, hats, etc), or resources to offer or pass out at crowded shelters.

Invite others to the restaurant you are on your way to and share a meal if they are up for it. The conversation may also allow you to understand, accept, or appreciate their life and vice-versa. Once, a man I invited to eat with me on campus (in an environment where I felt safe enough to) proclaimed his version of Islamophobia (as that was the summation of a popular sentiment in America, especially during those Trump Campaign days) as he explicitly said he didn’t like Muslims when I revealed that of my identity. But it turns out, I was the first Muslim he had personally interacted with and realized he liked before the word “Muslim” exited my mouth. That could happen with anyone of course and homeless (or only hungry in this case) people are not to be “enlightened” and should not be expected to praise our deed, but the conversation and gesture can open this opportunity

Additional Resources:

Federal Links Relevant to homelessness:

https://www.hhs.gov/programs/social-services/homelessness/resources/federal-links/index.html

 

The Importance of Art in Human Rights

How does art affect humanity and human rights? Does it play an important role in human rights advocacy? Throughout history, people have used the arts as a form of self-expression by reflecting on their lives and what they observe. Art and design are constantly changing, and growing, with history. It is constantly being influenced while influencing societal events. As an artist and graphic designer, I believe that use of imagery influences societies, helping raise awareness of social and political issues. In the vast world of social and political arts, there are a few examples of work that stood out to me because of their contribution to society, namely: “The Hand That Will Rule the World” by Ralph Chaplin, “All Power to the People” by Emory Douglas, “The Anatomically Correct Oscar” by The Guerilla Girls, “Red Sand Project” by Molly Gochman, “The Blue Bra” by Bahia Shehab, and “America” by Touba Alipour. These are a few good examples of how art and design can impact human rights with solidarity, awareness, and protest.

“The Hand That Will Rule the World” by Ralph Chaplin. June 30, 1917

The symbol of the clinched fist has been a symbol of solidarity as early as 1917. “The Hand That Will Rule the World” by Ralph Chaplin is an illustration referring to the IWW (Industrial Workers of The World). Industrial unionism began when skilled workers were displaced by modern machinery and the monopolization of industries. It was a union that believed industries should be controlled by the workers, benefiting the many instead of enriching the few, and create better working conditions. In this image, the workers are uniting their arms and creating one giant fist, which represents solidarity and unity, while holding tools, representing manuallabor, while factories in the backdrop symbolize the machinery displacing the workers.

“All Power to the People” by Emory Douglas, March 9, 1969

The Black Panther Party was an African-American organization founded October 15, 1966 in Oakland, CA. One of their greatest successes was using imagery to reach people across the country about their movement. According to The New York Times, even though the Black Panther Party was associated with armed resistance, their most powerful weapon was reaching out to African-American communities through works of art. Emory Douglass, the artist behind many these images, has a background in printmaking and activism, pushing him to create images that show the injustice toward communities of color in the United States. His illustration “All Power to the People” is another example of the solidarity symbolism employed by the raised fist. The raised fist and the words “All Power to The People” brings a sense of unity to the viewer. Also, the person’s expression speaks on an emotional level, as if they’re shouting these words, making it a very powerful piece of artwork.

“The Anatomically Correct Oscar” by The Guerrilla Girls, 26 Feb 2016

The Guerilla Girls are feminist activist group comprised of more than 55 artists. They describe themselves by saying: “We wear gorilla masks in public and use facts, humor and outrageous visuals to expose gender and ethnic bias as well as corruption in politics, art, film, and pop culture. We undermine the idea of a mainstream narrative by revealing the understory, the subtext, the overlooked, and the downright unfair.” This group of activist artists started in 1985 and, by the early-21st century, have expanded their awareness into the media world, namely the film industry. “The Anatomically Correct Oscar” brings awareness to the racism and sexism in the film industry by portraying a white male holding his genitals with text boxes demonstrating the percentage of people of color that have won Oscars in the past 86 years. The Guerilla Girls displayed this billboard in Hollywood a few months leading up to 2016 Oscars, noting, “the people we want to reach will see it…There is so much positive press around the Oscars – the gowns, the stars – that we decided it was time for another point of view.

“Red Sand Project” by Molly Gochman

Molly Gochman’s “Red Sand Project” is a worldwide instillation that takes a hands-on approach of bringing awareness to human trafficking. This project encourages all communities to pour red sand into cracks on sidewalks to recognize the overlooked populations (refugees, immigrants, girls, and others) that are at risk of slavery and exploitation. “These interventions remind us that we can’t merely walk over the most marginalized people in our communities — those who fall through the metaphoric cracks”, explains Molly Gochman. This informative, and largely interactive, work of art takes simple, yet powerful, gestures and to bring worldwide awareness through photography and social media. It is an ongoing project, raising action for those who are overlooked and vulnerable to human trafficking.

“The Blue Bra” by Bahia Shehab, 2011

In 2011, various outbursts of popular protests swept the Middle East and North Africa, causing a revolutionary wave called the Arab Spring. Staring from Tunisia and later spreading to Egypt, Yemen, Bahrain, Libya, and Syria, people were rising against their oppressive leaders. As the protests grew larger they were met with violent responses from authorities. One of the striking things that came out of this short period was the growth in street art, graffiti, and calligraphy. “The Blue Bra” by Bahia Shehab, located in Cairo, Egypt, is a great example of protest of oppression. This graffiti is part of an instillation called “Thousand Times No” which Shehab explains, “represents a rejection of both the conformity and the repression that often stifle the Arabic speaking region and Islamic cultures.” The text above the Blue Bra is saying “no stripping the people” and the sole of the military boot reads “long live a peaceful revolution”, calling the incident of a veiled girl who was stripped and beaten by police on December 18, 2011, and happened to be wearing a blue bra. In another location, Sheab installed a calligraphic graffiti which is an Arabic translation of Pablo Neruda’s quote, “you may crush the flowers, but you cannot delay the spring”.

“America” by Touba Alipour, 2017

Touba Alipour’s “America” is a mixed media artwork, curated by gallery director and artist Indria Cesarine, placed in The Untitled Space gallery’s “ONE YEAR OF RESISTANCE” exhibition in January 2017, shortly after the election of U.S. President Donald Trump. This exhibition, which included over 80 artists, addressed and protested policies that challenged human rights in our society such as immigration rights, health care, reproductive rights, climate change, transgender rights, white supremacy, gender equality, gun control, sexual harassment and many others. Among these artists, Touba Alipour addressed the travel bans placed by Trump which prevented people from six Muslim countries to enter the United States. “Being from Iran, it definitely affected me in different ways”, mentions Alipour, “I’ve seen families being torn apart, and they had green cards, they were living here, they just went to travel, and when they came back they were told they can no longer enter the country”.

Art is a way for people to express themselves, whether for the sake of imagination or to express ideas. It has been used effectively today, and throughout history, to send public messages about social and political issues. Human rights and the arts go together because of the expressive nature of both subjects. As people, we can stand up for our rights through expression. Due to their ability to create visual interest and to promote solidarity, awareness, and protest, artists and designers play a pivotal role in society by promoting human rights advocacy. Especially in the modern age, where people rely heavily on technology and media, it is important to send messages that work toward creating a society that respects human rights for themselves as well as others.

Establishing the UAB Institute for Human Rights

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Twelve months ago I interviewed for the position of Director of the UAB Institute for Human Rights (IHR).

Nine months ago I was offered the position.

Six months ago I arrived in Birmingham with an idea of what I wanted to do, not knowing anyone or having a concrete plan of how to implement my ideas.

Three months ago we started to determine in which direction we want to take the IHR. Now, the Institute has a physical space, a virtual space, and staff.

And this is the UAB IHR’s first blog post. It’s been a whirlwind!

The IHR was initiated by Robert Palazzo, the Dean of the College of Arts and Sciences, and key faculty members in 2013 to provide a framework for Birmingham’s human and civil rights activities and to connect the city’s historical significance in the struggle for civil rights to national and international collaborative initiatives. In June 2014, the University of Alabama System Board of Trustees approved the Institute, which is housed in the UAB College of Arts and Sciences.  A search for its Director started.  And here I am.

UAB Heritage Hall, the physical location of the UAB IHR (room 551)
UAB Heritage Hall, the physical location of the UAB IHR (room 551)

I thought long and hard about how to position the IHR not only within Birmingham and UAB, but also within the wider academic community. It seems there are three types of institutes for human rights:

  • the one at the law school, focusing on the law making process, adjudication, and domestic or international implementation of human rights law;
  • the policy-oriented institute, advocating and lobbying for human rights in government institutions; and
  • the interdisciplinary center that either examines specific rights (e.g., social and economic rights) or a specific areas of human rights (e.g., human trafficking, transitional justice, or women’s rights).

The first two options didn’t seem to be a good fit for UAB, which left the last option. I concluded I needed to learn more about UAB and Birmingham to make an informed decision on how to position the IHR.

Over the course of the past several months, I’ve met with close to 100 organizations and units at UAB, in the Birmingham area, and beyond that engage in human rights work. I reached out to institutions focusing on alleviating poverty, addressing women’s issues, educating on human rights or human rights related issues, dealing with victims of violence and human trafficking, and focusing on social justice issues and civil rights. It was an interesting experience that taught me a lot about the community that I’ve come to live in. I realized that by connecting with the work that’s already being done in this city and around this state, the IHR could serve as a solid link between the university and its surroundings, providing a framework for human and civil rights.

Sculpture dedicated to the Foot Soldiers of the Birmingham Civil Rights Movement. Kelly Ingram Park, Birmingham, Alabama; The George F. Landegger Collection of Alabama Photographs in Carol M. Highsmith's America, Library of Congress, Prints and Photographs Division, Public Domain
Sculpture dedicated to the Foot Soldiers of the Birmingham Civil Rights Movement. Kelly Ingram Park, Birmingham, Alabama Source: The George F. Landegger Collection of Alabama Photographs in Carol M. Highsmith’s America, Library of Congress, Prints and Photographs Division, Public Domain

 

I’m a social scientist by trade – I have a joint appointment in the Department of Government and Department of Anthropology at UAB. I’ve always been interested in studying the way vulnerable or underrepresented populations – minorities, refugees, women, children, or persons with disabilities – advocate for and claim their human rights and how they deal with and monitor human rights violations in their own communities. The pattern of their struggles often remains the same – marginalization, poverty, violence, and a whole myriad of human rights violations.

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The IHR will specifically focus on these struggles worldwide. It serves as a platform for interdisciplinary interaction and collaboration to study the bottom up approach to human rights and highlight the way in which marginalized and vulnerable groups assert their human rights. The focus on the social movement associated with human rights is embodied in the Institute’s icon, which represents the movement taking over the world.

 

The IHR’s goal is

to bring Birmingham to the world and the world to Birmingham

focusing specifically on human rights in an international perspective. It engages in three specific areas:

  • education, mainly focused on UAB students, but also beyond;
  • research, at the IHR but also in collaborating with other research institutions, government agencies, international organizations, and NGOs; and
  • practical action and outreach, namely engagement with the local community, practitioners, and by integrating applied approaches.

This blog is thus a crucial part of fulfilling the IHR’s mission. It will serve as a way to educate a wider audience on international human rights issues, as a forum for reflection and discussion, and as a way to promote our events. The IHR research and events team will post weekly updates.

Source: new 1lluminati, Creative Commons
Source: new 1lluminati, Creative Commons

I hope you will check back often and engage with us on the blog, social media, and in person. We can’t wait to open up a whole new world of human rights and show you how you can get involved, learn from your ideas, and collaborate and interact.

For more information, visit our website, follow us on Facebook, Twitter, and Instagram, and stop by our office on the 5th floor of Heritage Hall (room 551, to be exact).