A Look at Marking Time: Art in the Age of Mass Incarceration

The Exhibit

Girl in front of Pyrrhic Defeat: A Visual Study of Mass Incarceration by Mark Loughney
Mark Loughney, Pyrrhic Defeat: A Visual Study of Mass Incarceration, 2014-present. Series of graphite and ink drawings on paper. 725 pieces total. Each 12 x 9 in. Courtesy of the Artist. Source: Original Photo

The Abroms-Engel Institute for the Visual Arts  (AEIVA) has welcomed a new exhibit, “Marking Time: Art in the Age of Mass Incarceration”. The exhibit explores the United States’ criminal justice system, mass incarceration, discrimination and the very concept of justice with works from more than 70 different artists. Many of the pieces on display come from artists who are or were incarcerated, who used art as an essential outlet and form of expression within prison. Nonincarcerated artists are also featured, influenced by the damages of mass incarceration within their families and neighborhoods. The entire exhibit creates a critique of mass incarceration from a human right’s perspective, representing the voices of incarcerated persons that are typically silenced or ignored. “Marking Time” boasts three galleries of moving pieces that speak to the gravity and scale at which the human rights violations within our punitive justice system disenfranchise impoverished and minority communities throughout the United States, and features data and interviews that discuss ways these glaring problems should be addressed and combatted. 

“Marking Time” was organized by curator Dr. Nicole R. Fleetwood, who has spent a decade researching the importance and development of visual arts and creative practices for incarcerated persons. Dr. Fleetwood deliberately removed any mention of charges or reasons for conviction for the incarcerated artists featured in the exhibit, forcing viewers to remove a layer of prejudice or thought regarding whether or not the artist is inherently a “good” or “bad” person, or deserving of their incarceration. As I progressed through the galleries of “Marking Time ”, one of the first things I noticed was exactly that; how I continuously perceived the artworks as being the creations of a fellow artist, not a criminal or prisoner. This intentional shift in perception creates an environment of thoughtfulness, analysis and depth that may not have been achieved otherwise, and makes the exhibit an excellent ignition for thought, conversation and activism.

When analyzing the works themselves, I was surprised to see how many were masterfully created from hair gel, sheets, uniforms, newspapers and contraband items when traditional art supplies were not accessible. Incarcerated artists are often limited in the tools they have to create art from, but countless works within “Marking Time” reveal the true resilience of an artist’s spirit, and how artistic expression can prevail above the smothering limitations of prison.

The Pieces 

As this exhibit has been analyzed and discussed through its many travels from MoMA to AEIVA, I wanted to highlight a few of the pieces and discuss their particular significance to the conversation of human rights within the United States punitive justice system and mass incarceration.

Pyrrhic Defeat: A Visual Study of Mass Incarceration by Mark Loughney

Hundreds of sketched portraits decorating a wall.
Mark Loughney, Pyrrhic Defeat: A Visual Study of Mass Incarceration, 2014-present. Series of graphite and ink drawings on paper. 725 pieces total. Each 12 x 9 in. Courtesy of the Artist. Source: Original Photo

 

Loughney’s series, Pyrrhic Defeat, is named for a theory within criminal justice studies that explores how a failing criminal justice system that discriminates in its criminalization of certain groups substantially benefits certain elites. Mark Loughney has created over 750 portraits of his incarcerated peers in order to mark the passage of time within his own sentence, as well as provide fellow inmates with a positive alternative to the dehumanization caused by mugshots and prison IDs. His pieces provide the individuals with a level of personalization, dignity, and respect that is often forgotten and ignored within the prison system. Loughney spends 20 minutes on each sketch, and has to carve a creative, open atmosphere for each session out of the typical chaos and disruptions within a prison environment.

Untitled by Gilberto Rivera

Three mixed media paintings depicting the chaos of the Covid-19 pandemic.
Gilberto Rivera, Untitled, 2020. Newspaper, caulk, silicone, spray paint, acrylic, and markers on canvas and recycled canvas. L: 48 ½ x 60 in C: 59 ¾ x 51 ⅜ in R: 48 ¼ x 60 in, Overall: 60 x 156 ½ in. Courtesy of the Artist. Source: Original Photo

 

This Triptych by Gilberto Rivera places a spotlight on how mismanagement of the Covid-19 pandemic negatively impacted vulnerable communities throughout the artists’ hometown of New York. Rivera was a graffiti artist prior to his incarceration, and this piece truly reveals the artist’s emotions and style in a brilliant display of keywords, colors and figures. Rivera’s triptych incorporates newspaper clippings that highlight his disgust for how minority and immigrant essential workers were neglected as well as the fear incarcerated people experienced throughout the public health crisis. Prisoners across the globe were put into lockdowns to prevent the spread of Covid-19, and the result of this is an experience extremely similar to that of solitary confinement; a punitive mechanism proven to have extreme mental and physical health consequences. Despite these sweeping lockdowns, extreme overcrowding lead prisons to host the majority of the largest single-site outbreaks since the start of the pandemic. Despite these major outbreaks and casualties, prisoners fell to the bottom of priority lists for treatment and aid when medical equipment and essential items faced shortages. Rivera’s piece displays frustration and criticism of these issues that have hardly received the mainstream coverage they deserve.

Ellapsium: master & Helm by Jared Owens

Three painted panels with painted blueprints of a slave ship and federal prison overlapping.
Jared Owens, Ellapsium: master & Helm, 2016. Mixed media on birch panels. Each: 48 x 31 in. Courtesy of the Artist and Dr. Nicole R. Fleetwood. Source: Original Photo

With Ellapsium, Jared Owens addresses the racism of the criminal justice system as well as hierarchies and power struggles within Fairton, the correctional institution where Owens was imprisoned.  This complex work features symbolism as a form of rebellion and disapproval, and bears an immediately recognizable resemblance to the infamous map of the Brookes Slave Ship from 1788 that displays how slaves were forced to live through their passage to America. This intentionally chosen symbol represents the violence, dehumanization, and other atrocities that slaves faced in early American history. The second and less known image present in this work is a blueprint of the Fairton prison; Owens’ combining of the two blatantly compares the horrors of the historical institution of slavery to the atrocities and discrimination committed by the United States’ current carceral state. Owens also utilizes color symbolically throughout his piece, and all of the colors used correlate to the artist’s daily life within a federal institution. The green of the institutional walls represents restriction and being subdued, blue represents the uniforms worn by prison guards, and brown represents the uniforms of those imprisoned. Orange, the most used color within the piece, was used within Fairfield to indicate areas that were off limits and unavailable to incarcerated persons, so Owens deliberately used that color for the boundary between the blueprint of the slave ship, of Fairfield, and the world outside of the two. 

Owens is open about how his pursuit of art posed a legitimate threat to him within the Fairfield facility. Being caught with planks of wood to paint on or stretch canvas could have resulted in solitary confinement, extension of his sentence, or complete confiscation of personal possessions and art supplies. While these overwhelming restrictions greatly limited Owens while he was in prison, he has chosen to use his experience to create, raise awareness, and call for change- like so many artists featured alongside him in “Marking Time”.

Peace, Love, Harmony by Susan Lee-Chun

A rack of uniform orange detention hoodies, with patterns on the interior lining.
Susan Lee-Chun, Peace, Love, Harmony, 2007. Cotton fabric and dye. 36 x 60 x 18 in. Courtesy of artist. Source: Original Photo

Women on the Rise! (WOTR) was a feminist art project founded by Dr. Jillian Hernandez to provide girls in juvenile detention facilities with a platform for self-expression and dialogue. Inspired by her participation in this project, Susan Lee-Chun worked with a group of girls in juvenile detention to explore the politics of fashion, and asked her participants to “Think about who you are, what words, images or symbols define you or your beliefs. Use them to create a fabric design”. The resulting hoodies on display conform to detention center uniforms on their exterior, and on the inside feature patterns with rainbows, checkers, and the word “Love”. Upon completion of this project, Lee-Chun attempted to give the girls she worked with the resulting hoodies of their creation; and was denied that request. None of the girls involved were allowed to wear the hoodies. In public defiance, Lee-Chun’s hoodies now hang among the many artworks of “Marking Time”, criticizing a system that would prioritize conformity and uniform over the individuality, creativity and expression of a child. 

How To See “Marking Time”

If you would like to see “Marking Time” and any of the artworks or artists featured above first hand, the exhibit is free and available to the public until December 11. Reserve your free ticket to view the exhibition here. Spaces per time slot are limited to 10 for a one-hour long visit. If you cannot make your time slot for any reason, please cancel the booking or call 205-975-6436. If you have any issues with booking your ticket or would like to reserve a group tour, contact AEIVA at aeiva@uab.edu. 

Visitors must wear a mask at all times inside the AEIVA building and keep socially distanced. Free and metered parking is available along the streets surrounding AEIVA. Safety is UAB’s priority. The pandemic is a fluid situation that UAB is monitoring, in consultation with infectious disease and public health experts; events will be subject to change based on the latest COVID-19 safety guidelines. 

All upcoming “Marking Time” programs are designed as hybrid events, with both in-person and virtual components. AEIVA is prepared to move any of the events entirely virtual at a moment’s notice. Visit AEIVA on Twitter, Instagram and Facebook for the latest updated information.

Prison Break Becomes Reality: The Escape of Six Palestinian Prisoners

On September 6th, 2021, six Palestinian prisoners escaped from what is known as Israel’s most secure and guarded prison, Gilboa Prison. An escape conducted only with a spoon has been heralded as a heroic victory for the Palestinian people and a major security breach to the Israeli government. The conflict between Israel and Palestine is nothing new. In fact, it’s known by many as a “100-year-old issue.” Since 1948, there have been continuous arguments and battles about land control, but it has now come to be much more. Today, Israel occupies most of the West Bank and has built settlements that are illegal under international law. Aside from speaking about which country controls what land, it is vital to recognize and understand the countless human rights violations happening—most of which were committed by Israel.

Zakaria Zubeidi pictured along side the hole which was used to escape and Israeli watch guards.
Yahoo Images

Israeli Prisons

Since 1967 over one million Palestinian people and supports have been arrested in Israel by the IDF. In June 2021 alone, a total of 4650 political prisoners were detained. 200 which were children, 40 women, and 544 serving life sentences. In 2020, there were 700 sick patients arrested and not receiving the proper care. It’s been noted that the Israeli police have targeted Palestinians with discriminatory arrests, torture, and unlawful force. The main targets of arrest are typically Palestinian activists, like the six prisoners who escaped. 

In Israeli prisons, Palestinian prisoners live in “appalling conditions that are subjected to harsh treatment.” The United Nations has noted that techniques used by the Israeli General Security Service during prison interrogations constitute torture. Once arrested, prisoners and detainees begin to endure physical abuse and humiliation—all violations of international humanitarian and human rights law. When interrogated, they become exposed to “physical torture and psychological intimidation.” They are beaten, put into solitary confinement, inspected, deprived of medical and sanitary resources, and many more things. The report confirmed these conditions and the treatment of Palestinian prisoners in Israeli prisons through multiple letters sent to the UN and posted. 

In addition to the illegal conditions of arrests and detention, Palestinian children have become increasingly targeted by Israeli detention. These children have been abducted and denied their fundamental human rights, sentenced, and convicted throughout the night. About 95% of the Palestinian children released from Israeli jails suffer from torture and ill-treatment during their time spent and throughout the interrogation process. Sick detainees have also been a massive problem within these prisons. More than 1,500 Palestinian prisoners—including those with disabilities—suffer from different physical and mental illnesses due to the poor conditions and no access to medical attention. Prisoners with cancer are denied any type of access to medical attention unless it is an emergency. Meaning chemotherapy is not an option. Routine doctor’s visits, medicine, anything a typical cancer prisoner should be provided, is not allowed. The condition of these prisons continues to worsen and violate human rights. 

The Re-Capturing of the Six Prisoners

The news of six prisoners escaping comes as a surprise to everyone. Not one person, Israeli or Palestinian, would have imagined that not one but six people could ever escape again. Once the world knew six people had escaped, the Israeli government began a search to find all six of them. The escape set off an uproar within the Israeli government as it was the biggest jailbreak seen in more than twenty years. Since the escape, Israeli prisoners have doubled down on their security, causing many Palestinian prisoners to protest and go on hunger strikes. With the current prison situation, it’s not imaginable what constitutes stronger security conditions. This is known as “collective punishment”, which is deemed illegal under humanitarian law. Posts around social media show the different forms of protests the prisoners have been doing. In addition, the manhunt included harassment of family members and violent raids across the occupied West Bank and East Jerusalem. The recapturing of the prisoners resulted in protests in the occupied West Bank and around the world. Thousands gathered to protest the rearrest and the reasons for the original arrests. Protesters in Palestine went out “in solidarity without prisoners in the occupier’s jails… it’s the least we can do for our heroic prisoners,” said Jihad Abu Adi. 

Palestinians Gathering to Protest the Rearrest of the six Palestinian Prisoners.
Yahoo Images

Since being captured, the escapees have all been tortured and beaten by the Israeli occupation forces. The worst being towards Zakaria Zubaidi. After he was rearrested, he was tortured so badly; he had to be sent to the ICU to receive urgent medical treatment. He was taken to Rambam Medical Center, located in Haifa, for treatment. It has been suspected that Zubeidi was tortured with electricity. His brother released a statement saying, “my brother is being subjected to the harshest form of torture.” Along with the electric form of punishment, it is noted that Zubeida’s leg was broken, and the Israeli prison forces did not allow him to sleep. Israeli security forces also did not allow lawyer visits for any of the recaptured. Palestinian human rights groups have asked the International Red Cross to get involved and facilitate interactions between their legal counsel and their families. 

What’s Next? 

Many Palestinians continue to live in fear of what is to come after the prison break. In the midst of fear, victory is sensed. Many journalists, Palestinians, and supporters have called this a momentous victory that showcases the strength and resilience of countless Palestinians. 

The six prisoners who escaped pictured on a poster with a woman standing with a spoon in support.
Yahoo Images

The most important thing one can do is learn the history, educate themselves, and read. Many individuals are being treated in an unfair manner which is deemed illegal under International Law. 

Check out these links, social media accounts, and books to learn more. @eye.on.palestine, an account on Instagram, posts daily updates on the occupation forces attacking Palestinians. Additionally, their accounts share pictures and post stories of what it’s like to live in an Israeli prison, access to medical care, and the food strikes conducted in protest. 

Books: 

My Promised Land: The Triumph and Tragedy of Israel, Ari Shavit 

In Search of Fatima: A Palestinian Story, Ghada Karmi

Arabs and Israelis: Conflict and Peacemaking in the Middle East, Abdel Monem Said Aly, Shai Feldman, Khalil Shikaki

Marching Ardor

by Mary Johnson- Butterworth

When someone close to me questioned the importance of my marching with White Birminghamians For Black Lives, I wrote this poem as a response.  I proudly carry a sign, “White Silence Breeds Injustice,” every Friday from 4:30-6:30 at Kelly Ingram Park.  Everyone is welcome.

a group photo of White Birminghamians for Black Lives
White Birminghamians for Black Lives. Source: White Birminghamians for Black Lives Facebook Page. Used with permission

“WHITE SILENCE BREEDS INJUSTICE,”

Words I hold in my hands

For those whose hands are shackled

Or too full with work

And growing healthy babies.

Can our voices speak as theirs

Or do we dilute their words?

 

Can I ally with Dreamers,

Insulated by my birthright?

Can I represent the poor

With no balance on my Visa?

Can I fight for women’s rights

And parent three white males?

 

What makes a marcher relevant?

What deems a march impactful?

Pussy hats and Trump attacks

And “Free Melania” placards?

If I echo, “Me Too,” and state,

“No Hate, No Fear,”

Are these the stuff of change?

 

If we few insist on marching,

Does our weekly selfie morph

Into a media laughingstock?

Distractors, subtractors from the core?

Interlopers, intruders on could-be passion?

Transformative, informative,

Or just subnormative?

 

Can we convey, “Black Lives Matter”

As a smattering of whites?

Are we a joke gone viral

In our efforts to protest

For those we cannot protect?

Can we sense Black pain

Enough to hail its power

Over all Americans?

 

When two or three are gathered

In the name of Social Justice,

Do we frustrate the huddled masses

Or does good emanate from the act?

“Yes,” I say ground is gained

By our meager footsteps.

Our rallying imprimatur leaves

Permanence in its wake,

For white silence breeds injustice.

 

Mary Johnson-Butterworth, age 69, has been a social justice activist most of her adult life.  She has facilitated social justice workshops for middle and high school students throughout the Birmingham area and beyond with the YWCA of Central Alabama, the National Conference for Community and Justice, the National Coalition Building Institute, and YouthServe.  Mary has also been on staff at a residential YWCA diversity camp, Anytown Alabama, for 22 years and has facilitated trainings for corporate entities, Leadership Birmingham, and Project Corporate Leadership.  She has recently discovered the power of poetry to transform her own life and the lives of impacted listeners.

THE NEW POOR PEOPLES CAMPAIGN: THE SOCIAL MOVEMENT YOU NEED TO KNOW

by Nicole Allen

the US Capitol Building
Poor People’s Campaign: Call for Moral Revival. US Capitol, Washington, DC. Source: Leeann Cafferata, Creative Commons

We are coming to Washington in a poor people’s campaign. Yes, we are going to bring the tired, the poor, the huddled masses…. We are coming to demand that the government address itself to the problem of poverty.”Reverend Dr. Martin Luther King Jr., 1967

In his last sermon, King echoed the words on the base of the Statue of Liberty to call for national and global attention to address the dire economic circumstances of the poor. He and others founded the Poor People’s Campaign to influence how Americans view poverty. While the 1960s are behind us, poverty is not. A new organization, a new Poor People Campaign, aims to address continuing economic privation.

Dr. King and the Southern Christian Leadership Conference organized the Poor People’s Campaign (also known as the PPC and the Poor People March) following sustained civil rights action and hard-won legislation. These actions and laws included bus boycotts, sit-ins, freedom rides, the formation of the Direct Action Task Force, and the passage of the Civil Rights Act of 1964 and the Voting Rights Act of 1965. From its beginning in 1968, the PPC advocated wages that were high enough to support a “decent life.” It strove to become a powerful, social force to change how America understands poverty and worked to end it. It criticized the portrayal of stereotypes of the nation’s poor as dirty and unhealthy. The Poor People’s Campaign was a populist struggle against economic inequality and a reform movement that questioned how race related to economic and political power. Poverty and prejudice were “related enemies,” according to King. He believed that the poor could effectively confront the power structure if they had economic security, expanded education opportunities, improved housing, and unemployment income.

King recognized that poverty, racism, and power were (and are still) intricately linked. He claimed that, “African Americans are not truly free until they reach economic security.” In 1968, a PPC brochure proclaimed, “Poor people are kept in poverty because they are kept from power.” The organization lobbied against dehumanization and poverty wages. It advocated for changes in the federal food program and a significant expansion of food stamps.

Even though King mentioned “racial imperialism” as the primary cause of poverty among African Americans, his anti-poverty proposals were not limited to black Americans.

A committee of hundred religious leaders from several racial backgrounds helped organize the PPC. More than fifty multiracial organizations attended the first meeting in Atlanta, Georgia, in March 1968. Attendees hoped to organize a march of thousands of people on Washington, DC to unify the nation. These plans shattered with the assassination of Reverend King in Memphis, Tennessee, on April 4, 1968.

Ohio Poor People’s Campaign: A National Call for Moral Revival. Week #3 Theme: War Economy: Militarism & Proliferation of Gun Violence. 5/29/18 – Columbus, Ohio Statehouse. Source: Becker1999, Creative Commons.

Following this blow, the key leaders of the PPC, including the SCLC’s new president, the Reverend Ralph Abernathy and King’s widow Coretta Scott King, worked to coordinate a new march on Washington, DC. Their goal was to pressure Congress to pass legislation to address employment and housing issues as well as fund a war on poverty. The planned PPC march of 1968 divided into three stages. The first stage was the creation of Resurrection City, a makeshift town at the National Mall from Washington Monument to the Lincoln Memorial. In May and June 1968, this 15-acre urban area served as the home of 1,500 to 3,000 occupants of different racial backgrounds. Resurrection City included a makeshift city hall, a clinic, a general store, and a day care center named for Coretta Scott King. Even though these amenities only covered the bare necessities, some residents received medical attention for the first time in their lives. According to the new PPC, such conditions persist in 2018, as many poor Americans lack health insurance or adequate medical care.

Resurrection City became a symbol for the PPC and made poor people and their fundamental human rights visible to the world. Sidney Poitier, Marlon Brando, and Barbra Streisand visited Resurrection City, reflecting the attention the encampment received and illustrating the longstanding relationship between celebrities and social issues that continues to this day. The activists arrived from nine regions of the country in groups called caravans. They camped in tents and endured terrible weather that brought severe rain and mud, forcing many residents to build primitive A-frame homes. Resurrection City’s permit expired on June 23, 1968. Police forcibly evicted people (sometimes with tear gas) from the settlement the next day. The second stage of the march would have consisted of hallmarks of the civil rights movement: civil disobedience, nonviolent mass demonstrations, and police arrests. The third stage of the march was a planned national boycott of large industries and shopping areas to pressure business leaders to acknowledge the movement’s demands.

Resurrection City and the other actions organized by the PPC did not produce the results King, the SCLC, and other activists had envisioned. The assassinations of Reverend King and Senator Robert F. Kennedy, and the Vietnam War hurt the movement causing many to blame Resurrection City leader Reverend Abernathy for the movement’s lack of leadership and disorganization. Racial prejudice, social frictions, and tension between Southern and Northern citizens eroded the movement further. While the movement was down, it was not out. While the Poor People Campaign’s proposed antipoverty legislation did not occur, the organization’s actions did continue discussions about poverty, race, and power. These sustained conversations helped contribute to the launch of the new Poor People’s Campaign (also known as the new PPC or the Poor People’s Campaign: A National Call for Moral Revival) in 2018. Like the PPC of the 1960s, the new PPC consists of a diverse coalition of activists battling poverty and racism, white supremacy, and greed.

Ohio Poor People’s Campaign: A National Call for Moral Revival. Week #3 Theme: War Economy: Militarism & Proliferation of Gun Violence. 5/29/18 – Columbus, Ohio Statehouse. Source: Becker1999, Creative Commons.

Led by Reverend Dr. William J. Barber II, a Disciples of Christ minister and the leader of the Moral Mondays Movement in North Carolina, and the Reverend Dr. Liz Theoharis, a Presbyterian minister and the co-director of New York’s Kairos (the Center for Religions, Rights, and Social Justice), the new PPC calls for a national moral revival. The organization claims that although the United States is among the wealthiest of nations, it harbors severe economic inequalities that have persisted for decades, even centuries. Americans continue segregation by their living wages, according to the PPC. The organization has chapters in most U.S. states and strives to highlight problems associated with poverty and inequality. The new PPC worries that recent U.S. federal tax cuts for businesses and the wealthy have hurt less affluent members of society. Additionally, organizers reveal concern with increased funding to battle illegal immigration and illegal drugs, which can lead to rampant addiction. It fears that this funding detracts money and attention away from much-needed poverty programs.

To counter such power imbalances, the new PPC hopes to see a reinforcement of the Voting Rights Act to reduce the voting suppression of convicted felons. The modern-day activists of the new PPC argue that negativity surrounding poverty in America has persisted for centuries. They argue that an entrenched culture of racism and discrimination exists within the economic and political systems of the United States, and favors those with large bank accounts. The new PPC wants people to reconsider how they think about poverty. It emphasizes that poor people are victims of a power struggle, not moral failures. It asks for a moral revival to combat

  • While the U.S. economy has grown, the inequity between the richest and poorest Americans has also grown. Many lack money and health insurance.
  • Systemic racism. Imprisoned African Americans who are unable to vote, African American residents of Flint, Michigan grappling with a tainted water supply, and Muslims and immigrants facing discrimination are all examples of racism in American society.
  • In 2017, the U.S. federal government spent $190 billion on antipoverty programs while it spent $668 billion on the military.
  • Ecological destruction. Flint’s tainted water illustrates how ecological problems and pollution often affect minorities and the poor, who do not have the economic or political means to combat such problems.

The new PPC also boasts some familiar faces. Bernard Lafayette, a friend of Reverend King and the national coordinator of the first PPC, joined organization to train a new generation of PPC activists.

The question remains whether the new PPC will encounter the same problems Reverend King and other organizers faced during the 1960s: Is the message heard and received?

Ohio Poor People’s Campaign: A National Call for Moral Revival. Week #3 Theme: War Economy: Militarism & Proliferation of Gun Violence. 5/29/18 – Columbus, Ohio Statehouse. Source: Becker1999, Creative Commons.

New PPC activists arrived on Capitol Hill on February 5, 2018, to deliver their message of economic justice to the U.S. Congress. The Capitol Police asked them to leave before they gave this message. Fifty years after the formation of the first Poor People’s Campaign, it is clear that its messages and struggles endure. The new PPC organized a 40-day event in May to late June 2018 that featured nonviolent action by the poor, clergy, and sympathetic allies. Echoing the inclusiveness of the 1960s, this movement united people across race, economics, religion, gender, geography, and sexuality. Similar to the 1960s, the event featured acts of nonviolent civil disobedience, teach-ins, workshops, cultural events, and other activities. The 40-day event culminates tomorrow, June 23, in Washington, D.C. for a rally to Stand Against Poverty, Mass Rally & Moral Revival. Although the event ends, participation can continue in various activities by

  • Joining an organization. Whether people join the new PPC or another organization, people can provide strength in numbers.
  • Speaking out. Writing to political representatives, media outlets, and social media sites can help spread the message.
  • Voting and helping others vote. Voting is another way of voicing opinions. Working at polling places, encouraging others to vote, and working for voting rights helps gives agency to more people.

 

Nicole is a freelance writer and educator based in the United States. She believes that her writing is an extension of her career as a tutor since they both encourage learning and discussing new things. Her degrees in creative writing, education, and psychology help her understand her target audience and how to reach them in creative and educational ways. She has written about fitness and health, substance abuse and treatment, personal finance and economics, parenting, relationships, higher education, careers, travel, and many other topics, sometimes in the same piece. When she isn’t writing, you might find Nicole running, hiking, and swimming. She has participated in several 10K races and hopes to compete in a marathon one day. A longtime volunteer at animal shelters, Nicole is a passionate supporter of organizations that help animals. She also enjoys spending time with the dogs and cats in her life and spoiling them rotten.