Category: War/Peace

Cornbread Millionaires: Reflections on Riva and Josephine

 by LEONARD SMITH
a picture of Birkenau in the snow
Birkenau. Source: Midnight Believer, Creative Commons

I was enthused and a bit trepidatious when professor Madden-Lunsford announced we would be attending, as a class, the lecture of a Holocaust survivor and an African American woman whose father had been lynched when she was a child. I knew their stories would be both amazing and difficult to hear.

During my undergraduate studies in the early 90’s at Auburn University at Montgomery, I took a history course on the Holocaust. Before the course I had considered myself knowledgeable of the Holocaust. I discovered how ignorant I was when I learned of: the depth and breadth of the brutality and mass murder; the willing collusion of many nations and millions of people; how many nations including the U.S. denied sanctuary by not increasing immigration visas; how entire educated societies and cultures readily accepted the expansion of racism and anti-semitism to point whole scale genocide without question, because it fed their fear and anger; the discovery that if a group can be successfully scapegoated almost anything can be done to them, with little resistance, because to defend a scapegoat with logic and reason is to become a scapegoat. The most shocking discovery for me was that despite mountains of irrefutable evidence, the number of Holocaust deniers was growing. The knowledge I learned in that course changed me permanently and profoundly. I lost much of my faith in mankind. For a period of time during and following the class I suffered recurring nightmares.

Before entering the class I had naively believed that such an event could never happen again. I now know that not only could it be repeated, but that it has, in Cambodia, and most recently Sudan.

However, I also discovered that individual human courage was boundless and that miracles large and small happen. That was where my last personal seed of hope took refuge.

It is with this background and knowledge that I intellectually looked forward to, and was emotionally apprehensive of, hearing Riva Hirsch and Josephine McCall speak. I knew that these women were and are courageous. I wanted to be near that courage and learn from it.

Riva is a force of nature. She spoke of her own miracles; being found in Ukraine by people who spoke German and because of her Yiddish background being able to understand them (She referred to Yiddish as Jewish and I hoped that didn’t confuse too many people in the audience); the guard not looking underneath the carriage where she was hiding during her flight to safety; being hidden by a nun, who also spoke German, and that nun paying the ultimate sacrifice for helping her. When she spoke of being all alone in the forest, battling malnutrition, typhus, malaria, and hordes of lice, I knew she was made of far sterner stuff than I.

Riva spoke of her father’s business and how her family and his workers were a close knit group, an extended family before the war came to the Ukraine. Yet, for fear of putting themselves and their families in danger, these workers shut their doors to Riva and her family during their flight. Only one offered temporary refuge and only after Riva’s mother gave him all her jewels. As Riva spoke, so many of the atrocities I had learned of in that Holocaust course came back to the forefront of my mind. My faith in mankind was eroding again.

Though I had girded myself for  Riva’s story, Josephine, was like so many neighbors, coworkers, and friends I have known over the years. I had heard voices like hers over countless retail counters, through back screen doors and hollered from front porches. Her soft Blackbelt accent lulled me into a sense of comfort.

Riva’s story had taken place in WWII era Ukraine; a place I had only known through books and movies. But, I am familiar with Lowndes County, Alabama. I spent my childhood in neighboring Montgomery county. I had crossed Lowndes county many times on both the Old Selma Road and Highway 80. I knew the upper echelons of white society in Lowndes county were mockingly referred to as cornbread millionaires. They lived in antebellum mansions full of antiques; they were land rich but money poor. So much so, that if you went to their homes for supper, the only thing they could afford to serve in their heirloom china and silver was cornbread and beans with hog meat. I had heard it discussed that this facade and lack of resources made whites in Lowndes County particularly brutal in their treatment of black folks.

I am well steeped in the culture and nuances of Southern race relations. Though my experience of it is as a white male, born in 1964. This was the first time I had heard someone speak personally of the loss of a family member at the hands of open, socially sanctioned racist. I was surprised to learn that lynching was defined as death at the hands of three or more people and was not limited to death by hanging. I should not have been as surprised, as I was, when Josephine informed the audience that indenture (the practice of holding someone on your land as a laborer if they owed you a debt, essentially de facto slavery) was still enforced by they law in Lowndes County in 1947.

Josephine stated that her father, Elmore Bolling’s crime in the eyes of white men was that he had succeeded and purchased land, resulting in a white woman having to move off the property. Even though Mr. Bolling helped the women move and found her exactly the accommodation she wanted, his actions still constituted a crime against an unwritten social code, punishable by death.

I knew whites who thought this way, including many within my own family. They believed that all black men were lazy and stupid. Therefore, if a black man succeeded and had wealth, he must have cheated a white man or had help from interfering Northern whites and/or the Federal Government, which was the same as cheating a white man.

That was what was most disturbing for me about Josephine’s story. Her father’s murderers could have been friends of my grandparents or distant relations. Many people within my family were certainly capable of such a crime. Even the more moderate older family members believed that if a black man was lynched he must have done something stupid to put himself in harms way.

Both Riva and Josephine talked about how we must continue to speak up and talk about such atrocities and not let the deniers corrupt history and attempt to repeat it. Silence is the enemy of justice.

My lack of faith in mankind was growing. I wondered if speaking out was enough. The attitudes of many whites I know, especially those young enough to know better, is still shockingly racist. Just this week, I spoke with a friend who teaches high school English. She was distraught because a student had turned in an essay that was essentially a white supremest manifesto. The student was not a child on the fringe but rather a well liked person very popular in the high school social structure. I am often gobsmacked when I hear well educated white colleagues use the N-word, assuming I am as racist as they. I looked around at the audience in attendance and found them to very simpatico with the Riva and Josephine. The people who most needed to hear the speakers were not there. Just last night the local CBS news reported that according to the Anti-defamation League, anti-Semitic incidents were at a twenty year high. Up 47% in just the last two years.

I am honored to have heard Riva and Josephine’s stories and bask in the presence of their courage. I will speak up and continue to seek to root out my own internal vestiges of racism.

I spoke to Josephine after the presentation. We chuckled about Lowndes County’s cornbread millionaires. She told me where her father’s historical maker, that she had worked so hard to get erected, was located in Lowndesboro, just two hundred yards from the yellow flashing caution light. I knew the spot.

I spoke of my racist father who carried a badge and a gun for the Montgomery police force for twenty-five years and then twenty years more as an Alabama State Trooper. I told her, with dismay, of my father’s braggadocios, I heard as child, after he had a few beers. He told how he and his friends in high school would lay in wait in the dark, to catch the black men walking to town along the railroad tracks on Saturday night to visit their wives or girlfriends who were domestics and nannies in town. They subjected these men to humiliations and tortures. Their favorite being to strip them of their clothes and put them in the trunk of a car. They would release them naked on the highway, hands bound with lit firecrackers tied to their ankles and backside. My father always smiled with glee when he told these exploits. Josephine, compassionate and understanding of my grief over having such a father, clasp my hand and nodded. She was familiar with these kinds of events.

I left the lecture remembering that in my youth, in the seventies and eighties, I had believed by now we, as a society, would have a more level field of justice and opportunity for all, and that hate crimes would become fewer and fewer as society became more enlightened and heterogenous. However, as I walked to my car, a fear chewed at me. Was the leveling so many had fought for, and were still fighting for, beginning to slope again, becoming muddy and slippery, rising in elevation to the disadvantage and injustice of minorities? Will there be enough voices speaking up to again seek a leveling? History does not make me hopeful.

 

Leonard Lee Smith holds a Bachelor of Arts in Theatre from Auburn University at Montgomery. He is a non-degree seeking graduate student in writing at University of Alabama at Birmingham. He won a Hackney award in 2012 for short fiction. He has told stories for The Moth Radio Hour

 


Never Again?

a picture of a sunset through a barred wire fence
what dreams may come. Source: Bahador, Creative Commons

I’ve been to the Holocaust Museum in Washington, D.C. twice.  The first time was just over a year after it opened.  I was newly out and went with a new gay friend and a straight ally.  We picked up random ID cards to “own” during the tour, but also asked for information about the gays who died in the Holocaust.  Those pamphlets were kept behind the counter, like the dirty magazines at 7 Eleven.

It was a somber visit.  Seeing the shoes was the hardest.  The owners were dead.  Only their shoes left to give witness.  Hundreds—thousands?—of shoes.  I whispered the refrain of the tour, “never again.”

My last visit to the museum was a few months ago. Donald Trump had been in the White House for several months. I still had not called him the P word. I can’t do it here. I didn’t remember the tour being so crowded. It felt right, though. Again, I clutched my identification papers. Last time I cheated and looked to see my assumed persona lived or died right away.  This time I wanted to find out in real time. The crowd added to the experience, especially when I saw the train car.

Last time when I said Never Again it was defiant, a promise. Now it was a question. The tour starts at the upper floor with the lead up to the Holocaust. It didn’t happen overnight.  Old newsreels and headlines show Hitler’s rise to power. Shave his mustache and tint his skin orange and it could have been the buildup to the 2016 elections. It scared me, the Othering part of the German people. Change Jew to Mexican or Muslim and it wasn’t dusty history at all. Never again?

Something else was wrong. The mood wasn’t as somber this time, not for everyone. A group of people in front of me laughed at some of the videos and exhibits. Not nervous titters. I do that sometimes. I smiled nervously when I told my mom that Mr. Lamar, my seventh-grade gym teacher died. I wasn’t happy. I was nervous. These people now, though, were enjoying themselves. This wasn’t a shameful part of humanity’s past but a primer.

I had to sit down, but there was no place to sit.

Last night when I heard Riva and Josephine speak, I thought the Holocaust museum, and the Civil Rights Institute, and the news coverage of the Valentine Shooting at Parkland, and the Pulse nightclub in Orlando and the Sandy Hook, were too sanitized.  When I worked in the ICU and ER in the Navy I treated gunshot victims.  I keep hearing people speaking abstractly about 2nd Amendment this Crisis actor that.  It’s easy to be a talking head when all you see are helicopter shots of students walking single file across a school parking lot with their hands up.  Or the flashing lights of emergency vehicles and worried parents behind barricades.

I don’t know what the dead and wounded looked like at Marjorie Stoneman Douglass High School or Sandy Hook, or the Pulse, or the field where Josephine’s father was lynched. But the shooting victims I saw had half their heads missing, their entrails hanging out, entrance wounds the size of a quarter and exit wounds the size of an orange. More blood than you’d think a human body could hold saturated their clothes. I don’t believe anyone could see that and NOT say never again!

And yet those laughing people at the Holocaust Museum took pictures with their smart phones of the photos and videos of the atrocities of Joseph Mengele to show off to their friends back home.

One of them had a red MAGA baseball cap on.

Never again?

Riva and Josephine must keep telling their story, but that’s not enough. Everyone who heard it must also tell it. And they must insist, Never again. And when the assholes with the MAGA caps laugh we have to shout it, Never Again!  Never!

And for the love of God, never here.

 

For Bob Byrd, it was a race to see which he would earn first: an undergrad degree or AARP card. He is a senior at UAB, majoring in Communications with a minor in Creative Writing. He just celebrated his 55th birthday–looks like AARP won, but it was close. He is an award winning storyteller and a frequent contributor to the NPR radio program Says You!. He grew up in Fort Lauderdale but has called Birmingham home for the last twenty years.

Reliving For a Night

A creative writing class from the UAB English department attended the Nazi Germany and Jim Crow South symposium in February. Six students, including Taylor, submitted their reflections on the interview with Riva Hirsh, a Holocaust survivor, and Josephine Bolling McCall, daughter of lynching victim, Elmore Bolling. Their honest and emotionally raw selections will post over the course of this week. — AR

a picture of a barn in the middle of a field at night
Source: Brian Spratley, Creative Commons

Riva Hirsch scans the room with wide eyes and white hair. Her shoulders are draped in purple and gold, her veiny hands clutched around her microphone. When the interviewer asks her to tell the room about her childhood and family, she stands up and brings the microphone to her lips.

“I had everything I needed until the murderer came.”

Her voice comes out grainy and loud, her lips probably kissing the microphone. She shakes with emotion I’m sure she’s felt for a lifetime.

The interviewer turns to Josephine Bolling McCall, who sits in her chair with her ankles crossed, robed in shades of emerald. Her hair is as red as fall leaves before the separate from branches and litter sidewalks. Like Riva, she wears glasses. The interviewer asks her the same question and she stands. Her voice is softer, as steady as a librarian talking while leading you through the stacks and pulling the book you need from the shelf.

“I lived in Lowndes Country, Alabama. It was known as ‘Blood Lowndes’,” she reveals. I look around the room and watch a few audience members shift in their seats. One squints his eyes, as if trying to imagine just how bloody it had been. “I was only 5 when my father was killed.” Even I shift in my seat.

Riva begins the heartbreaking tale of bring separated from her family by the Nazis. She was seven when war came to her town. A family friend named Joshua warned her family to leave. The second time he came, Riva tells us “I could smell human flesh.” Riva and her family were forced to leave their home, taking only the packages her mother and grandmother made. Joshua hid them until he could hide them no more. One day Joshua came running.

“The SS are coming!” Riva and her family were forced into the forest, where they lived in sickness, became covered in lice. Eventually they were caught and separated by the SS. Riva tells the room of alert eyes and open mouths that her mother was beat in front of her when she refused to let go of her children. They were forced to wear the yellow star and told they would be taken to a better place. She tells us of the trains they were forced on and leaves us with an image that chills to the bone and boils blood all at once.

“There were piles of dead bodies on the train. We were all moving from life to death, death to life.”

Josephine tells us about her father, Elmo, before he was killed. “He had airhorns on his truck,” she reminisces. Her father would blow his horns as he passed the family in the shop or the house. But in December of 1947, gunshots could be heard some time after the airhorns. No one thought anything of it until they were told her father was dead. “He was laying there in the ditch and his eyes were still open,” she says, looking down into the microphone. I know we all imagined a 5-year-old mind replaying that image, understanding more of its horror as time passes.

When asked about the community’s reaction to her father’s murder, Josephine admits that everyone was afraid to talk. “Keep your mouth shut, stay inside, and don’t say anything,” she recites. This was the law of their land. Josephine’s brother saw the murder of their father and saw the car that appeared to be following their father before the murder. Her brother wrote the tag number in the dirt in front of a sheriff, trying to give him the information. The sheriff had no interest. “My father’s murder had been planned,” Josephine says. And the room understands that the sheriff already knew.

Riva is asked to talk about her savior, a man who spoke German. “A man put his hand on my mouth,” she says. “I was so sick with malaria and typhoid. He told me to play dead. He put me on his shoulder and started to run with me.” The German man hid Riva in a carriage to smuggle her out of the camp. The carriage was stopped, but Riva went undiscovered until she was brought to a convent. “He handed me off to a nun and then she started to run with me,” and I imagine a nun’s black clothing flailing in the still of night, a sick child limp in her arms. She was brought to a place where more children were hidden and told the nuns would bring them food as often as they could, but not too often as to draw attention. “They were my guardian angels,” Riva confesses.

After Josephine’s family fled Lowndes County to Montgomery, she found information that would launch her into an investigation about her father’s murder. In the Montgomery Advertiser had an article about her father’s murder. “He had been shot 6 times with a pistol, once in the back with a shot gun. What does that tell you? That there was more than one person there,” Josephine urges into the microphone. After retrieving the article from historical archives and interviewing others, Josephine discovers that many people had known her father’s murder was planned. She also discovered that by definition, her father’s murder had been a lynching. In a Chicago newspaper headline about her father’s murder, the word “lynch” appeared.

The interviewer asks, “Why was it important for your father’s murderers to not make it look like a lynching?”

“Counties were being held responsible and fined,” Josephine responds. “The Association of Southern Women to Protect Lynching (ASWPL) came to Lowndes County to stop the lynching from happening.” The murderers were trying to protect themselves.

Riva tells us about her life after the way. She never went to school, but taught herself 7 languages. She married another Holocaust survivor, who lost his whole family to the gas chambers. He was the only survivor. 28 years ago, Riva came to Birmingham. Her daughter and step-daughter and still with her. She lost her husband 4 years ago, her son 9 years ago. She still claims with excitement, “America is the best place in the world.”

Josephine started a foundation in memory of her father. She wrote a book, The Penalty of Success: My Father was Lynched in Lowndes County, Alabama, and had two book signings a day for a week in Boston. She continues to share her story.

Both women leave us with their own words of advice. Riva cautions, “Make sure you speak to educate our students because the future is in their hands.” She pins us all with a determined stare before finishing, “Never ever let it happen again.” Josephine follows Riva, urging that “we have to acknowledge what has gone on before we can reconcile and come together.” Finally, she points us to Bible, Hebrews 13:1, “Let brotherly love continue.”

 

Taylor Byas is a graduate student at UAB pursuing her Master’s Degree in English, Creative Writing. She aspires to teach Creative Writing at the collegiate level.

Everyday Expectation: Complicity in the Third Reich and Jim Crow South

by Derrick J. Angermeier

a picture of a sticker in Germany
“Ultras,” are “Super Fans” of FC Nürnberg, the soccer team of Nuremberg, Germany. This picture, taken in May 2017, is of a sticker placed on a lamppost in Nuremberg. Ultras use the Confederate Battle Flag to assert the city’s and its people’s “unreconstructed” position within not only Germany but the south German state of Bavaria. Believing themselves exceptional within Germany, this aspect of U.S. Southern identity helps point out an overlap in everyday identity politics between the nationalist cultures. Photo by Derrick Angermeier.

My research seeks to answer a complicated question: Why did everyday people participate in the systems of racial oppression known historically as the Third Reich and the Jim Crow South? Historians have focused on these two national cultures and the wide variety of ways in which they excluded racialized others while elevating their own preferred racial makeups. Much of my graduate career has been spent studying the prejudice that emanated from Nazi Party leadership down to the German citizenry. However, when I took a graduate seminar on Southern History with a preeminent scholar, I was struck by the fact that, at the structural level, histories of the South resembled many of the German histories I had already consumed.

Both fields attempt to sort through complex pasts by debating continuity over time. In Germany’s case, scholars asked if there was something essentially German that caused the rise of the Third Reich by the early twentieth century? Was there a direct path from Martin Luther to Adolf Hitler, or was the development of German history more complex? Similarly, U.S. Southern academics often argued over whether the antebellum South had ever truly given way to a New South built on technology and industry. Both arguments created a self-fulfilling prophecy of sorts that has consequentially damaged historical interpretation in both fields. By setting up a world where the U.S. South was always at its heart magnolias and bigotry and Germany was always a peculiar nation susceptible to authoritarianism, no one needs to take ownership of their horrendous racial legacies. Exceptionalist narratives paint a deterministic picture where the racial castes that evolved into brutality and violence were inevitable outgrowths of inherent flaws. Nobody could help themselves; it was simply meant to be.

Such determinism has long had its opponents and supporters amongst historians, but both fields tackled this problem in remarkably similar ways: memory history. Southern and German historians embraced a historical methodology that called scholars to probe historical actors’ memories. How did exceptionalist myths like the “Lost Causes” and “Special Paths” (Sonderweg) get formed? Scholars of both cultures claimed that historical actors chose to selectively remember and internalize false memories which were then purposely perpetuated to future generations. One of the most blatant of these efforts was the United Daughters of the Confederacy, an organization defined by a desire amongst white Southern women to give permanence to the “Lost Cause” illusions of the Confederacy. Through textbooks, statues, speeches, public events, and other cultural activities the UDC ensured that a Neo-Confederate lifestyle would exist well beyond the South’s military defeat. Germany similarly internalized powerful false memories regarding militarism. Many young German men willingly went to war in the Spring of 1914 hopped up on tales of glory from Germany’s imperial wars; the fact that these conflicts were inherently one-sided and genocidal did not make it into travel accounts and youth magazines. These same myths would influence another generation; instead of seeing the First World War as brutal meat-grinder of humanity, many Germans sought glorification in the Nazi cause. False memories had indeed defined both regions and by extension their historical studies.

The more I read Southern history and reread German history I noticed more similarities. Neither regions’ academics seemed to address one another in any significant way. There were Cursory mentions here and there, footnotes in an epilogue, an occasional article. German historians and Southern historians seemed unaware of how significantly their methods of analysis overlapped. It was maddening! How could either of these places consider themselves exceptional when their histories were so painfully similar?! How had no one else really dug into this subject? The possibilities were staggering! I wrote a paper for my Southern History course on this overlap, and the whole exercise was produced more in the name of catharsis than course completion. However, the paper would not be enough, I did not find myself satisfied.

I read more and more and continued to find considerable overlap, but meaningful comparisons were few and far between. So, my new obsession slowly shifted into my dissertation proposal. I refined my original project, stripped it down to its bolts, and completely rewrote it. I added a research prospectus where I outlined my major argument, my answer to the question I asked above: Why did everyday people participate in the systems of racial oppression known historically as the Third Reich and the Jim Crow South? People were subjugated, excluded, and made the easy victims of violence and deprivation. The answer would not be found in studying politicians, demagogues, and the elites that had often defined my research. No, the similarity between these two regions, the element that formed the foundation of a transnational system of racial intolerance and exclusion was everyday people. The racial castes of Jim Crow and National Socialism may have had the force of law, but everyday people were the ones who enforced and followed the boundaries of racial propriety. Those boundaries were often set and adjusted at very local levels in countless interactions far away from any state supervision.

Many historians have argued that events and circumstances dictated complicity- in other words a historical actor’s present world left them little choice. Other scholars assert that historical actor’s memories of the past informed their complicity. I depart from these arguments; I insist that the answer to everyday complicity in the Third Reich and Jim Crow South lies not in past or present but in the future. I study the various expected futures that these historical actors internalized, which I call “Expectation” for shorthand. Expectation is a fact of human existence; we all walk around with some form of expectation of the future, be it a political identity, a five-year plan, or even what to eat for dinner. Historical actors similarly had expectations. In my research I have unearthed those hopes and fears of countless possible futures that provided considerable motivation for a wide variety of actions that lent credence to Jim Crow and Nazism.

Model for the components of historical “Expectation” as it relates to everyday complicity in racial caste systems. Graphic by Derrick Angermeier.

Identifying and explaining expectation has been a fascinating endeavor that has taken me across six Southern states and all across the Southern German state of Bavaria. This particular German state and its people have long considered their culture to be highly distinct from the rest of Germany, harking back to an aristocratic tradition that thrived long before Prussian led unification “reconstructed” their region into a united Germany. As such, it offers a very proximate point of comparison with a Southern culture that deals with its own hatred of reconstructions. I have assembled pamphlets, newspapers, sheet music, broadsides, tourism brochures, flyers, letters, diaries, and a wide variety of everyday kitsch to assemble a clear picture of white supremacist hopes for the future. These items help illustrate a wide variety of wants, needs, and fears that informed everyday expectations for the future and by extension the justifications people internalized to vindicate their position in racialized states.

My research has shown five key components of expectation, each one of vital importance to understanding everyday complicity. First, tradition: the idea that people expect some form a remembered past will carry over into the future. Second, continuity: the hope that the institution, customs, and society of the present will continue to exist. Third, potential: the desire to maximize the potential of humanity and society to thrive in the future. These three ideas embody expectation generally and can be found outside of Jim Crow South and the Third Reich. However, the next two components help bridge the gap between expectation and complicity. Fourth, urgency: the pressing fear generated by either stressful times, political demagogy, or the perception of changes to the status quo that motivate historical actors to become more ardent in realizing their expectations. Finally, entitlement: the idea that historical actors considered themselves entitled to their expectations of the future at the direct expense of other people.

To fully explain how tradition, continuity, potential, urgency, and entitlement form expectations for the future and motivate everyday people to participate in racial states I use a series of vignettes to tackle each topic and illustrate a component of expectation as it existed in both the U.S. South and Bavarian Germany during the 1920s and 1930s. For example, to study the idea of tradition, I look at the Lost Cause and postwar Confederate worship to demonstrate that Southerners generally expected their futures to contain some vestiges of moonlight and magnolias. In Bavaria, an emphasis on agricultural roots and Bavaria’s separate monarchy demonstrate that Bavarians hoped to honor their separatism of yesteryear. In assembling this argument, I have called on debates over Women’s Suffrage, Bavarian Catholicism, white supporters of Marcus Garvey, sterilization and eugenics, the Scopes Trial, Bamberg tourism, Prohibition, and so much else to unearth everyday expectation in a clear and compelling fashion.

When we consider the factors that contributed to everyday complicity, we must not only look at the usual suspects hierarchy, heritage, racism but also reflect on the role of people’s entitlement to expected futures and the fear of losing those futures. The world of the 1920s and 1930s was truly tumultuous with the rise of communism, a global war and an epidemic that combined wiped out much of a generation, a global depression, and many other destabilizing events. People needed and craved stability; in the case of the Jim Crow South and the Third Reich, that stability was offered by politicians and demagogues in exchange for participation in a strict and violent racial system. This stability afforded everyday whites in both the U.S. South and Bavaria Germany the opportunity to achieve their desired futures and to avoid imagined apocalypses. The opportunity to realize their expectations convinced far too many people to enforce, support, or at least look the other way as African Americans and Jews were stripped of their human rights, their dignity, and sometimes their very lives.

 

Derrick J. Angermeier is presently a PhD candidate in the History Department of the University of Georgia. His dissertation, titled Both Hitler and Jim Crow: Lost Causes and Imagined Futures in Nazi Bavaria and the New South, 1919-1939, explores the expectations, hopes, and fears for the future held by everyday people in the U.S. South and Bavaria, Germany during the 1920s and 1930s as vehicles to understanding complicity in racialized states. Derrick has been awarded multiple research grants and fellowships which have taken him across the U.S. South and to the southern German state of Bavaria. This May he will be a Graduate Fellow of the Berlin Seminar in Transnational European Studies. Derrick prides himself on sharing his expertise and research with the public. He has spoken at multiple events sponsored by the United States Holocaust Memorial Museum; most recently in February 2018 when he discussed the role “Expectation” played in everyday complicity in the Third Reich and Jim Crow South at a symposium co-sponsored by the UAB Institute for Human Rights.

Relevant works

  • Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism (Verso, 1991).
  • Kenneth Barkin, “A Case Study in Comparative History: Populism in Germany and America,” in The State of American History, Herbert J. Bass (Quadrangle Books, 1970).
  • Peter Bergmann, “American Exceptionalism and German Sonderweg in Tandem,“ The International History Review, vol. 23, no. 3 (2001): 505-534.
  • Fitzhugh Brundage, The Southern Past: A Clash of Race and Memory (The Belknap Press of Harvard University Press, 2005)
  • James C. Cobb, Away Down South: A History of Southern Identity (Oxford University Press, 2005).
  • David C. Engerman, “Introduction: Histories of the Future and Futures of History,” The American Historical Review, vol 117, no. 5 (2012): 1402-1410.
  • Paul Gaston, The New South Creed: A Study in Southern Mythmaking (Alfred A. Knopf, 1970).
  • Johnpeter H. Grill and Robert L. Jenkins, “The Nazis and the American South in the 1930s: A Mirror Image? The Journal of Southern History, vol 58, no. 4 (November 1992): 667-694.
  • John Haag, “Gone with the Wind in Nazi Germany,” The Georgia Historical Quarterly 73, no. 2 (Summer 1989): 378-304
  • Eric Hobsbawm, The Invention of Tradition (Cambridge University Press, 1983)
  • Eric Hobsbawm, Nations and Nationalism since 1790: Programme, Myth, Reality (Cambridge University Press, 1992).
  • Ian Kershaw, “Hitler and the Uniqueness of Nazism,” Journal of Contemporary History, 2, (2004): 239-254.
  • Jürgen Kocka, “German History Before Hitler: The Debate about the German Sonderweg,” Journal of Contemporary History 23, no. 1 (1988): 3–16.
  • George L Mosse, The Crisis of German Ideology: Intellectual Origins of the Third Reich (Howard Fertig: 1964).
  • Wolfgang Schivelbusch, The Culture of Defeat: On National Trauma, Mourning and Recovery, Jefferson Chase (Metropolitan Books, 2001).
  • Nina Silber, The Romans of Reunion: Northers and the South 1865-1900 (University of North Carolina Press, 1993)
  • Martina Steber and Bernhard Gotto, eds., Visions of Community in Nazi Germany: Social Engineering and Private (Oxford University Press, 2014).
  • Fritz Stern, The Politics of Cultural Despair: The Rise of Germanic Ideology. (University of California Press, 1974).
  • Charles Reagan Wilson, Baptized in Blood: The Religion of Lost Cause, 1865-1920 (University of Georgia Press, 1980).
  • Andrew Zimmermann, Alabama in Africa: Booker T. Washington, the German Empire, and the Globalization of the New South, (Princeton University Press, 2012).

The Importance of Art in Human Rights

How does art affect humanity and human rights? Does it play an important role in human rights advocacy? Throughout history, people have used the arts as a form of self-expression by reflecting on their lives and what they observe. Art and design are constantly changing, and growing, with history. It is constantly being influenced while influencing societal events. As an artist and graphic designer, I believe that use of imagery influences societies, helping raise awareness of social and political issues. In the vast world of social and political arts, there are a few examples of work that stood out to me because of their contribution to society, namely: “The Hand That Will Rule the World” by Ralph Chaplin, “All Power to the People” by Emory Douglas, “The Anatomically Correct Oscar” by The Guerilla Girls, “Red Sand Project” by Molly Gochman, “The Blue Bra” by Bahia Shehab, and “America” by Touba Alipour. These are a few good examples of how art and design can impact human rights with solidarity, awareness, and protest.

“The Hand That Will Rule the World” by Ralph Chaplin. June 30, 1917

The symbol of the clinched fist has been a symbol of solidarity as early as 1917. “The Hand That Will Rule the World” by Ralph Chaplin is an illustration referring to the IWW (Industrial Workers of The World). Industrial unionism began when skilled workers were displaced by modern machinery and the monopolization of industries. It was a union that believed industries should be controlled by the workers, benefiting the many instead of enriching the few, and create better working conditions. In this image, the workers are uniting their arms and creating one giant fist, which represents solidarity and unity, while holding tools, representing manuallabor, while factories in the backdrop symbolize the machinery displacing the workers.

“All Power to the People” by Emory Douglas, March 9, 1969

The Black Panther Party was an African-American organization founded October 15, 1966 in Oakland, CA. One of their greatest successes was using imagery to reach people across the country about their movement. According to The New York Times, even though the Black Panther Party was associated with armed resistance, their most powerful weapon was reaching out to African-American communities through works of art. Emory Douglass, the artist behind many these images, has a background in printmaking and activism, pushing him to create images that show the injustice toward communities of color in the United States. His illustration “All Power to the People” is another example of the solidarity symbolism employed by the raised fist. The raised fist and the words “All Power to The People” brings a sense of unity to the viewer. Also, the person’s expression speaks on an emotional level, as if they’re shouting these words, making it a very powerful piece of artwork.

“The Anatomically Correct Oscar” by The Guerrilla Girls, 26 Feb 2016

The Guerilla Girls are feminist activist group comprised of more than 55 artists. They describe themselves by saying: “We wear gorilla masks in public and use facts, humor and outrageous visuals to expose gender and ethnic bias as well as corruption in politics, art, film, and pop culture. We undermine the idea of a mainstream narrative by revealing the understory, the subtext, the overlooked, and the downright unfair.” This group of activist artists started in 1985 and, by the early-21st century, have expanded their awareness into the media world, namely the film industry. “The Anatomically Correct Oscar” brings awareness to the racism and sexism in the film industry by portraying a white male holding his genitals with text boxes demonstrating the percentage of people of color that have won Oscars in the past 86 years. The Guerilla Girls displayed this billboard in Hollywood a few months leading up to 2016 Oscars, noting, “the people we want to reach will see it…There is so much positive press around the Oscars – the gowns, the stars – that we decided it was time for another point of view.”

“Red Sand Project” by Molly Gochman

Molly Gochman’s “Red Sand Project” is a worldwide instillation that takes a hands-on approach of bringing awareness to human trafficking. This project encourages all communities to pour red sand into cracks on sidewalks to recognize the overlooked populations (refugees, immigrants, girls, and others) that are at risk of slavery and exploitation. “These interventions remind us that we can’t merely walk over the most marginalized people in our communities — those who fall through the metaphoric cracks”, explains Molly Gochman. This informative, and largely interactive, work of art takes simple, yet powerful, gestures and to bring worldwide awareness through photography and social media. It is an ongoing project, raising action for those who are overlooked and vulnerable to human trafficking.

“The Blue Bra” by Bahia Shehab, 2011

In 2011, various outbursts of popular protests swept the Middle East and North Africa, causing a revolutionary wave called the Arab Spring. Staring from Tunisia and later spreading to Egypt, Yemen, Bahrain, Libya, and Syria, people were rising against their oppressive leaders. As the protests grew larger they were met with violent responses from authorities. One of the striking things that came out of this short period was the growth in street art, graffiti, and calligraphy. “The Blue Bra” by Bahia Shehab, located in Cairo, Egypt, is a great example of protest of oppression. This graffiti is part of an instillation called “Thousand Times No” which Shehab explains, “represents a rejection of both the conformity and the repression that often stifle the Arabic speaking region and Islamic cultures.” The text above the Blue Bra is saying “no stripping the people” and the sole of the military boot reads “long live a peaceful revolution”, calling the incident of a veiled girl who was stripped and beaten by police on December 18, 2011, and happened to be wearing a blue bra. In another location, Sheab installed a calligraphic graffiti which is an Arabic translation of Pablo Neruda’s quote, “you may crush the flowers, but you cannot delay the spring”.

“America” by Touba Alipour, 2017

Touba Alipour’s “America” is a mixed media artwork, curated by gallery director and artist Indria Cesarine, placed in The Untitled Space gallery’s “ONE YEAR OF RESISTANCE” exhibition in January 2017, shortly after the election of U.S. President Donald Trump. This exhibition, which included over 80 artists, addressed and protested policies that challenged human rights in our society such as immigration rights, health care, reproductive rights, climate change, transgender rights, white supremacy, gender equality, gun control, sexual harassment and many others. Among these artists, Touba Alipour addressed the travel bans placed by Trump which prevented people from six Muslim countries to enter the United States. “Being from Iran, it definitely affected me in different ways”, mentions Alipour, “I’ve seen families being torn apart, and they had green cards, they were living here, they just went to travel, and when they came back they were told they can no longer enter the country”.

Art is a way for people to express themselves, whether for the sake of imagination or to express ideas. It has been used effectively today, and throughout history, to send public messages about social and political issues. Human rights and the arts go together because of the expressive nature of both subjects. As people, we can stand up for our rights through expression. Due to their ability to create visual interest and to promote solidarity, awareness, and protest, artists and designers play a pivotal role in society by promoting human rights advocacy. Especially in the modern age, where people rely heavily on technology and media, it is important to send messages that work toward creating a society that respects human rights for themselves as well as others.

The Struggle Against Modern Babylon

Marlene Dietrich during the Weimar Republic. Source: Unknown, Public Domain.

“Maria, you come out of the stable and look at the lights of Bethlehem with chaste eyes. Where the bird is. And now Archangel Gabriel, please,” the director shouts at his cast, motioning them to their positions. He continues, “Frieda, you’re receiving the Redeemer. I can’t see that.” At first glance, an unsuspecting observer might err in thinking that they were witnessing a rehearsal for a biblical reenactment or a Christmas pageant; however, a closer look would swiftly reveal the naked truth: a pornographic film in the making. Actors of both sexes in varying stages of undress, young boys in sexualized cherubic costume – if any misgivings remained about the reality of the production, they would soon be laid to rest by the arrival of the police. “Ladies and gentlemen, form an orderly row, pack away your genitals and keep your mouths shut,” the police inspector commanding the raid barks, referring to the director as “a rat” for his role in spreading “the filth with those little boys.” How does the director defend himself against such allegations? “Art is free,” he protests, “you will have to prove I’m not an artist.”

Although one would not be remiss in thinking this scenario occurred in a modern-day United States in which nearly eighty million people visit Pornhub every day and the boundaries of cultural libertinism seem to be constantly extended, in actuality, it occurred in a new Netflix series – Babylon Berlin – accurately dramatizing the Weimar Republic of interwar Germany. Constructed atop the ruins of Imperial Germany in the aftermath of World War One, the Weimar Republic represented the first German experiment in mass democracy and classical liberalism, an ideology oriented around the idea that individuals inherently possess certain natural rights. With this newfound emphasis on the individual, many Germans – theoretically liberated from the emphasis on community and tradition promoted by the elites of Imperial Germany – began a decade-long process of transforming their country into a laboratory in which the social experiments of the twenty-first century originated (Moeller, 2009).

However, intertwined with more questionable experimentation – as detailed in Babylon Berlin – existed one of the first attempts to institutionalize human rights, even though such rights failed to achieve codification until the aftermath of World War II. The German League of Human Rights, although founded as early as 1914, advocated for freedom of speech for political dissidents, civil rights for sexual and ethnic minorities, and opposed the rising tide of anti-Semitism in interwar Germany (Wildenthal, 2008). Meanwhile, the controversial founder of the Institute for Sexual Research, Magnus Hirschfield, established the first gay-rights organization  – the Scientific-Humanitarian Committee – and pioneered arguments in favor of granting rights to individuals identifying as transgender (Lind, 2007). Even the Weimar Republic itself, almost completely dysfunctional due to political infighting and polarization, sought the establishment of group rights in order to protect German minorities separated from the Vaterland following partition after World War I (Mazower, 2004). Inspired by these events in the place of his birth, Henry Gerber emigrated to the United States where he sought to continue the struggle for human rights by founding one of its first human rights organizations, the Society for Human Rights.

Although the Weimar Republic initially achieved great progress in immunizing the national culture against human rights abuses, its other experiments – particularly those of a sexual nature – afflicted interwar German society in the manner of a deadly contagion. Even in a healthy body, a powerful contagion possesses the capacity to generate tremendous amounts of damage, however, interwar Germany did not constitute an ideal host – it suffered from two distinct deficiencies allowing the contagion to gain more strength than normally possible. From the beginning, the Weimar Republic, as the product of military defeat, failed to achieve widespread legitimacy in Germany (Peukert, 1993). This lack of legitimacy combined with the deleterious aftereffects of World War I:

Culturally, it discredited optimistic and progressive views of the future, and cast doubt upon liberal assumptions about natural human harmony. Socially, it spawned armies of restless veterans (and their younger brothers) looking for ways to express their anger and disillusion without heed for old-fashioned law or morality. Politically, it generated economic and social strains that exceeded the capacity of existing institutions – whether liberal or conservative – to resolve.   (Paxton, 2005, p. 28)

Ultimately, these deficiencies proved the Weimar Republic, and its advances in human rights, ephemeral. However, the ideas of the Conservative Revolution demonstrated far greater resiliency – they continue to influence the global political scene through the rhetoric and ideology of both the European far right and political Islam.

German infantry on the Western Front. Source: US War Department, Public Domain.

A Conservative Yet Revolutionary Critique of Human Rights

Coming of age in this time of systemic failure, a group of German intellectuals and philosophers – later referred to as the German Conservative Revolution (Mohler, 1989) – developed much of the modern rhetoric against human rights and liberalism. At first glance, the term German Conservative Revolution appears incoherent; however, unlike traditional conservatives, these intellectuals did not seek to preserve the established order, nor did they simply seek to turn back the clocklike mere reactionaries. Instead, they sought to combine select elements of the past with acceptable aspects of the present in order to construct an alternate and, in their opinion, much improved modernity. As Göran Dahl notes, the movement appeared:

Conservative in that they wanted to save the nation and protect German culture, and revolutionary because they thought one had to be active and decisive in order to create a new order beyond liberalism, socialism, capitalism, individualism, and parliamentary democracy. The key difference between the leftist and rightest conceptions of revolution was that while the former called for a change in ‘structure’ – political, economic, and social conditions – the latter emphasized a need for a different consciousness, a spiritual reawakening of both heart and mind. (Dahl, 1996, p.26)

In this new order, human rights receive no role – indeed, they effectively cease to exist. Profoundly influenced by the political trends of their era – namely, Social Darwinism and Nationalism – the German Conservative Revolution awarded very little credence to the idea of a common humanity. Martin Heidegger, a leading member of the German Conservative Revolution and one of the foremost philosophers of the twentieth century (Barrett, 1990), contended that the term people “cannot mean humanity, but an organic collective sharing identical ‘cultural’ values” (Dahl, 1996). Likewise, Carl Schmitt posited a Manichean universe populated by a variety of different groups, each of which relates to the others by labeling them either as friends or enemies (Schmitt, 2007).

This idea of a fractured humanity became especially influential among those who served in the trenches along the Western Front during World War I. These individuals, such as Ernst Jünger and Helmut Franke, scoffed at “all the pacifist and international theories of humanity” (Woods, 1990). How could anyone, they ask, believe in a common humanity after witnessing a “jagged piece of iron [as it] bursts out of the dust and noise senselessly in front of staring gazes and knocks them down, tears them to pieces, obliterates them” (Woods, 1990)?

Despite their loss of faith in humanity, they did not perceive humans primarily as individuals either. In their experience, the individual soldier – alone and atomized – suffered from anomie, depression, and anxiety, dwelling on his own mortality in the shadow of artillery explosions and machine-gun fire. The individual rights championed by the Weimar Republic possessed little appeal for them. On the other hand, the soldier as a member of a unit received support, protection, and distraction from his war-weariness while in the company of his fellow infantrymen. Their service in the trenches crystallized within them the importance of their national community, their fellow ethnic Germans – as evidenced by their mantra that “suffering and dying is meaningless; suffering and dying for a grand idea is honorable; suffering and dying for the fatherland is sacred” (Woods, 1990). Upon their return to Germany, the returning soldiers hoped to create “a state based on the experience of the soldiers in the front line,” an organic collective rooted in tradition and sustained “by the values of comradeship, fraternity, and community which were learnt in the face of mortal danger” (Woods, 1990).

At a more abstract level, Heidegger argued that the individual only achieves “true being” – true existence – as part of “a mutual and collective project”united by a “mutual context of understanding” (Dahl, 1996). The ethnically homogenous nation represented the highest and most sacred of these projects, and a combination of shared ethnicity, language, religion, and other factors created mutual understanding between members of the nation. However, this shared understanding presumed hierarchy rather than equality – the ethnic German took precedence over the foreigner, those able to further the nation through reproduction took precedence over those who could not. To Heidegger, “there is no freedom outside of organic communities, no rational individuals beyond their boundaries, and if there is opposition, it must be crushed in the name of the true and great existence” (Dahl, 1996). The rights of the collective receive precedence over the rights of the individual, while the prescription for those who refuse to conform entails removal or elimination.

While conflict between collectives does not represent an inevitable outcome, the German Conservative Revolutionaries routinely single out one country for criticism: the United States. In their eyes, the United States represents:

The ultimate example of civilization without culture; rich and comfortable, materially advanced but soulless and artificial; assembled or at best constructed, not grown; mechanical not organic; technologically complex but without the spirituality and vitality of the rooted, human, national cultures of the Germans and other “authentic peoples.” (Lewis, 2004, p. 69)

Responsible for abstract human rights, consumerism, individualism, materialism, sexual libertinism and other undesirable aspects of modernity, the United States – in the eyes of its German critics – becomes the modern equivalent of the sinful and decadent city of Babylon.

Marine Le Pen, the leader of the French “far-right” National Front, at a convention. Source: Driss Hadria, Public Domain.

The Modern Offspring of the Conservative Revolution

Eventually, the German Conservative Revolution succumbed to an even more radical movement, the NSDAP of Adolf Hitler, which appropriated and repackaged many of its ideas (Mohler, 1989) to appeal to the segments of Weimar Germany distraught by the cultural changes dramatized in Babylon Berlin. However, as Robert Paxton notes, the intellectuals of the German Conservative Revolution, “though sometimes considered the creators of fascism[,] actually account better for the space made available for fascism than they do for fascism itself” (Paxton, 2005).

At this point, some may ask themselves, “What does an early twentieth century political movement and its critique of human rights matter to a citizen of the twenty-first century?”

Mere decades after World War II, the ideas of the German Conservative Revolution began circulating throughout Western Europe once again. The Nouvelle Droite of France, in conjunction with its various sister movements in neighboring countries, exposed the European population to this German ideology through influential media organs, such as Le Figaro and Junge Freiheit (Bar-On, 2012). According to Tamir Bar-On, “the entire European extreme right-wing political spectrum from the Italian Lega Nord (Northern League – LN) to Vlaams Belang (Flemish Interest) in Belgium have been influenced by” the Nouvelle Droite (Bar-On, 2012) and, thus, by extension the German Conservative Revolution. The spread of these ideas through the previously mentioned parties and media organs “helped engender the Pan-European cultural shift” (Bar-On, 2012) that made the current far-right populist wave a reality.

However, the ideas of the German Conservative Revolution did not halt at the frontiers of the European continent. The main ideologues of the Iranian Revolution of 1979 – Ali Shariati, Ahmad Fardid, and Jalal Al-e Ahmad – employed these ideas increating the intellectual superstructure of the Islamic Republic (Mirsepassi, 2011). During the same time period, major Islamist politicians and philosophers in both Turkey (Aydin, 2006) and the Arab world (Tamimi, 2001) similarly adopted this rhetoric.

In the twenty-first century, the main opponents of classical liberalism and human rights constitute the European far right and Political Islamists, both of which employ the arguments of these German intellectuals. Therefore, understanding the appeal of the ideas of the German Conservative Revolution to these movements and their voters represents a matter of increasing importance for those dedicated to defending both liberalism and human rights.

To those cocooned for their entire existence within an era dominated by a liberalism seemingly possessing no viable opponents, the idea that many people around the globe view liberalism as artificial, oppressive, and even dehumanizing seems irrational – after all, Americans regularly hear the virtues of individualism, consumerism, secularism, and other aspects of liberalism. Yet, for others, the anti-liberal, anti-human rights ideas that originated with the German Conservative Revolution possess a concrete and thoroughly rational basis for belief. Young Germans, emerging from the brutal trench warfare of World War I, developed these ideas as a response to the tremendous social and cultural dislocation they experienced upon returning home to a Germany they barely recognized. In the twenty-first century, these ideas appear in response to similar contexts: a Middle East undergoing a rapid series of modernization, industrialization, foreign humiliation, secularization, and cultural experimentation (Mirsepassi, 2011; Lewis, 2004; Aydin, 2006); and a Europe suffering from post-industrialization, large numbers of migrants, and a crisis of identity (Murray, 2017).

As in the 1920s and 1930s, cultivating empathy for the “Other,” understanding these ideas and the conditions that spur their popularity, remains the fundamental challenge facing supporters of liberalism and human rights. Although the path often seems perilous and difficult, the active cultivation of this empathy represents the only meaningful path towards bridging the divides currently surfacing throughout the world.

References

Aydin, C. (2006). Between Occidentalism and the Global Left: Islamist Critiques of the West in Turkey. Comparative Studies of South Asia, Africa, and the Middle East, 26(3), 446-461.

Bar-On, T. (2012). Intellectual Right-Wing Extremism – Alain de Benoist’s Mazeway Resynthesis since 2000. In U. Backes & P. Moreau (Eds.), The Extreme Right in Europe: Current Trends and Perspectives (pp. 333-358). Göttingen: Vandenhoeck & Ruprecht.

Barrett, W. (1990). Irrational Man: A Study in Existential Philosophy. New York, NY: Anchor Books.

Dahl, G. (1996). Will ‘The Other God’ Fail Again? On the Possible Return of the Conservative Revolution. Theory, Culture, & Society, 13(1), 25-50.

Lewis, B. (2004). The Crisis of Islam: Holy War and Unholy Terror. New York, NY: Random House.

Lind, A., & Brzuzy, S. (Eds.). (2007). Battleground: Women, Gender, and Sexuality (Vol. 2). Westport, CT: Greenwood.

Mazower, M. (2004, June). The Strange Triumph of Human Rights, 1933-1950. The Historical Journal, 47(2), 379-398.

Mirsepassi, A. (2011). Political Islam, Iran, and the Enlightenment: Philosophies of Hope and Despair. New York, NY: Cambridge University Press.

Moeller, R. G. (2009). The Nazi State and Germany Society. Boston, MA: Bedford/St. Martin’s.

Mohler, A. (1989). Die Konservative Revolution in Deutschland, 1918-1932: Ein Handbuch. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft.

Murray, D. (2017). The Strange Death of Europe: Immigration, Identity, Islam. New York, NY: Bloomsbury.

Paxton, R. (2005). The Anatomy of Fascism. New York, NY: Vintage Books.

Peukert, D. (1993). The Weimar Republic: The Crisis of Classical Modernity. (R. Deveson, Trans.). New York, NY: Hill & Wang

Schmitt, C. (2007). The Concept of the Political (Expanded ed.). (G. Schwab, Trans.). Chicago, IL: University of Chicago Press.

Tamimi, A. S. (2001). Rachid Ghannouchi: A Democrat within Islamism. New York, NY: Oxford University Press.

Wildenthal, L. (2008, September). Human Rights Activism in Occupied and Early West Germany: The Case of the German League for Human Rights. The Journal of Modern History, 80(3), 515-556.

Woods, R. (1990, January). The Conservative Revolution and the First World War: Literature as Evidence in Historical Explanation. The Modern Language Review, 85(1), 77-91.

 

Music: A Cultural Expression of Identity

**This blog is a repost as we invite you to join us for a series of events with Violins of Hope Birmingham, April 11-14, 2018. The centerpiece of the project will be the Violins of Hope Concert at the Alys Stephens Center on April 14, 2018, featuring the Alabama Symphony Orchestra under the baton of Music Director, Carlos Izcaray. 

a picture of a unique violin
violin. Source: z s, Creative Commons

If identity were a sound, what would it sound like? For Jews, it sounds like the notes that rise from the striking of the bow across the tension of the strings on a violin. Elie Wiesel, in Night, writes of a brief encounter with Juliek, a dying violinist. This encounter, without full understanding of the context and the role of the violin in Jewish culture, may remain overlooked and misunderstood. It did for me until I began researching for this blog.

Violins, often heard in a piece of classical music, a genre that as Wang describes as “a special form of culture widely defined within an ideological and social sphere in people’s everyday life”, speak to the universal accessibility of music and the cultural complexity of creative expression within the social identity of Jewish people. “Always when people asked Isaac Stern why so many Jewish people are playing the violin, his answer was very simple: ‘It is the easiest instrument to pick it up and to run away!'” The embedding of music in Jewish tradition resulted from their persecution. Music provided a refuge and an outlet for emotional expression, whether pain or joy because music has the power to transcend.

A violinist is an essential figure within the sociocultural dynamic of Jewish high society. Gilman, highlighting the life of Albert Einstein, explains how the violin is “an emblem of the integration of the Jews into Western high culture… [and] links both personal and historical meanings.” Spotts insists that to the Nazis, “Theater, music, art, and literature were inherently ennobling, unless… practiced by the Jews.” Music for Einstein and other Jews allowed for the continuous expression and validation of individuality, in conjunction with and apart from religion. Conductor Franz Welser-Most maintains, “An instrument becomes part of the person which plays it. It’s the voice of that person comes through the instrument.” Violinists and their violins reinforced the humanity of all Jewish people, thereby undermining Nazi anti-Semitic ideology.

Albrecht considers art, including music, an institution. He identifies three characteristics of art: structure, function, and universality. The institution of art exists within the social structures of a society due to the ability of music to fulfill the human psychological need for creativity. While conceding that art is not a primary institution, one needed for the survival of society, he does suggest that it should no longer remain a secondary (or throwaway) institution either. Art should remain as important as religion, philosophy, and science. In other words, societies needs to recover the value of art by understanding its characteristics.

First, the structure of art is expressive and social, exposing what Parsons defines as “the paradigm of social interaction”. The paradigm of social interaction is the triad reciprocal relationship among the author, the critic, and the public based upon a supply and demand existence, or needs-based approach. For Parsons, human behavior consists of patterns of belief systems, which incorporate and appropriate objects, like violins, into the fabric of an individual or group experience based upon meaning. The repetition of the pattern creates a culture that, over time, produces a heritage. For Bortolotto, “Heritage is created …with authenticity understood as an important quality in the perpetuation of a sense of historical continuity and cultural ancestry.” Therefore, the social structure of art features this triadic interaction over a period and this historical interaction creates solidarity. Art is an essential link in the network of social and cultural relations.

Second, art satisfies curiosity, creates balance, and reduces stress. Spencer concludes that art permits “prolonged rest of the nerve-centers, which build up energy in excess of demands for immediate instrumental activities”, creating a satisfaction that comes from being a part of art through its creation or experience rather than simply participating in it. Weber equates art with ‘salvation’; not salvation as in eternal life but salvation that comes as a means of transcending one’s immediate situation or circumstance. Art allows for momentary escape; this quality contributes to the enrichment and augmentation of an individual and society.

Lastly, art is universal. Hoebel asserts, “Man could survive without art; yet man and art are inseparable.” Human beings are creative beings, yet the limitations of art classification detach the social and cultural significance of artwork or performance, whether it be resistance or propaganda. Take rap as an example. Martinez argues rap of the late 1980s and early 1990s utilizes lyrics and sounds as a form of expressing resistance to some cultural norms about music, and as propaganda when considering the urban decay of black communities, in direct contrast to white communities. In other words, regardless of classification, art, including music, possesses the power to influence, to give voice to the minority, and to symbolize resistance.

Amnon Weinstein is a violinmaker. More than 50 years ago, a customer brought him an old violin in need of restoration. Unplayed violins lose their sound and their spirit over time; therefore, a well-played instrument sounds richer and more open. Weinstein, over the course of the conversation, learned that the owner, a Holocaust survivor, “had played on the violin on the way to the gas chamber, but he survived because the Germans needed him for their death camp orchestra.” When the Nazis outlawed prayer, Jewish violinists played as a means of communion and defiance. “And just knowing that some of these people who have owned these instruments did not survive, but their personality is still within these instruments, I find that very moving”, acknowledges Welser-Most. The restoration of more than 30 Holocaust violins has become Weinstein’s method of harnessing the power of music to influence, returning voice to the minority, and to continually cultivating a resistance against the cruelty of the Holocaust and the silence that descended when the war concluded, by listening to the stories told by the violins.

This Sunday, September 17, 2pm at Temple Emanu-El, musicologist and author James A. Grymes will discuss his book, Violins of Hope: Instruments of Hope and Liberation in Mankind’s Darkest Hour, and the work of Amnon Weinstein. Event organizer Sallie Downs, when asked what inspired her to bring the Violins of Hope story to Birmingham, replied:

I am free to bring them; and they are free to come. All musicians, regardless of who they are and what they believe, are free to play the instruments when they want and where they want, and they are free to play whatever music they wish to play. Jewish musicians didn’t have that opportunity. They did nothing wrong. They were persecuted and too many people didn’t believe it could happen and they stood by until it was out of control. With all the hate and evil we are witnessing in this country, and the ignorance and resignation with which it is viewed, I can’t stand by quietly and do nothing. G-d help me, if I ever find myself on the wrong side of a barbed-wire fence, like those who were tortured and murdered during the Holocaust for no good reason, I will never regret that I did nothing when I had the opportunity to do something. The power of music on the Violins of Hope is a call to action. The Violins are giving voice to the voiceless and providing us an opportunity to help them say “Never again will good people stand idly by and watch innocent life be desecrated.  Never again will we allow the voices of the weak to be silenced.” Not here. Never again.

Violins of Hope is a bearer of intangible cultural heritage. By “establishing a relationship with the past by turning it into an authentic historical object”, Weinstein who restores the violins, and the musicians who play them, are “encouraging social practices that allow cultural objects and expressions to be produced and performed by community members”; thereby creating a living exhibition maintaining a focus on perpetuity.

Keeping the Memory Alive: A Conversation on Confusion and Suffering

On Thursday and Friday, February 22nd and 23rd, the UAB Institute for Human Rights co-hosted a two-day symposium entitled “Bystanders and Complicity in Nazi Germany and the Jim Crow South” alongside the Center for Advanced Holocaust Studies at the US Holocaust Memorial Museum and the Birmingham Holocaust Education Center.

The Symposium was intended to demonstrate the importance of civil society leaders galvanizing the general population to rebuff state-sanctioned racism, antisemitism, and violence. Dialogue brought forth by the symposium showed how, when, and why people supported, complied with, ignored, or resisted racist policies and violent practices in systems of intentional discrimination, oppression, and attacks on the basis of race and ethnicity.

On Thursday night, a panel entitled “Keeping the Memory Alive: Personal reflections on the Legacies of Racial Violence and Genocide” featured two speakers: Riva Hirsch, a Holocaust survivor, and Josephine Bolling McCall, who lost her father during an Alabaman lynching in 1947. This blog post focuses on my personal reflection of the panel and the conversation between the two powerful speakers.

I felt an immediate connection to Riva; she reminded me so much of my grandmother. Riva began by telling the story of how her family went on the run from the Nazis (she was seven years old at the time). It was not difficult to create vivid mental images, as Riva illustrated her story with extreme details. Rita’s horrors of that night continued to progress with the separation from her family and the beating of her mother when she fought to keep the family together.

 

Panelists kicking off the discussion, courtesy of Nicholas Sherwood

I tried to think of what my life was like at seven year’s old, and I could not pinpoint a memorable moment of comparable fear and horror. The stark contrast in my and Riva’s experiences as children was upsetting and confusing. It was more difficult to think of what my life would be like if I were forcibly separated from my family at such a young age and painful to think of seeing my mother get beaten.

When Josephine spoke of her father – his characteristics such as being hardworking and selfless – I thought of my grandfather who is the same way. Josephine’s father was murdered when she was five years old. The terrible story of Josephine running to the end of their driveway with her mother and seeing the corpse of her father was heartbreaking. Josephine’s story continued with how her mother reported the murder to the local sheriff, only to have him reply that no justice will be served.

The loss of a loved one can be painfully impactful, and the loss of a parent can be devastating. I was never met with the loss of a loved one until my early teens and it certainly was not at the hands of a murderer. If I had lost a parent when I was younger, the fact that it would be handled effectively and efficiently is a light comfort, but that was not the case for Josephine or her family simply due to the color of their skin. It was incredibly difficult to hear first-hand about the failure of our police force in the pursuit of justice. How easy it was for the sheriff to shrug off the murder of one of his citizens made my skin crawl.

Josephine (right) giving her testimony, photo courtesy of Nicholas Sherwood

Each story was authentic and emotionally impactful in their own ways. It was a dialogue about suffering, not a comparison on who suffered the most. The stories built off of one another and showed the importance of personal stories when it comes to educating on dense topics.

The final message conveyed by the two speakers was, “Keep talking about it so that love will prosper and hate will lose.” It is important for us to continue the conversations about atrocities that have plagued our societies so that we can gain the necessary means to prevent them from happening again. We are destined to repeat our mistakes if we do not recognize and learn from them. It is our job to confront the denial that these events ever took place, to ensure that they never happen again, and denounce the hate that stems from it.

To see what other events we have coming up, visit our events page here.

 

An American Peacemaker

In honor of the 50thAnniversary of the assassination of Dr. Martin Luther King, Jr., the Institute for Human Rights is publishing various outlooks on the life and contributions of Dr. King. This is the second entry in the series.

“Blessed are the peacemakers: for they shall be called children of God.” Matthew 5:9

photo of a dove midflight
peacemaker by Mohamed Mula, Creative Commons

The Peacemaker Defined

When confronted by a system permitting injustice, denying universal human rights, and thwarting peace for marginalized groups, many of us are deeply unsettled. To fully understand the destruction humans have wrought on one another is to simultaneously accept one’s own capacity to perpetuate evil in the world. Humans are capable of peace and war, justice and violence. A critical question arises here: what compels an individual to choose peace in the face of adversity? What inspires an individual to rise above violence, utilizing an ethos of peace as both a means and an end? In short, how can we become peacemakers?

Informed from many interviews of indigenous persons weaving peace from conflict, Marc Gopin offers the following personal traits that embody the peacemaker:

Responsibility; courage; independence; evangelical passion

A desire to inquire

A strong sense of ethnic roots that is combined paradoxically with universal love

Patience

Dignity

An embrace of love and the way of the heart as the key to peace

Emotional honesty

A consistent desire to seek out shared values across the boundaries of groups

A desire for leadership through social network creation

Long-term engagement with adversaries and faith in the value of ongoing debate and slow and steady influence

In Bridges Across an Impossible Divide, Gopin (2012) is quick to add that any and all of us can be peacemakers – if we so choose. It boils down to choice: choosing how to move through conflict, choosing to leave the world better than we found it.

Dr. Martin Luther King, Jr. – The Peacemaker

There is no doubt Dr. King ushered a new wholeness to American culture. His contributions to American society are legendary: leading the American Civil Rights Movement, raising collective American consciousness to address structural discrimination, and developing innovative strategies of nonviolent social protest still used throughout the globe. He taught a generation of civil and human rights footsoldiers, he constructed new theological language grounded in human equality, and he personally transformed the lives of those around him. He was a person of immense spiritual power– calling on his training as a man of the cloth to inform his philosophy and theology demanding racial equality in the United States. Dr. Martin Luther King Jr. is among the most prominent and revered peacemakers the world has ever seen.

Per Gopin’s definition, peacemaking describes not only works but also the personality of an individual. Being a peacemaker is not just directing policy change or charismatic leadership, but an ethos of resilient gentleness, and formidable commitment to the transformation of conflict to better the human experience. It is an understanding that peacemaking is not a vocation – it is a divine calling. Today, we remember that his faith and deeds literally transformed the soul of America. Dr. King was a true American peacemaker.

References

Gopin, M. (2012). Bridges across an impossible divide: The inner lives of Arab and Jewish peacemakers. Oxford: Oxford University Press.

Where Do We Go From Here? An Event Recap

On Wednesday, February 28, the UAB Institute for Human Rights hosted Dr. Samantha Nutt, founder of War Child, to talk about her experiences working in war zones. During her conversation entitled “Where Do We Go from Here? Stories from the Frontlines of the World’s Major Crises”, Dr. Nutt covered topics from ranging from personal stories from her time in Somalia to gun violence statistics in the United States. You can read more about her background here.

The illicit and licit automatic weapons market is incredibly saturated in Somalia and the United States. In this post, I argue that this oversaturation and easy access creates a gateway for violence.

Dr. Samantha Nutt at the UAB Hill Student Center Ballroom
Dr. Samantha Nutt. Source: Tyler Goodwin, author.

Recap

The talk began with Dr. Nutt explaining how she began working in warzones – she was a volunteer doctor assigned to work in one of the world’s most dangerous countries, Somalia. She was contracted by an organization who was unable to pay her more than one dollar for her services, yet she decided to go anyway. To this day, Dr. Nutt carries with her the four quarters she received as payment.

Living in Somalia, Dr. Nutt met many people who considered this crisis area as their home. She told the story of a woman named Edith, who was a single mother who came to Dr. Nutt for medical assistance. The first time Dr. Nutt met with Edith, she was told of when Edith attempted to take her newborn child to the medical facility that was down the road. On the way there, she was ambushed by a group of boys armed with firearms who would not let her pass until she paid them a toll even though she possessed no money. As a result of being denied access to the medical facility, Edith’s child died due to malnutrition.

After suffering the loss of her child, Edith asked, “Do people where you are from know what is happening? Do they know what we go through?” Dr. Nutt replied with “I am afraid not.” On the international black market, an AR-15 can be purchased for ten dollars or less apiece; this happens in Somalia and many other states, according to Dr. Nutt. The AR-15s found in Somalia are commonly made in the United States. Upon further research, Dr. Nutt revealed that other women in surrounding villages were blockaded from accessing medical facilities by young men wielding guns as well.

Dr. Samantha Nutt giving her lecture with gun violence statistics in the background
Dr. Samantha Nutt with gun violence statistics. Source: Tyler Goodwin, author.

“Globally, we are currently spending about $249 per person on war; that is twelve times more than what we spend on humanitarian assistance across the world.”

Glancing at the statistics, one may assume that, globally, we prioritize the sale of guns and military weapons over the safety and welfare of humans. At home and abroad, we are quick to sell a rifle but question whether or not humanitarian action is necessary at every turn.

Dr. Nutt told of another visit by Edith, immediately after Edith was subjected to an act of violence. Dr. Nutt was in her office with her phone, laptop, water, and other items an average American would consider a necessity. Edith pointed Dr. Nutt’s possessions and said, “all of this is for you. We die for nothing.”

Addressing the faults of a failed state is necessary. Ignoring these issues perpetuates cycles of violence we see in war-torn Somalia, which causes Edith and countless other people to lose their families and threatens their very existence. Education provides the tools to combat issues that threaten peace. With knowledge of what is happening in Somalia, we are indirectly fighting for Edith and the other Somali citizens that say they “die for nothing.”

“We begin to tip the balance in favor of peace when we question the institutions that infringe upon it.”

Dr. Nutt also presented on the massacre in Parkland, Florida, where seventeen high school students were murdered. She mentioned the gun used in the Parkland shooting was the same grade as the ones commonly used in Somalia to block access to health facilities. Bangalore and Messerli of the American Journal of Medicine argue that the easier it is to access firearms, the higher the chances of violence are. With the average price of an AR-15 being about ten dollars on the black market, it is safe to say that these firearms are easily accessible.

In Dr. Nutt’s recent post on the Parkland shooting titled “The Kids are not Alright,” she calls for legislative action within the United States by citing other nations’ gun control legislation:

“…every developed nation that has imposed stricter gun control in the wake of mass shootings saw a precipitous decline in mass shootings and other gun related deaths. In Australia mass shootings dropped by 93% percent after a successful government gun ‘buy-back’ program following the 1996 Port Arthur massacre, which saw 35 people slaughtered. In the United Kingdom, after strict gun control measures were introduced in the wake of the Dunblane massacre of 15 kindergartners, there has not been another mass shooting in the 22 years since. Gun homicides have dropped to one third of their former levels. In Canada, a country with looser gun laws than the UK but tighter controls relative to the United States, gun related homicides are 8 times less per capita than the country’s southern neighbours.”

We have seen the Parkland shooting survivors gather support across the nation and assemble at our nation’s capital. By calling for change, they are calling for their form of peace. This is not to say that all gun owners disrupt that peace, but a military grade assault rifle should not be available for purchase on the black market for ten dollars and should not be available to purchase at your local Wal-Mart.

Dr. Nutt concludes by stating, “It does not matter how much you give, it matters how you give.” In her post mentioned above, she says, “Political candidates who openly advocate for gun control need financial and volunteer support. And those who resist gun control measures should be actively and consistently opposed, until NRA endorsements and contributions are seen as politically toxic.”

Human rights education gives us the tools to prevent acts of violence and teaches us how to fight against it when we see it. Like the students of Parkland, it is our duty to fight for our peace both at home and abroad. By fighting against the oversaturation of guns and regulating the market here in the United States, we can hope that the number of guns circulating through the black market, and ultimately Somalia, will decrease. As human rights activists, it is our duty to fight for peace. So, where do we go from here? We go toward peace.

Peace sign
peace. Source: Ken Swinson, Creative Commons

“Invest in peace, not war.”

To see more upcoming events hosted by the UAB Institute for Human Rights, please visit our events page here.

 

Disclaimer: emboldened quotations were provided by Dr. Samantha Nutt on the February 28, 2018 IHR Event.