Afghan women – UAB Institute for Human Rights Blog

Women’s Education in Afghanistan

When the Taliban captured Kabul in August, a bleak future dawned on girls and women across the country. Despite the Taliban’s promise to be supportive of women’s goals under Islamic law, the deadly crackdown on the progress of women’s rights has already begun.

The Taliban regime, like the older one that ruled from 1990-2001, upon capturing the capital, shut down the Ministry for Women’s Affairs and replaced it with the Ministry for Protection of Virtue and Vice. Later, they announced that women cannot go out in public without a male relative or without being fully covered, and female workers have been instructed to stay home. Education, politics, sports, freedom of expression, and whatever else requires women venturing outside with a voice has been banned by the government, punished by beatings or floggings.

Afghan Women in Veils — Afghan women in veils with the words “Taliban vow to respect women We can still see We can still watch We can still notice We will no longer accept.” Source: Flickr

Education and Occupations

Girls’ education in Afghanistan took a lot of effort to achieve, but many obstacles, specifically financial security and accessibility, still stand in the way. Knowledge gives individuals mobility and power to decide their future for themselves — a source of pride that Afghan women have fought for. In Afghan villages and cities alike, many women and girls would work for low wages in poor conditions to finance their education, and now these efforts and opportunities have been ripped away.

Pride is now fear. After the fall of the Afghan cities Kabul and Herat, the Taliban prohibited girls over 6th grade from attending school and segregated universities between genders. Boys were allowed back weeks ago, but no indication was given to girls — a silence that told them to stay home. The regime previously stated that education will resume under the laws of Islam. Even if girls can go back to school, they may not learn certain subjects such as engineering, vocational education, cooking, and government studies.

Dreams of becoming pilots, surgeons, activists, and lawmakers have evaporated for Afghan girls, and women already educated under a democratically controlled Afghanistan are seeing their lives turn on their heads. A university student who was supposed to graduate with two degrees from the American University of Afghanistan and Kabul University frustratedly remarked that she must hide any IDs, diplomas, and all evidence that she received a higher education, throwing away decades of work for her career. If she does not do so, she risks the lives of herself and her entire family.

A class for girls in a village school outside Jalalabad, Afghanistan. Source: Flickr

The Taliban is not their only issue, however. Many female political figures remaining in Afghanistan fear retaliation from men they jailed or sentenced. Despite the years of progress since the last Taliban occupation, women in powerful roles still made men in Afghanistan uncomfortable. The Taliban has not instituted strict restrictions on law and order — allowing incidents of physical and sexual violence against women to increase.

Female Workers

Women have taken to streets demanding their rights back as the Taliban prepares to deal with international questioning for their rise to power. Although once numerous after the fall of Kabul and Herat, protests are now few and far between. Organized protests were broken up by the Taliban’s gunshots, beatings, and killings in early September, effectively dampening the morale of activists. Now, the regime demands prior registration with a detailed account of the event and any slogans that are to be chanted, decreasing the right to assembly in the nation.

Female journalists, teachers, activists, and especially judges are also being targeted by the oppressive regime. It is common practice for the Taliban to break into homes of instrumental feminist voices and threaten their families, and the United States’ promise to protect Afghan women activists from the Taliban has fallen flat.

Former Afghan legislator Fawzia Koofi fled Afghanistan to Qatar after she was placed under house arrest and guarded day and night by the Taliban. Parliament members Shagufa Noorzai and Homa Ahmadi escaped to Athens, Greece, along with 177 other high profile female lawyers and judges with help from the Melissa Network and Human Rights 360. Even though activists like Koofiand Noorzai are far from their home country, they have already started networking to protect the rights of women and girls from where they are.

In late August, 15 members of the inspiring 20-member Afghan Dreamers fled Afghanistan, with 10 arriving safely in Mexico City, Mexico, and 5 in Doha, Qatar. This all-girls robotics team made waves after winning multiple international robotics competitions in the United States and becoming a luminescent symbol of the potential of girls in science, mathematics, and engineering. These girls left with the hope of continuing their education and competing in robotics tournaments. Some girls voluntarily stayed behind to help education efforts in Afghanistan. They all hope that their achievements and stories will empower girls in their home country to fight for their education and convince the regime to adapt to a new generation of women.

Private Afghan universities require girls to wear an abaya and niqab. Source: Flickr

Education as a Human Right

The Taliban violated many articles of the Universal Declaration of Human Rights (UDHR). Article 26 proclaims that basic and fundamental education should be free, compulsory, and equally accessible. Education is stated as the driving force to foster respect for human rights and personal freedoms all over the world which is crucial for women to rise from societal restrictions.

The head of the Afghan Women’s Network, Mahbouba Seraj, emphasizes that Afghanistan is not the same country that the Taliban left. Women will not sit and stand by while they try to take away their rights. Over 6 million women have established their presence in traditionally male-dominated fields such as media, medicine, law, and government. She believes that the gender equality movement in Afghanistan will prevail over the Taliban’s resistance.

Earlier in October, the United Nations Human Rights Council voted to approve a rapporteur on the grounds of Afghanistan to investigate and report civil and human rights violations. The European Union’s ambassador to the UN cited particular concern for the restrictive actions of the Taliban against women and girls. In addition to the UN, the public can offer donations to other international human rights organizations that are also working on the safety of female Afghanistan officials and girls seeking to continue their education such as Amnesty International, CARE, and Women for Afghan Women.

Sonita

On Tuesday, November 13, the Institute for Human Rights and Consulate General of Switzerland – Atlanta co-sponsored a showing Sonita, a film based on a 15-year-old girl from Afghanistan who immigrated to Iran in order to flee the Taliban. Over the course of the three years Sonita is filmed, she is able to receive assistance at a center for refugee children in Tehran, Iran where she works on her dream of becoming a rapper by performing for her classmates and pursuing a place to record her music.

What many people are unaware of is the Afghani tradition of forcing children into marriage, with Sonita’s family setting her price as $9,000. Without intervention from the filmmaker, Rokhsareh Ghaem Maghamim, who paid her family $2,000 to postpone her marriage, Sonita might have not made it to where she is now. To make matters worse, women are not allowed to sing in Iran. So, in order for Sonita to continue her dream of becoming a rapper, the shelter could no longer be affiliated with her. Maghami then managed to take Sonita to the United States, without her parent’s permission, to pursue a career in rap.

Maghami claimed, “I can’t film people who are suffering for something I can afford, when they are giving their life, their story, to me,” she says firmly. What about a film-maker’s duty to be an objective observer? She shakes her head. “It’s always a lie. You are never a fly on the wall. You are always an elephant in the room. You change everything with your presence. I don’t believe objectivity is important or even happens. Human stories are always subjective and personal. The film-maker decides, creates.”

Maghami started filming this documentary to help her cousin who worked at the refugee center, while her cousin just wanted to help Sonita find some training for her music. However, these selfless acts dramatically changed a young woman’s entire life.

Sonita shares the story of one young woman’s strength, perseverance, and the ability to use music as a vehicle to confront social injustice. This film not only gives the audience an inside look to both a tradition and country many are unfamiliar with, but also provides Sonita with the voice she needs to have her story heard.

Bacha Posh: The Resilient Girls of Afghanistan

Three curly haired Afghan kids look up to the camera — Afghanistan Kids. Source: Army Amber, Creative Commons

Afghanistan has been embroiled in numerous civil wars and regime changes as global powers like Britain, Russia, and the United States have attempted to each bring their own version of peace and governance to the country for the past 150 years. The international community’s involvement has made little progress in quelling the violence during this time span, despite attempts at installing kings, providing assistance, backing rebels, and imposing sanctions. In some ways, the international community has instead reaped the consequence of empowering extremist groups like the Taliban, who have used the money and weapons funneled to the country for the original purpose of fighting the Soviets to stage a takeover of their own once the Soviets withdrew. With this climate as a backdrop, many of the stories from the region told in the West are often focused on soldiers and battles taking place in Afghanistan’s arid desert, with men from the Afghan government, extremist groups, and foreign armies fighting vigilantly for their homeland, whichever land that may be. When the focus shifts, Afghan women take center stage as the West’s fascination with their sheet-like garment–the burka–brings out calls for liberation of the oppressed group; however, on rare occasions, a story of the resilience and resistance of Afghan women pierces through our media landscape and introduces us to a new facet of the human experience.

Inspired by her visit to Pakistani refugee camps and encounters with many Afghan women in 1996, Deborah Ellis wrote a book about an Afghan girl who dons the persona of a boy to provide for her family. An adaption of Deborah Ellis’s The Breadwinner was released in select theaters in November. Based on the book published in 2000, the narrative follows an 11-year-old girl named Parvana who lives with her family in Kabul, Afghanistan under the rule of the Taliban. After her father’s imprisonment because of Taliban’s disdain for his western education, her mother and school teacher disguise her as a boy so she can work and become the sole breadwinner in the family, bringing in an income for the household of six. Audiences worldwide are now able to watch Parvana’s journey on the silver screen, but with the revelation that a portion of girls do dress as boys in Afghanistan, many questions arise. What happens if they are caught? How is cross dressing allowed by the families? Do the girls transition to being boys forever? If this is a more common occurrence than previously thought, why doesn’t the international community recognize this subversion being undertaken?

Jenny Nordberg steps in to dive deeper into the subject. Author of the 2014 book The Underground Girls of Kabul: in Search of a Hidden Resistance in Afghanistan, she spent months tracking down and interviewing families across the country who had a bacha posh, or a girl “dressed up as a boy” in the Dari language. Through her research, she creates the “only original non-fiction work on the practice of bacha posh”, bringing to light the ways in which women in a hostile environment have innovated and found ways to survive under incredible circumstances. Both the fictional tale in The Breadwinner and the real-life stories of bacha posh in The Underground Girls of Kabul bear striking similarities in themes, but combined they also highlight how the experience of each girl is unique to her own personal circumstances.

War

One constant held across both accounts is the presence of war and the Taliban. For the bacha posh, physical and environmental factors force their adaptation. In both the story and in the in-person interviews, Afghan parents reminisce about the brief period of peace in their youth when they freely roamed the streets in their garment of choice without fear during the Soviet rule. It was only when the Taliban took control that the practice of girls dressing as boys became necessary, as the schooling of girls became illegal and all women who had reached puberty were ordered to wear a burka, be accompanied by a male escort, and stay inside. If a woman is caught outside without an escort and a burka, she risks assault and death. This threat drove the decision of Parvana’s family in The Breadwinner, for without the father figure her family was left without a male, and this lead to her mother and siblings being trapped in the house with no way to earn money or buy food at the market. By making Parvana a boy, even at 11, she was able to escort her family members and secure a job reading and writing letters for illiterate men that passed her by on the street.

A line of Taliban soldiers stand beside a table handing in their weapons — Former Taliban fighters return arms. Source: Resolute Support Media, Creative Commons

Society

Yet if girls were unable to navigate the street on their own, doesn’t dressing a girl as a boy increase the risk to her safety if she is found out? Many experts Nordberg consulted when she first began her project dismissed the possibility of the bacha posh’s existence as it seemed to run contrary to the Western view of conservative Islamic societies. In a community in which the roles of males and females are so well defined, it is hard to believe that someone crossing from one role to another would not be in the greatest of violations. Shukria Siddiqui, a bacha posh until she was 20, interviewed 15 years later, clarifies this contradiction by giving an example from when she was challenged by three Mujahideen soldiers at her home when she was 17. The soldiers called out for the rumored girl who dressed like a boy, and when she went to her door to answer one of the men stated “Okay, you look like a boy, and you are completely like a boy, so we will call you a boy.”

The soldier’s statement is the stance that most Afghans, male and female, religious and nonreligious, take when confronted with a bacha posh. In The Breadwinner, Parvana lived in constant fear of being found out by those around her, but Nordberg observes that as long as the status quo of the roles remain, meaning boys complete tasks outside the home and women complete the tasks inside the home, there is nothing provoking about a bacha posh’s actions. In their eyes, the child is still conforming to societal norms, unlike if they were to stay a girl and complete traditionally male tasks. As long as the child switches back at an appropriate age to be married, around their late teens, in order to continue fulfilling their role, all is well. This sentiment is also echoed by the majority of families interviewed who raised a bacha posh. They transform their daughter to become a boy anywhere between birth and 10 years old, but as the bacha posh begins to show signs of puberty, they switch them back to assume their female identity with little problem. Only in two rare types of cases did Nordberg find that the transition back caused lasting difficulties for the girl and her family: when the girl exhibits signs of gender dysphoria, and when the transition back to being a girl occurs later in life.

Psychology

Defined by the American Psychiatric Association,

“Gender dysphoria involves a conflict between a person’s physical or assigned gender and the gender with which he/she/they identify. People with gender dysphoria may be very uncomfortable with the gender they were assigned, sometimes described as being uncomfortable with their body (particularly developments during puberty) or being uncomfortable with the expected roles of their assigned gender.”

The common term associated with someone who experiences gender dysphoria and identifies with another gender is transgender, however,

“Gender dysphoria is not the same as gender nonconformity, which refers to behaviors not matching the gender norms or stereotypes of the gender assigned at birth. Examples of gender nonconformity (also referred to as gender expansiveness or gender creativity) include girls behaving and dressing in ways more socially expected of boys or occasional cross-dressing in adult men.”

The majority of girls Nordberg spoke with fell into the category of being gender nonconforming; comfortable with being a girl even if they took on traditionally male roles. Yet Zahra, a 17-year-old bacha posh, felt the opposite. Transformed into a bacha posh at birth, she fully embraced the idea of being a boy, reveling in her male friendships and shunning interactions with girls as it was not considered manly to interact with the other sex. After working for several years, Zahra’s mother suggested that she transition back, but this caused Zahra great psychological distress. Zahra refused to change back, and feeling appalled by her now changing body she confessed to Nordberg that should she get the chance she would undergo an operation to permanently transition herself into a boy. This was outside of the norm even for a bacha posh, but it does fit into what would be diagnosed in the West as gender dysphoria. While Nordberg was unable to draw a conclusion as to whether the original bacha posh transition influenced Zahra or if the two happened in tandem, it was an important case to demonstrate that while the majority of bacha posh are not gender dysphoric, there may be gender dysphoric bacha posh.

The other case when the transition out of being a bacha posh is rendered more difficult is when the girl transitions back later in life. In Shukria’s case, she was transitioned back at 20 just before her wedding, set up by her family. She accepted this arrangement and went through with it, but she quickly found that she lacked many of the skills that women her same age were already competent in; cooking, cleaning, and recognizing non-verbal cues from other women were all difficult to pick up. It was as if her brain had settled into the male pattern of behavior and found it difficult to let go. Her steps were too long, her voice was too loud, and she found it hard to relate to idle gossip and conversations around childrearing. Yet, it is important to emphasis that all the problems she encountered stem from social, not biological, norms. When Nordberg asked Shukria if she could teach her, the Swedish born New York based reporter, how to become a man, Shukria look her over and said she was already a man due to her Western mannerisms. To Shukria, the basis of being male or female in Afghanistan was not in biology, and as Shaheed, another woman interviewed who remains a bacha posh at 30, describes, the difference is in freedom, and that “between gender and freedom, freedom is the bigger and more important idea.”

Malala sits and speaks with David Cameron at a conference about Syria — David Cameron meets with Malala Yousafzai at the Syria Conference. Source: UK Department for International Development, Creative Commons

Heroines

The women in The Underground Girls of Kabul and The Breadwinner all demonstrate this spirit of defiance and freedom, and historically they are no exception. Much like the stories of Joan of Arc and Mulan, Afghanistan also holds a woman folk hero in high regard. During a fight against British troops in 1880 when the Afghan army was close to defeat, a woman rushed out, rallied the troops, and used her veil as flag to lead them to victory. While killed in battle, the memory of the warrior Malalai lives on to inspire both Afghan girls and boys to be strong in the face of adversity. Both Parvana and the bacha posh Nordberg spoke with bring to mind Malalai to give them strength when their own resolve begins to waiver, and even the Afghan Nobel Peace Prize winner Malala Yousafzai is named after Malalai. In 2009 at the age of 12, Malala began blogging for the BBC about her life under Taliban leadership as she was forced out of school. She continued writing for three years until, after rising to prominence for her activism for girls’ education, she was shot in the head by a member of the Taliban in an attempt to silence her. Malala survived, and after her miraculous recovery and continued activism she was awarded the Nobel Peace Prize in 2014, making her the youngest person to ever become a Nobel Laureate. Even if their life is dominated by religious leaders, threatened by the Taliban, and restrained due to cultural norms, these women cling to the stories of their collective past in the hopes that one day, they too may be recognized as courageous and valuable in the eyes of their society.