Category: Minority Rights

From Memory to Action: “Never Again” Begins with You

by W. JAKE NEWSOME, Ph.D.

Courtesy of USHMM.org

This month the United States Holocaust Memorial Museum marks its 25th anniversary. This offers a chance to reflect on the mission and work of the Museum, and also an opportunity to look forward at how we will ensure the permanent relevance of Holocaust history for new generations, reach global audiences, and create more agents of change who will work to make the future better than the past. Working with partners like the Institute for Human Rights at the University of Alabama at Birmingham is vital in achieving this mission.

In the fall of 1978, President Jimmy Carter established the President’s Commission on the Holocaust, which was charged with the responsibility to submit a report “with respect to the establishment and maintenance of an appropriate memorial to those who perished in the Holocaust.” One year later, the Commission concluded that the memorial could not be a static monument. Instead, it should be a “living memorial” with a strong educational component. The result was the United States Holocaust Memorial Museum, an institution that is both a memorial to Holocaust victims and a museum that educates visitors, collects and preserves evidence, and produces leading research and scholarship. The Commission also issued a call to action, concluding that “A memorial unresponsive to the future would also violate the memory of the past.” As such, in addition to honoring the memory of Holocaust victims, the mission of the Museum is to inspire leaders and citizens worldwide to confront hatred, prevent genocide, and promote human dignity.

When the Museum was dedicated and opened to the public on April 22, 1993, its founding chairman Elie Wiesel told the crowd, “This Museum is not an answer. It is a question.” For the past 25 years, this is how the institution has approached its work: relentlessly exploring complex questions about history and human nature. We have designed programs and resources that not only ask what the Holocaust was, but delve deep into explorations of how and why it happened. Moreover, we aim to prompt people to recognize the importance of this history’s lessons about humankind and societies, and to take an active role in confronting divisions that threaten social cohesion.

It is a sad reality that in the near future, we will live in a time when there are no more eyewitnesses to the Holocaust alive to share their stories. It is more important than ever, therefore, to teach the next generation of emerging adults about the Holocaust as a way to ensure the lasting memory of the victims. As Wiesel says, “I believe firmly and profoundly that anyone who listens to a Witness becomes a Witness, so those who hear us, those who read us must continue to bear witness for us. Until now, they’re doing it with us. At a certain point in time, they will do it for all of us.”

In that spirit, the Museum works with diverse audiences to demonstrate the importance of honoring the memory and exploring the universal lessons of the Holocaust, even if one doesn’t have a direct connection to the history. These audiences include judges, the military, law enforcement, youth, and faith communities.

Youth Summit 2017. Courtesy of USHMM.org.
Youth Summit 2017. Courtesy of USHMM.org.

As the next generation of thought-leaders and changemakers, college students have been an important audience for the Museum. To date, through a wide range of resources, traveling exhibits, seminars, lectures, conferences, and other programs, the Museum has engaged more than 630,000 college students, faculty, and local community members on 545 college and university campuses in 49 states across the United States.

American college students’ interests with the history of the Holocaust are different across the country. Their own background, upbringing, and educational experiences shape how they approach and understand the history of the Holocaust and its relevance to their own lives. As such, the Museum recently launched an initiative to put the history of the Holocaust into conversation with local or regional histories in the United States. This initiative enriches campus dialogue by provoking critical thinking about the history of antisemitism, racism, extrajudicial and state-sanctioned violence, and the power and limits of human agency in different historical contexts. By examining themes through the lens of multiple histories, the Museum connects with new audiences and works with partner campuses to educate students about the history of the Holocaust, model how to responsibly research and talk about different historical contexts, and facilitate informed dialogue about the lessons and contemporary relevance of those histories.

Over the past year, the Museum has been working with faculty and students at universities across the Southeast region on a series of programs that explore the histories of race and society in Nazi Germany and the Jim Crow South. These programs are neither an equation of suffering nor meant to gloss over the uniqueness of each historical period. Instead, they bring communities together to explore what can be learned from studying the similarities, differences, and gray zones of these two histories.

Courtesy of USHMM.org.

In February 2018, the Museum, with the UAB Institute for Human Rights, organized a capstone event of this regional program: a two-day interdisciplinary symposium entitled Bystanders and Complicity in Nazi Germany and the Jim Crow South. In total, 401 people from 10 states — including 203 college students, 20 high school students, 47 faculty, staff, and teachers, and 131 local community members — gathered together to explore the complexity of these histories.

Through this symposium, history became a way to build common understandings, bring diverse communities together, and foster a sense of human solidarity. Although — or perhaps because — participants came from many different backgrounds, we understood that we were discussing more than just past events. Our conversations posed timeless questions: about relevance to our lives today, about the vulnerability of societies, about democratic values and human nature.

Attendees and presenters discussed how, when, and why ordinary people supported, complied with, ignored, or resisted racist policies in two very different systems of targeted oppression and racial violence. It takes a critical minority of determined leaders with the support of an acquiescent general population to introduce and establish state-sanctioned racism, antisemitism, and violence. The extreme examples of Nazi Germany and the Jim Crow South show that the majority of the population in these two worlds witnessed the widespread persecution against a targeted minority and either actively or passively tolerated what they saw, thus enabling the continuation of persecution and raising pressing questions about the role of onlookers and the nature of complicity. Examining the role of ordinary people, therefore, provides us with a better understanding of how and why such atrocities like the Holocaust could happen. This focus also helps us to make a more intimate connection to the history since we often each think of ourselves as an “ordinary person,” rather than as a victim, perpetrator, or bystander.

Niemoeller Quote
Niemoeller Quote. Courtesy of USHMM.org.

Dr. Beverly Eileen Mitchell, Professor of Historical Theology at Wesley Theological Seminary, delivered the symposium keynote address: “Racism and Antisemitism: Sibling Threats.” She argued that we cannot understand antisemitism and racism as separate prejudices that each affect only one particular group of people. History reveals that while the two may manifest uniquely, racism and antisemitism are children of the same father: white supremacy. “Lessons from history can shed light on what is happening in our own time, if we pay attention,” she says. A key lesson, Prof. Mitchell concluded, is that we all must actively confront discrimination, even when it does not affect us or our community directly, because hate against one group ultimately grows to affect us all. “We must remain vigilant. … There are no innocent bystanders where white supremacy is concerned.”

A highlight of the symposium was “Keeping the Memory Alive,” a session that featured a conversation between Riva Hirsch, a Holocaust survivor, and Josephine Bolling McCall, whose father was lynched in Alabama in 1947. These two women shared their powerful stories about the dangers and personal impact of racial violence and genocide. Their testimony ensured that their memories would be carried on by others. “Don’t ever stop learning about the Holocaust,” Hirsch told the crowd. “Don’t ever stop talking about it. There are people who say that it never happened, but I’m here to tell you all that it happened to me. To you youngsters out there: our memory is in your hands.” But the women also issued a challenge, urging everyone to speak up when they see discrimination. “You can’t wait for someone else to do something,” McCall said. “All it takes is one person to change someone’s mind for the good. Be that one person.”

The women’s parting words reflect a guiding principle of our Museum’s work: when you learn about how and why the Holocaust happened, you now have a moral obligation to act on that knowledge and to confront hatred and promote human dignity.

photo of Riva and Josephine
Josephine and Riva. Courtesy of USHMM.org

As we honor the memory of Holocaust victims during the Museum’s 25th anniversary, we recommit our affirmation that the exploration of this dark history must illuminate lessons that can guide us in our mission. One important lesson is that, as individuals in a pluralistic society, we have a responsibility to each other, to defend against threats to social cohesion, and to protect democratic institutions. Second, the confluence of motivations, pressures, fears, and concerns of daily life means that moral choices are not always clear or easy, yet we must commit to making the moral choice. Our (in)actions have unintended consequences and reverberate further than we may realize. What you do matters.

And finally, one of the most important lessons is that the Holocaust was preventable. “That’s not just a statement of fact,” says Museum Director Sara J. Bloomfield. “It is a challenge to all of us.” After the Holocaust, the world promised “Never Again.” But this promise cannot only apply to mass atrocities or genocide. It is up to each of us to make sure that “Never Again” is a challenge to combat discrimination, prejudice, and hatred before it evolves into violence. Never Again begins with you.

 

Dr. Jake Newsome is the Campus Outreach Program Officer at the United States Holocaust Memorial Museum, where he is responsible for developing strategic outreach programs and resources for institutions of higher education throughout the United States. These programs take the lessons of the Holocaust beyond the Museum’s walls and inspire new generations of scholars, students, and leaders to engage with the history and contemporary relevance of the Holocaust. Dr. Newsome’s research focuses on Holocaust history, gender and sexuality, and memory studies.

Cornbread Millionaires: Reflections on Riva and Josephine

 by LEONARD SMITH
a picture of Birkenau in the snow
Birkenau. Source: Midnight Believer, Creative Commons

I was enthused and a bit trepidatious when professor Madden-Lunsford announced we would be attending, as a class, the lecture of a Holocaust survivor and an African American woman whose father had been lynched when she was a child. I knew their stories would be both amazing and difficult to hear.

During my undergraduate studies in the early 90’s at Auburn University at Montgomery, I took a history course on the Holocaust. Before the course I had considered myself knowledgeable of the Holocaust. I discovered how ignorant I was when I learned of: the depth and breadth of the brutality and mass murder; the willing collusion of many nations and millions of people; how many nations including the U.S. denied sanctuary by not increasing immigration visas; how entire educated societies and cultures readily accepted the expansion of racism and anti-semitism to point whole scale genocide without question, because it fed their fear and anger; the discovery that if a group can be successfully scapegoated almost anything can be done to them, with little resistance, because to defend a scapegoat with logic and reason is to become a scapegoat. The most shocking discovery for me was that despite mountains of irrefutable evidence, the number of Holocaust deniers was growing. The knowledge I learned in that course changed me permanently and profoundly. I lost much of my faith in mankind. For a period of time during and following the class I suffered recurring nightmares.

Before entering the class I had naively believed that such an event could never happen again. I now know that not only could it be repeated, but that it has, in Cambodia, and most recently Sudan.

However, I also discovered that individual human courage was boundless and that miracles large and small happen. That was where my last personal seed of hope took refuge.

It is with this background and knowledge that I intellectually looked forward to, and was emotionally apprehensive of, hearing Riva Hirsch and Josephine McCall speak. I knew that these women were and are courageous. I wanted to be near that courage and learn from it.

Riva is a force of nature. She spoke of her own miracles; being found in Ukraine by people who spoke German and because of her Yiddish background being able to understand them (She referred to Yiddish as Jewish and I hoped that didn’t confuse too many people in the audience); the guard not looking underneath the carriage where she was hiding during her flight to safety; being hidden by a nun, who also spoke German, and that nun paying the ultimate sacrifice for helping her. When she spoke of being all alone in the forest, battling malnutrition, typhus, malaria, and hordes of lice, I knew she was made of far sterner stuff than I.

Riva spoke of her father’s business and how her family and his workers were a close knit group, an extended family before the war came to the Ukraine. Yet, for fear of putting themselves and their families in danger, these workers shut their doors to Riva and her family during their flight. Only one offered temporary refuge and only after Riva’s mother gave him all her jewels. As Riva spoke, so many of the atrocities I had learned of in that Holocaust course came back to the forefront of my mind. My faith in mankind was eroding again.

Though I had girded myself for  Riva’s story, Josephine, was like so many neighbors, coworkers, and friends I have known over the years. I had heard voices like hers over countless retail counters, through back screen doors and hollered from front porches. Her soft Blackbelt accent lulled me into a sense of comfort.

Riva’s story had taken place in WWII era Ukraine; a place I had only known through books and movies. But, I am familiar with Lowndes County, Alabama. I spent my childhood in neighboring Montgomery county. I had crossed Lowndes county many times on both the Old Selma Road and Highway 80. I knew the upper echelons of white society in Lowndes county were mockingly referred to as cornbread millionaires. They lived in antebellum mansions full of antiques; they were land rich but money poor. So much so, that if you went to their homes for supper, the only thing they could afford to serve in their heirloom china and silver was cornbread and beans with hog meat. I had heard it discussed that this facade and lack of resources made whites in Lowndes County particularly brutal in their treatment of black folks.

I am well steeped in the culture and nuances of Southern race relations. Though my experience of it is as a white male, born in 1964. This was the first time I had heard someone speak personally of the loss of a family member at the hands of open, socially sanctioned racist. I was surprised to learn that lynching was defined as death at the hands of three or more people and was not limited to death by hanging. I should not have been as surprised, as I was, when Josephine informed the audience that indenture (the practice of holding someone on your land as a laborer if they owed you a debt, essentially de facto slavery) was still enforced by they law in Lowndes County in 1947.

Josephine stated that her father, Elmore Bolling’s crime in the eyes of white men was that he had succeeded and purchased land, resulting in a white woman having to move off the property. Even though Mr. Bolling helped the women move and found her exactly the accommodation she wanted, his actions still constituted a crime against an unwritten social code, punishable by death.

I knew whites who thought this way, including many within my own family. They believed that all black men were lazy and stupid. Therefore, if a black man succeeded and had wealth, he must have cheated a white man or had help from interfering Northern whites and/or the Federal Government, which was the same as cheating a white man.

That was what was most disturbing for me about Josephine’s story. Her father’s murderers could have been friends of my grandparents or distant relations. Many people within my family were certainly capable of such a crime. Even the more moderate older family members believed that if a black man was lynched he must have done something stupid to put himself in harms way.

Both Riva and Josephine talked about how we must continue to speak up and talk about such atrocities and not let the deniers corrupt history and attempt to repeat it. Silence is the enemy of justice.

My lack of faith in mankind was growing. I wondered if speaking out was enough. The attitudes of many whites I know, especially those young enough to know better, is still shockingly racist. Just this week, I spoke with a friend who teaches high school English. She was distraught because a student had turned in an essay that was essentially a white supremest manifesto. The student was not a child on the fringe but rather a well liked person very popular in the high school social structure. I am often gobsmacked when I hear well educated white colleagues use the N-word, assuming I am as racist as they. I looked around at the audience in attendance and found them to very simpatico with the Riva and Josephine. The people who most needed to hear the speakers were not there. Just last night the local CBS news reported that according to the Anti-defamation League, anti-Semitic incidents were at a twenty year high. Up 47% in just the last two years.

I am honored to have heard Riva and Josephine’s stories and bask in the presence of their courage. I will speak up and continue to seek to root out my own internal vestiges of racism.

I spoke to Josephine after the presentation. We chuckled about Lowndes County’s cornbread millionaires. She told me where her father’s historical maker, that she had worked so hard to get erected, was located in Lowndesboro, just two hundred yards from the yellow flashing caution light. I knew the spot.

I spoke of my racist father who carried a badge and a gun for the Montgomery police force for twenty-five years and then twenty years more as an Alabama State Trooper. I told her, with dismay, of my father’s braggadocios, I heard as child, after he had a few beers. He told how he and his friends in high school would lay in wait in the dark, to catch the black men walking to town along the railroad tracks on Saturday night to visit their wives or girlfriends who were domestics and nannies in town. They subjected these men to humiliations and tortures. Their favorite being to strip them of their clothes and put them in the trunk of a car. They would release them naked on the highway, hands bound with lit firecrackers tied to their ankles and backside. My father always smiled with glee when he told these exploits. Josephine, compassionate and understanding of my grief over having such a father, clasp my hand and nodded. She was familiar with these kinds of events.

I left the lecture remembering that in my youth, in the seventies and eighties, I had believed by now we, as a society, would have a more level field of justice and opportunity for all, and that hate crimes would become fewer and fewer as society became more enlightened and heterogenous. However, as I walked to my car, a fear chewed at me. Was the leveling so many had fought for, and were still fighting for, beginning to slope again, becoming muddy and slippery, rising in elevation to the disadvantage and injustice of minorities? Will there be enough voices speaking up to again seek a leveling? History does not make me hopeful.

 

Leonard Lee Smith holds a Bachelor of Arts in Theatre from Auburn University at Montgomery. He is a non-degree seeking graduate student in writing at University of Alabama at Birmingham. He won a Hackney award in 2012 for short fiction. He has told stories for The Moth Radio Hour

 


Nazis to Lynching: Two Narratives of Survivors

a vineyard
Vines. Source: Richard Grant, Creative Commons

Black tablecloths drape over oval tables scattered about the square room, with its square doorways, chairs, and ceiling accents. Oranges and tiny cinnamon rolls sit on a silver platter in the corner, and the last light of the sun filtered through the blackout curtains over the wall-length windows. The olive-green carpet patterns stood against the flurry of heels and brown dress shoes. However, near the front is a pair of blue converse sneakers with bright yellow socks. Next to him, red heels, red suit, red lipstick. Then, to the left a man with short blonde hair shifts his navy jacket over his pink dress shirt and brown tie—melded together with a silver clip.

Their clothing was reminiscent of vines. The kind of foliage that you imagine in a rose garden filled with the generational knowledge of the gardener—whom tenderly cares for us all from the bugs, diseases, and birds that seek to feed off it. Although even he cannot keep watch all the time.

With violet flowers on her dress, pink flowers on her scarf, and vines connecting the two, Riva Hirsch sat with her square jaw set into concentration. The points came to her cheek as she looked on to the crowd.

A deep olive-green pullover with stripes in the fabric sat on her shoulder, with embroidered vines creeping from her other. A turquoise bracelet dripped from her wrist, a greener string of stones from her neck, and her fingernails were as bright as the oranges on the tables. Josephine Bolling McCall sat with an earnest look on her face, as she smiled at her family among the audience.

Riva started the conversation, and retold her story about surviving the Holocaust in Ukraine.

            “My mother said to ‘Kiss the mezuzah, because we won’t be able to come back here,’” said Riva, as her strong Ukranian voice rang in the room.

She told her story about how she and her family were captured in the forest—about how they separated them all apart from each other—about the trail of dead babies, young men, and old folks—as she was taken to the train filled with the dead.

Silent tears dripped on the tablecloths, while sniffles replaced the sound of the usual cell phone rings at public events such as these. “The future is in your hands!” she yelled to the audience, stopping to look into a few specific faces. “Never let it happen again!”

Josephine told the story about being 5 years old and seeing your father dead in a ditch. Her eyes looked into the past as she spoke.

“A car followed him and blinked three times—which back in the day meant to pull over—so he did, thinking they needed help,” she paused. “Then, they shot him multiple times with a pistol and once with a shotgun. I saw him dead in the ditch with his eyes wide open.”

The family went through the ordeal of losing everything. They lost a father, husband, breadwinner, and a respected community businessman. They had to move away to Montgomery to escape the corrupt sheriff—the same one that assisted in the murder.

Josephine spent years researching her father’s death and who was responsible for the lynching—which is defined by a unjust murder done by more than one person.

She survived the Jim Crow South, the other the Holocaust. Their scars surround them like vines, the ones that remind them they are alive, they survived, and continue to grow—to show others that they can grow without vines, without prejudice, without hatred.

 

 

 

Fast-Fashion: Unethical and Unsustainable

Garment workers working at sewing machines in a factory in Gazipur, Bangladesh.
Bangladesh.Gazipur BIGUF.2015.Solidarity Center. Source: Solidarity Center, Creative Commons

Prior to the 1960s, about 90% of the clothes purchased in the United States were also made here.  Since then, it has been reduced to only about 3%.  Over the years, companies have increasingly chosen to outsource their labor to countries with lax labor laws (or a willingness to overlook them) to pay less for the work that is necessary for clothing production.  The purpose of this blog is to highlight the negative impacts of these choices based on the information given in the documentary True Cost.

The term “fast-fashion” refers to the shift in the fashion industry that has resulted in faster production with lower costs.  At first glance, this appears to be an extremely beneficial change, especially for the general United States consumer.  We can buy more clothes and spend less money in the process.  However, it is important that we take time to ask how it is possible to the industry to have changed the way that it did.  What does it really cost?

Garment Workers

When discussing the costs of the fast-fashion industry, one of the most well-known examples is the Rana Plaza building collapse of 2013 that occurred in Dhaka, Bangladesh. At the time, the building was being occupied by garment factories for western companies such as Children’s Place, Joe Fresh, and Walmart.  Workers in the factories told their managers that they had noticed cracks in the building but were told to go back to work.  At one point, the managers were even given an evacuation order (which they ignored).  Nothing was done.  As a result, 1,129 workers died, and even more were injured.

Outside of the tragedies that have occurred in the industry’s factories, many of the factories cut corners on a regular basis to reduce production costs.  Work areas are frequently found to have poor lighting, which can be damaging to the workers’ sight, and toxic chemicals, which can be harmful to their respiratory systems.  As of 2016, the minimum wage in $67 dollars each month, which is far less than fair compensation for the labor of these workers, especially in such poor conditions.  More often than not, these workers cannot simply quit and find work with better circumstances.  They must be able to provide for themselves and their families and lack the education and qualifications for more favorable employment.

Environment

Fast-fashion is also an incredibly unsustainable industry.  Eileen Fisher, a high-end fashion retailer who aims to use sustainable and ethical production methods, has called the clothing industry “the second-largest polluter in the world.”  It’s easy to see why.  In 2013 alone, 15.1 million tons of textile waste were created.  The majority of this waste ends up piled up in landfills.  These piles release methane as they decompose and are a noteworthy factor in global warming.  Even if their relationship with global warming were not an issue, the amount of land required to store of all this waste is simply unacceptable.

Leather tanneries are also a significantly harmful part of the clothing industry.  The chemicals used in the tanning process are extremely toxic and are often disposed incorrectly.  This leads to the pollution of the drinking water, soil, and produce of the communities surrounding the tanneries.  These chemicals lead to serious illness and diseases.  People living in these areas are facing skin problems, numbness of limbs, and stomach problems.  The chemicals are poisonous to both the environment and the health of human beings.  Not only do climate change and pollution have harmful effects that we can see today, but they are also severely damaging to the world and resources that future generations will have access to.

People in the street in Dhaka, Bangladesh.
Wide avenue in Old Dhaka. Source: Francisco Anzola, Creative Commons

Human Rights

The issue of fast-fashion is one that impacts many different areas in human rights.  Regarding employment, Article 23 of the United Nation’s Universal Declaration of Human Rights (UDHR) states that every person has the right to “just and favourable conditions of work,” as well as the right to “just and favourable remuneration ensuring for himself and his family an existence worthy of human dignity.”  The harmful work environments and low-wages involved in the clothing industry prevent workers from accessing these rights. Additionally, Article 25, the UDHR depicts the right to a standard of living that is sufficient to maintain an individual’s health and well-being, which requires an adequate income.

Fast-fashion also has a connection to gender equality.  In the garment industry, 85% of the workers are women.  Often, these women are single mothers without any other real employment options, due to a lack in access to education and other similar resources.  They continue to work in poor working conditions because they want their children to be able to go to school and have better job opportunities in the future.

What You Can Do 

It is easy to fall into feeling like there is nothing you can do on this side of the counter and ocean.  Fast-fashion seems to be a very distant issue.  However, there are changes you can make in your own life to be a part of the transformation of the fashion industry.  First and foremost, it is important that you make an effort to stay informed on the issue and inform others as well.  A problem cannot be solved if no one acknowledges that it exists. Second, if you can afford it, buy from brands such as Eileen Fisher and People Tree who work to produce clothing through sustainable and ethical methods.  Such companies are generally more expensive than what we have become accustomed to because of the fast-fashion industry, but the products are typically of a higher quality.  If you need more affordable options, try to get clothes second-hand, whether that be through clothing swaps or going to thrift shops.  Apps like Depop and Poshmark, make it possible to buy clothes directly from other individuals, or sell your old clothes directly to other people.  Selling your unwanted clothes through apps like these, you can help keep clothing out of landfills.  Donating clothes can be a great option when you want to clean out your closet, but it is best when you can come relatively close to directly giving clothes to the people who will receive them.  Of the clothes that are donated to “mission stores” like Goodwill, only about 10% are purchased in those stores, and the rest have the potential to end up in landfills.

Finally, though the aforementioned options are wonderful and should warrant consideration and use, it is imperative to recognize that we do not need to purchase clothing nearly as often as we do.  Advertising glamorizes things that we do not really need so that we will spend more money.  New trends come out nearly every week, so we feel the need to buy more stuff just to keep up.  Society has become very consumeristic, and this contributes to industries, such as fast-fashion, that disregard the health and safety of their workers to allow people in countries like the United States spend as much money as possible.  By purchasing less of what we do not need, we can avoid supporting these harmful practices while also saving money ourselves.

You may not always be a part of large-scale change, but you can make small, daily changes that, when combined with the efforts of others, can truly make a difference.

Never Again?

a picture of a sunset through a barred wire fence
what dreams may come. Source: Bahador, Creative Commons

I’ve been to the Holocaust Museum in Washington, D.C. twice.  The first time was just over a year after it opened.  I was newly out and went with a new gay friend and a straight ally.  We picked up random ID cards to “own” during the tour, but also asked for information about the gays who died in the Holocaust.  Those pamphlets were kept behind the counter, like the dirty magazines at 7 Eleven.

It was a somber visit.  Seeing the shoes was the hardest.  The owners were dead.  Only their shoes left to give witness.  Hundreds—thousands?—of shoes.  I whispered the refrain of the tour, “never again.”

My last visit to the museum was a few months ago. Donald Trump had been in the White House for several months. I still had not called him the P word. I can’t do it here. I didn’t remember the tour being so crowded. It felt right, though. Again, I clutched my identification papers. Last time I cheated and looked to see my assumed persona lived or died right away.  This time I wanted to find out in real time. The crowd added to the experience, especially when I saw the train car.

Last time when I said Never Again it was defiant, a promise. Now it was a question. The tour starts at the upper floor with the lead up to the Holocaust. It didn’t happen overnight.  Old newsreels and headlines show Hitler’s rise to power. Shave his mustache and tint his skin orange and it could have been the buildup to the 2016 elections. It scared me, the Othering part of the German people. Change Jew to Mexican or Muslim and it wasn’t dusty history at all. Never again?

Something else was wrong. The mood wasn’t as somber this time, not for everyone. A group of people in front of me laughed at some of the videos and exhibits. Not nervous titters. I do that sometimes. I smiled nervously when I told my mom that Mr. Lamar, my seventh-grade gym teacher died. I wasn’t happy. I was nervous. These people now, though, were enjoying themselves. This wasn’t a shameful part of humanity’s past but a primer.

I had to sit down, but there was no place to sit.

Last night when I heard Riva and Josephine speak, I thought the Holocaust museum, and the Civil Rights Institute, and the news coverage of the Valentine Shooting at Parkland, and the Pulse nightclub in Orlando and the Sandy Hook, were too sanitized.  When I worked in the ICU and ER in the Navy I treated gunshot victims.  I keep hearing people speaking abstractly about 2nd Amendment this Crisis actor that.  It’s easy to be a talking head when all you see are helicopter shots of students walking single file across a school parking lot with their hands up.  Or the flashing lights of emergency vehicles and worried parents behind barricades.

I don’t know what the dead and wounded looked like at Marjorie Stoneman Douglass High School or Sandy Hook, or the Pulse, or the field where Josephine’s father was lynched. But the shooting victims I saw had half their heads missing, their entrails hanging out, entrance wounds the size of a quarter and exit wounds the size of an orange. More blood than you’d think a human body could hold saturated their clothes. I don’t believe anyone could see that and NOT say never again!

And yet those laughing people at the Holocaust Museum took pictures with their smart phones of the photos and videos of the atrocities of Joseph Mengele to show off to their friends back home.

One of them had a red MAGA baseball cap on.

Never again?

Riva and Josephine must keep telling their story, but that’s not enough. Everyone who heard it must also tell it. And they must insist, Never again. And when the assholes with the MAGA caps laugh we have to shout it, Never Again!  Never!

And for the love of God, never here.

 

For Bob Byrd, it was a race to see which he would earn first: an undergrad degree or AARP card. He is a senior at UAB, majoring in Communications with a minor in Creative Writing. He just celebrated his 55th birthday–looks like AARP won, but it was close. He is an award winning storyteller and a frequent contributor to the NPR radio program Says You!. He grew up in Fort Lauderdale but has called Birmingham home for the last twenty years.

Everyday Expectation: Complicity in the Third Reich and Jim Crow South

by Derrick J. Angermeier

a picture of a sticker in Germany
“Ultras,” are “Super Fans” of FC Nürnberg, the soccer team of Nuremberg, Germany. This picture, taken in May 2017, is of a sticker placed on a lamppost in Nuremberg. Ultras use the Confederate Battle Flag to assert the city’s and its people’s “unreconstructed” position within not only Germany but the south German state of Bavaria. Believing themselves exceptional within Germany, this aspect of U.S. Southern identity helps point out an overlap in everyday identity politics between the nationalist cultures. Photo by Derrick Angermeier.

My research seeks to answer a complicated question: Why did everyday people participate in the systems of racial oppression known historically as the Third Reich and the Jim Crow South? Historians have focused on these two national cultures and the wide variety of ways in which they excluded racialized others while elevating their own preferred racial makeups. Much of my graduate career has been spent studying the prejudice that emanated from Nazi Party leadership down to the German citizenry. However, when I took a graduate seminar on Southern History with a preeminent scholar, I was struck by the fact that, at the structural level, histories of the South resembled many of the German histories I had already consumed.

Both fields attempt to sort through complex pasts by debating continuity over time. In Germany’s case, scholars asked if there was something essentially German that caused the rise of the Third Reich by the early twentieth century? Was there a direct path from Martin Luther to Adolf Hitler, or was the development of German history more complex? Similarly, U.S. Southern academics often argued over whether the antebellum South had ever truly given way to a New South built on technology and industry. Both arguments created a self-fulfilling prophecy of sorts that has consequentially damaged historical interpretation in both fields. By setting up a world where the U.S. South was always at its heart magnolias and bigotry and Germany was always a peculiar nation susceptible to authoritarianism, no one needs to take ownership of their horrendous racial legacies. Exceptionalist narratives paint a deterministic picture where the racial castes that evolved into brutality and violence were inevitable outgrowths of inherent flaws. Nobody could help themselves; it was simply meant to be.

Such determinism has long had its opponents and supporters amongst historians, but both fields tackled this problem in remarkably similar ways: memory history. Southern and German historians embraced a historical methodology that called scholars to probe historical actors’ memories. How did exceptionalist myths like the “Lost Causes” and “Special Paths” (Sonderweg) get formed? Scholars of both cultures claimed that historical actors chose to selectively remember and internalize false memories which were then purposely perpetuated to future generations. One of the most blatant of these efforts was the United Daughters of the Confederacy, an organization defined by a desire amongst white Southern women to give permanence to the “Lost Cause” illusions of the Confederacy. Through textbooks, statues, speeches, public events, and other cultural activities the UDC ensured that a Neo-Confederate lifestyle would exist well beyond the South’s military defeat. Germany similarly internalized powerful false memories regarding militarism. Many young German men willingly went to war in the Spring of 1914 hopped up on tales of glory from Germany’s imperial wars; the fact that these conflicts were inherently one-sided and genocidal did not make it into travel accounts and youth magazines. These same myths would influence another generation; instead of seeing the First World War as brutal meat-grinder of humanity, many Germans sought glorification in the Nazi cause. False memories had indeed defined both regions and by extension their historical studies.

The more I read Southern history and reread German history I noticed more similarities. Neither regions’ academics seemed to address one another in any significant way. There were Cursory mentions here and there, footnotes in an epilogue, an occasional article. German historians and Southern historians seemed unaware of how significantly their methods of analysis overlapped. It was maddening! How could either of these places consider themselves exceptional when their histories were so painfully similar?! How had no one else really dug into this subject? The possibilities were staggering! I wrote a paper for my Southern History course on this overlap, and the whole exercise was produced more in the name of catharsis than course completion. However, the paper would not be enough, I did not find myself satisfied.

I read more and more and continued to find considerable overlap, but meaningful comparisons were few and far between. So, my new obsession slowly shifted into my dissertation proposal. I refined my original project, stripped it down to its bolts, and completely rewrote it. I added a research prospectus where I outlined my major argument, my answer to the question I asked above: Why did everyday people participate in the systems of racial oppression known historically as the Third Reich and the Jim Crow South? People were subjugated, excluded, and made the easy victims of violence and deprivation. The answer would not be found in studying politicians, demagogues, and the elites that had often defined my research. No, the similarity between these two regions, the element that formed the foundation of a transnational system of racial intolerance and exclusion was everyday people. The racial castes of Jim Crow and National Socialism may have had the force of law, but everyday people were the ones who enforced and followed the boundaries of racial propriety. Those boundaries were often set and adjusted at very local levels in countless interactions far away from any state supervision.

Many historians have argued that events and circumstances dictated complicity- in other words a historical actor’s present world left them little choice. Other scholars assert that historical actor’s memories of the past informed their complicity. I depart from these arguments; I insist that the answer to everyday complicity in the Third Reich and Jim Crow South lies not in past or present but in the future. I study the various expected futures that these historical actors internalized, which I call “Expectation” for shorthand. Expectation is a fact of human existence; we all walk around with some form of expectation of the future, be it a political identity, a five-year plan, or even what to eat for dinner. Historical actors similarly had expectations. In my research I have unearthed those hopes and fears of countless possible futures that provided considerable motivation for a wide variety of actions that lent credence to Jim Crow and Nazism.

Model for the components of historical “Expectation” as it relates to everyday complicity in racial caste systems. Graphic by Derrick Angermeier.

Identifying and explaining expectation has been a fascinating endeavor that has taken me across six Southern states and all across the Southern German state of Bavaria. This particular German state and its people have long considered their culture to be highly distinct from the rest of Germany, harking back to an aristocratic tradition that thrived long before Prussian led unification “reconstructed” their region into a united Germany. As such, it offers a very proximate point of comparison with a Southern culture that deals with its own hatred of reconstructions. I have assembled pamphlets, newspapers, sheet music, broadsides, tourism brochures, flyers, letters, diaries, and a wide variety of everyday kitsch to assemble a clear picture of white supremacist hopes for the future. These items help illustrate a wide variety of wants, needs, and fears that informed everyday expectations for the future and by extension the justifications people internalized to vindicate their position in racialized states.

My research has shown five key components of expectation, each one of vital importance to understanding everyday complicity. First, tradition: the idea that people expect some form a remembered past will carry over into the future. Second, continuity: the hope that the institution, customs, and society of the present will continue to exist. Third, potential: the desire to maximize the potential of humanity and society to thrive in the future. These three ideas embody expectation generally and can be found outside of Jim Crow South and the Third Reich. However, the next two components help bridge the gap between expectation and complicity. Fourth, urgency: the pressing fear generated by either stressful times, political demagogy, or the perception of changes to the status quo that motivate historical actors to become more ardent in realizing their expectations. Finally, entitlement: the idea that historical actors considered themselves entitled to their expectations of the future at the direct expense of other people.

To fully explain how tradition, continuity, potential, urgency, and entitlement form expectations for the future and motivate everyday people to participate in racial states I use a series of vignettes to tackle each topic and illustrate a component of expectation as it existed in both the U.S. South and Bavarian Germany during the 1920s and 1930s. For example, to study the idea of tradition, I look at the Lost Cause and postwar Confederate worship to demonstrate that Southerners generally expected their futures to contain some vestiges of moonlight and magnolias. In Bavaria, an emphasis on agricultural roots and Bavaria’s separate monarchy demonstrate that Bavarians hoped to honor their separatism of yesteryear. In assembling this argument, I have called on debates over Women’s Suffrage, Bavarian Catholicism, white supporters of Marcus Garvey, sterilization and eugenics, the Scopes Trial, Bamberg tourism, Prohibition, and so much else to unearth everyday expectation in a clear and compelling fashion.

When we consider the factors that contributed to everyday complicity, we must not only look at the usual suspects hierarchy, heritage, racism but also reflect on the role of people’s entitlement to expected futures and the fear of losing those futures. The world of the 1920s and 1930s was truly tumultuous with the rise of communism, a global war and an epidemic that combined wiped out much of a generation, a global depression, and many other destabilizing events. People needed and craved stability; in the case of the Jim Crow South and the Third Reich, that stability was offered by politicians and demagogues in exchange for participation in a strict and violent racial system. This stability afforded everyday whites in both the U.S. South and Bavaria Germany the opportunity to achieve their desired futures and to avoid imagined apocalypses. The opportunity to realize their expectations convinced far too many people to enforce, support, or at least look the other way as African Americans and Jews were stripped of their human rights, their dignity, and sometimes their very lives.

 

Derrick J. Angermeier is presently a PhD candidate in the History Department of the University of Georgia. His dissertation, titled Both Hitler and Jim Crow: Lost Causes and Imagined Futures in Nazi Bavaria and the New South, 1919-1939, explores the expectations, hopes, and fears for the future held by everyday people in the U.S. South and Bavaria, Germany during the 1920s and 1930s as vehicles to understanding complicity in racialized states. Derrick has been awarded multiple research grants and fellowships which have taken him across the U.S. South and to the southern German state of Bavaria. This May he will be a Graduate Fellow of the Berlin Seminar in Transnational European Studies. Derrick prides himself on sharing his expertise and research with the public. He has spoken at multiple events sponsored by the United States Holocaust Memorial Museum; most recently in February 2018 when he discussed the role “Expectation” played in everyday complicity in the Third Reich and Jim Crow South at a symposium co-sponsored by the UAB Institute for Human Rights.

Relevant works

  • Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism (Verso, 1991).
  • Kenneth Barkin, “A Case Study in Comparative History: Populism in Germany and America,” in The State of American History, Herbert J. Bass (Quadrangle Books, 1970).
  • Peter Bergmann, “American Exceptionalism and German Sonderweg in Tandem,“ The International History Review, vol. 23, no. 3 (2001): 505-534.
  • Fitzhugh Brundage, The Southern Past: A Clash of Race and Memory (The Belknap Press of Harvard University Press, 2005)
  • James C. Cobb, Away Down South: A History of Southern Identity (Oxford University Press, 2005).
  • David C. Engerman, “Introduction: Histories of the Future and Futures of History,” The American Historical Review, vol 117, no. 5 (2012): 1402-1410.
  • Paul Gaston, The New South Creed: A Study in Southern Mythmaking (Alfred A. Knopf, 1970).
  • Johnpeter H. Grill and Robert L. Jenkins, “The Nazis and the American South in the 1930s: A Mirror Image? The Journal of Southern History, vol 58, no. 4 (November 1992): 667-694.
  • John Haag, “Gone with the Wind in Nazi Germany,” The Georgia Historical Quarterly 73, no. 2 (Summer 1989): 378-304
  • Eric Hobsbawm, The Invention of Tradition (Cambridge University Press, 1983)
  • Eric Hobsbawm, Nations and Nationalism since 1790: Programme, Myth, Reality (Cambridge University Press, 1992).
  • Ian Kershaw, “Hitler and the Uniqueness of Nazism,” Journal of Contemporary History, 2, (2004): 239-254.
  • Jürgen Kocka, “German History Before Hitler: The Debate about the German Sonderweg,” Journal of Contemporary History 23, no. 1 (1988): 3–16.
  • George L Mosse, The Crisis of German Ideology: Intellectual Origins of the Third Reich (Howard Fertig: 1964).
  • Wolfgang Schivelbusch, The Culture of Defeat: On National Trauma, Mourning and Recovery, Jefferson Chase (Metropolitan Books, 2001).
  • Nina Silber, The Romans of Reunion: Northers and the South 1865-1900 (University of North Carolina Press, 1993)
  • Martina Steber and Bernhard Gotto, eds., Visions of Community in Nazi Germany: Social Engineering and Private (Oxford University Press, 2014).
  • Fritz Stern, The Politics of Cultural Despair: The Rise of Germanic Ideology. (University of California Press, 1974).
  • Charles Reagan Wilson, Baptized in Blood: The Religion of Lost Cause, 1865-1920 (University of Georgia Press, 1980).
  • Andrew Zimmermann, Alabama in Africa: Booker T. Washington, the German Empire, and the Globalization of the New South, (Princeton University Press, 2012).

The Importance of Art in Human Rights

How does art affect humanity and human rights? Does it play an important role in human rights advocacy? Throughout history, people have used the arts as a form of self-expression by reflecting on their lives and what they observe. Art and design are constantly changing, and growing, with history. It is constantly being influenced while influencing societal events. As an artist and graphic designer, I believe that use of imagery influences societies, helping raise awareness of social and political issues. In the vast world of social and political arts, there are a few examples of work that stood out to me because of their contribution to society, namely: “The Hand That Will Rule the World” by Ralph Chaplin, “All Power to the People” by Emory Douglas, “The Anatomically Correct Oscar” by The Guerilla Girls, “Red Sand Project” by Molly Gochman, “The Blue Bra” by Bahia Shehab, and “America” by Touba Alipour. These are a few good examples of how art and design can impact human rights with solidarity, awareness, and protest.

“The Hand That Will Rule the World” by Ralph Chaplin. June 30, 1917

The symbol of the clinched fist has been a symbol of solidarity as early as 1917. “The Hand That Will Rule the World” by Ralph Chaplin is an illustration referring to the IWW (Industrial Workers of The World). Industrial unionism began when skilled workers were displaced by modern machinery and the monopolization of industries. It was a union that believed industries should be controlled by the workers, benefiting the many instead of enriching the few, and create better working conditions. In this image, the workers are uniting their arms and creating one giant fist, which represents solidarity and unity, while holding tools, representing manuallabor, while factories in the backdrop symbolize the machinery displacing the workers.

“All Power to the People” by Emory Douglas, March 9, 1969

The Black Panther Party was an African-American organization founded October 15, 1966 in Oakland, CA. One of their greatest successes was using imagery to reach people across the country about their movement. According to The New York Times, even though the Black Panther Party was associated with armed resistance, their most powerful weapon was reaching out to African-American communities through works of art. Emory Douglass, the artist behind many these images, has a background in printmaking and activism, pushing him to create images that show the injustice toward communities of color in the United States. His illustration “All Power to the People” is another example of the solidarity symbolism employed by the raised fist. The raised fist and the words “All Power to The People” brings a sense of unity to the viewer. Also, the person’s expression speaks on an emotional level, as if they’re shouting these words, making it a very powerful piece of artwork.

“The Anatomically Correct Oscar” by The Guerrilla Girls, 26 Feb 2016

The Guerilla Girls are feminist activist group comprised of more than 55 artists. They describe themselves by saying: “We wear gorilla masks in public and use facts, humor and outrageous visuals to expose gender and ethnic bias as well as corruption in politics, art, film, and pop culture. We undermine the idea of a mainstream narrative by revealing the understory, the subtext, the overlooked, and the downright unfair.” This group of activist artists started in 1985 and, by the early-21st century, have expanded their awareness into the media world, namely the film industry. “The Anatomically Correct Oscar” brings awareness to the racism and sexism in the film industry by portraying a white male holding his genitals with text boxes demonstrating the percentage of people of color that have won Oscars in the past 86 years. The Guerilla Girls displayed this billboard in Hollywood a few months leading up to 2016 Oscars, noting, “the people we want to reach will see it…There is so much positive press around the Oscars – the gowns, the stars – that we decided it was time for another point of view.”

“Red Sand Project” by Molly Gochman

Molly Gochman’s “Red Sand Project” is a worldwide instillation that takes a hands-on approach of bringing awareness to human trafficking. This project encourages all communities to pour red sand into cracks on sidewalks to recognize the overlooked populations (refugees, immigrants, girls, and others) that are at risk of slavery and exploitation. “These interventions remind us that we can’t merely walk over the most marginalized people in our communities — those who fall through the metaphoric cracks”, explains Molly Gochman. This informative, and largely interactive, work of art takes simple, yet powerful, gestures and to bring worldwide awareness through photography and social media. It is an ongoing project, raising action for those who are overlooked and vulnerable to human trafficking.

“The Blue Bra” by Bahia Shehab, 2011

In 2011, various outbursts of popular protests swept the Middle East and North Africa, causing a revolutionary wave called the Arab Spring. Staring from Tunisia and later spreading to Egypt, Yemen, Bahrain, Libya, and Syria, people were rising against their oppressive leaders. As the protests grew larger they were met with violent responses from authorities. One of the striking things that came out of this short period was the growth in street art, graffiti, and calligraphy. “The Blue Bra” by Bahia Shehab, located in Cairo, Egypt, is a great example of protest of oppression. This graffiti is part of an instillation called “Thousand Times No” which Shehab explains, “represents a rejection of both the conformity and the repression that often stifle the Arabic speaking region and Islamic cultures.” The text above the Blue Bra is saying “no stripping the people” and the sole of the military boot reads “long live a peaceful revolution”, calling the incident of a veiled girl who was stripped and beaten by police on December 18, 2011, and happened to be wearing a blue bra. In another location, Sheab installed a calligraphic graffiti which is an Arabic translation of Pablo Neruda’s quote, “you may crush the flowers, but you cannot delay the spring”.

“America” by Touba Alipour, 2017

Touba Alipour’s “America” is a mixed media artwork, curated by gallery director and artist Indria Cesarine, placed in The Untitled Space gallery’s “ONE YEAR OF RESISTANCE” exhibition in January 2017, shortly after the election of U.S. President Donald Trump. This exhibition, which included over 80 artists, addressed and protested policies that challenged human rights in our society such as immigration rights, health care, reproductive rights, climate change, transgender rights, white supremacy, gender equality, gun control, sexual harassment and many others. Among these artists, Touba Alipour addressed the travel bans placed by Trump which prevented people from six Muslim countries to enter the United States. “Being from Iran, it definitely affected me in different ways”, mentions Alipour, “I’ve seen families being torn apart, and they had green cards, they were living here, they just went to travel, and when they came back they were told they can no longer enter the country”.

Art is a way for people to express themselves, whether for the sake of imagination or to express ideas. It has been used effectively today, and throughout history, to send public messages about social and political issues. Human rights and the arts go together because of the expressive nature of both subjects. As people, we can stand up for our rights through expression. Due to their ability to create visual interest and to promote solidarity, awareness, and protest, artists and designers play a pivotal role in society by promoting human rights advocacy. Especially in the modern age, where people rely heavily on technology and media, it is important to send messages that work toward creating a society that respects human rights for themselves as well as others.

The Struggle Against Modern Babylon

Marlene Dietrich during the Weimar Republic. Source: Unknown, Public Domain.

“Maria, you come out of the stable and look at the lights of Bethlehem with chaste eyes. Where the bird is. And now Archangel Gabriel, please,” the director shouts at his cast, motioning them to their positions. He continues, “Frieda, you’re receiving the Redeemer. I can’t see that.” At first glance, an unsuspecting observer might err in thinking that they were witnessing a rehearsal for a biblical reenactment or a Christmas pageant; however, a closer look would swiftly reveal the naked truth: a pornographic film in the making. Actors of both sexes in varying stages of undress, young boys in sexualized cherubic costume – if any misgivings remained about the reality of the production, they would soon be laid to rest by the arrival of the police. “Ladies and gentlemen, form an orderly row, pack away your genitals and keep your mouths shut,” the police inspector commanding the raid barks, referring to the director as “a rat” for his role in spreading “the filth with those little boys.” How does the director defend himself against such allegations? “Art is free,” he protests, “you will have to prove I’m not an artist.”

Although one would not be remiss in thinking this scenario occurred in a modern-day United States in which nearly eighty million people visit Pornhub every day and the boundaries of cultural libertinism seem to be constantly extended, in actuality, it occurred in a new Netflix series – Babylon Berlin – accurately dramatizing the Weimar Republic of interwar Germany. Constructed atop the ruins of Imperial Germany in the aftermath of World War One, the Weimar Republic represented the first German experiment in mass democracy and classical liberalism, an ideology oriented around the idea that individuals inherently possess certain natural rights. With this newfound emphasis on the individual, many Germans – theoretically liberated from the emphasis on community and tradition promoted by the elites of Imperial Germany – began a decade-long process of transforming their country into a laboratory in which the social experiments of the twenty-first century originated (Moeller, 2009).

However, intertwined with more questionable experimentation – as detailed in Babylon Berlin – existed one of the first attempts to institutionalize human rights, even though such rights failed to achieve codification until the aftermath of World War II. The German League of Human Rights, although founded as early as 1914, advocated for freedom of speech for political dissidents, civil rights for sexual and ethnic minorities, and opposed the rising tide of anti-Semitism in interwar Germany (Wildenthal, 2008). Meanwhile, the controversial founder of the Institute for Sexual Research, Magnus Hirschfield, established the first gay-rights organization  – the Scientific-Humanitarian Committee – and pioneered arguments in favor of granting rights to individuals identifying as transgender (Lind, 2007). Even the Weimar Republic itself, almost completely dysfunctional due to political infighting and polarization, sought the establishment of group rights in order to protect German minorities separated from the Vaterland following partition after World War I (Mazower, 2004). Inspired by these events in the place of his birth, Henry Gerber emigrated to the United States where he sought to continue the struggle for human rights by founding one of its first human rights organizations, the Society for Human Rights.

Although the Weimar Republic initially achieved great progress in immunizing the national culture against human rights abuses, its other experiments – particularly those of a sexual nature – afflicted interwar German society in the manner of a deadly contagion. Even in a healthy body, a powerful contagion possesses the capacity to generate tremendous amounts of damage, however, interwar Germany did not constitute an ideal host – it suffered from two distinct deficiencies allowing the contagion to gain more strength than normally possible. From the beginning, the Weimar Republic, as the product of military defeat, failed to achieve widespread legitimacy in Germany (Peukert, 1993). This lack of legitimacy combined with the deleterious aftereffects of World War I:

Culturally, it discredited optimistic and progressive views of the future, and cast doubt upon liberal assumptions about natural human harmony. Socially, it spawned armies of restless veterans (and their younger brothers) looking for ways to express their anger and disillusion without heed for old-fashioned law or morality. Politically, it generated economic and social strains that exceeded the capacity of existing institutions – whether liberal or conservative – to resolve.   (Paxton, 2005, p. 28)

Ultimately, these deficiencies proved the Weimar Republic, and its advances in human rights, ephemeral. However, the ideas of the Conservative Revolution demonstrated far greater resiliency – they continue to influence the global political scene through the rhetoric and ideology of both the European far right and political Islam.

German infantry on the Western Front. Source: US War Department, Public Domain.

A Conservative Yet Revolutionary Critique of Human Rights

Coming of age in this time of systemic failure, a group of German intellectuals and philosophers – later referred to as the German Conservative Revolution (Mohler, 1989) – developed much of the modern rhetoric against human rights and liberalism. At first glance, the term German Conservative Revolution appears incoherent; however, unlike traditional conservatives, these intellectuals did not seek to preserve the established order, nor did they simply seek to turn back the clocklike mere reactionaries. Instead, they sought to combine select elements of the past with acceptable aspects of the present in order to construct an alternate and, in their opinion, much improved modernity. As Göran Dahl notes, the movement appeared:

Conservative in that they wanted to save the nation and protect German culture, and revolutionary because they thought one had to be active and decisive in order to create a new order beyond liberalism, socialism, capitalism, individualism, and parliamentary democracy. The key difference between the leftist and rightest conceptions of revolution was that while the former called for a change in ‘structure’ – political, economic, and social conditions – the latter emphasized a need for a different consciousness, a spiritual reawakening of both heart and mind. (Dahl, 1996, p.26)

In this new order, human rights receive no role – indeed, they effectively cease to exist. Profoundly influenced by the political trends of their era – namely, Social Darwinism and Nationalism – the German Conservative Revolution awarded very little credence to the idea of a common humanity. Martin Heidegger, a leading member of the German Conservative Revolution and one of the foremost philosophers of the twentieth century (Barrett, 1990), contended that the term people “cannot mean humanity, but an organic collective sharing identical ‘cultural’ values” (Dahl, 1996). Likewise, Carl Schmitt posited a Manichean universe populated by a variety of different groups, each of which relates to the others by labeling them either as friends or enemies (Schmitt, 2007).

This idea of a fractured humanity became especially influential among those who served in the trenches along the Western Front during World War I. These individuals, such as Ernst Jünger and Helmut Franke, scoffed at “all the pacifist and international theories of humanity” (Woods, 1990). How could anyone, they ask, believe in a common humanity after witnessing a “jagged piece of iron [as it] bursts out of the dust and noise senselessly in front of staring gazes and knocks them down, tears them to pieces, obliterates them” (Woods, 1990)?

Despite their loss of faith in humanity, they did not perceive humans primarily as individuals either. In their experience, the individual soldier – alone and atomized – suffered from anomie, depression, and anxiety, dwelling on his own mortality in the shadow of artillery explosions and machine-gun fire. The individual rights championed by the Weimar Republic possessed little appeal for them. On the other hand, the soldier as a member of a unit received support, protection, and distraction from his war-weariness while in the company of his fellow infantrymen. Their service in the trenches crystallized within them the importance of their national community, their fellow ethnic Germans – as evidenced by their mantra that “suffering and dying is meaningless; suffering and dying for a grand idea is honorable; suffering and dying for the fatherland is sacred” (Woods, 1990). Upon their return to Germany, the returning soldiers hoped to create “a state based on the experience of the soldiers in the front line,” an organic collective rooted in tradition and sustained “by the values of comradeship, fraternity, and community which were learnt in the face of mortal danger” (Woods, 1990).

At a more abstract level, Heidegger argued that the individual only achieves “true being” – true existence – as part of “a mutual and collective project”united by a “mutual context of understanding” (Dahl, 1996). The ethnically homogenous nation represented the highest and most sacred of these projects, and a combination of shared ethnicity, language, religion, and other factors created mutual understanding between members of the nation. However, this shared understanding presumed hierarchy rather than equality – the ethnic German took precedence over the foreigner, those able to further the nation through reproduction took precedence over those who could not. To Heidegger, “there is no freedom outside of organic communities, no rational individuals beyond their boundaries, and if there is opposition, it must be crushed in the name of the true and great existence” (Dahl, 1996). The rights of the collective receive precedence over the rights of the individual, while the prescription for those who refuse to conform entails removal or elimination.

While conflict between collectives does not represent an inevitable outcome, the German Conservative Revolutionaries routinely single out one country for criticism: the United States. In their eyes, the United States represents:

The ultimate example of civilization without culture; rich and comfortable, materially advanced but soulless and artificial; assembled or at best constructed, not grown; mechanical not organic; technologically complex but without the spirituality and vitality of the rooted, human, national cultures of the Germans and other “authentic peoples.” (Lewis, 2004, p. 69)

Responsible for abstract human rights, consumerism, individualism, materialism, sexual libertinism and other undesirable aspects of modernity, the United States – in the eyes of its German critics – becomes the modern equivalent of the sinful and decadent city of Babylon.

Marine Le Pen, the leader of the French “far-right” National Front, at a convention. Source: Driss Hadria, Public Domain.

The Modern Offspring of the Conservative Revolution

Eventually, the German Conservative Revolution succumbed to an even more radical movement, the NSDAP of Adolf Hitler, which appropriated and repackaged many of its ideas (Mohler, 1989) to appeal to the segments of Weimar Germany distraught by the cultural changes dramatized in Babylon Berlin. However, as Robert Paxton notes, the intellectuals of the German Conservative Revolution, “though sometimes considered the creators of fascism[,] actually account better for the space made available for fascism than they do for fascism itself” (Paxton, 2005).

At this point, some may ask themselves, “What does an early twentieth century political movement and its critique of human rights matter to a citizen of the twenty-first century?”

Mere decades after World War II, the ideas of the German Conservative Revolution began circulating throughout Western Europe once again. The Nouvelle Droite of France, in conjunction with its various sister movements in neighboring countries, exposed the European population to this German ideology through influential media organs, such as Le Figaro and Junge Freiheit (Bar-On, 2012). According to Tamir Bar-On, “the entire European extreme right-wing political spectrum from the Italian Lega Nord (Northern League – LN) to Vlaams Belang (Flemish Interest) in Belgium have been influenced by” the Nouvelle Droite (Bar-On, 2012) and, thus, by extension the German Conservative Revolution. The spread of these ideas through the previously mentioned parties and media organs “helped engender the Pan-European cultural shift” (Bar-On, 2012) that made the current far-right populist wave a reality.

However, the ideas of the German Conservative Revolution did not halt at the frontiers of the European continent. The main ideologues of the Iranian Revolution of 1979 – Ali Shariati, Ahmad Fardid, and Jalal Al-e Ahmad – employed these ideas increating the intellectual superstructure of the Islamic Republic (Mirsepassi, 2011). During the same time period, major Islamist politicians and philosophers in both Turkey (Aydin, 2006) and the Arab world (Tamimi, 2001) similarly adopted this rhetoric.

In the twenty-first century, the main opponents of classical liberalism and human rights constitute the European far right and Political Islamists, both of which employ the arguments of these German intellectuals. Therefore, understanding the appeal of the ideas of the German Conservative Revolution to these movements and their voters represents a matter of increasing importance for those dedicated to defending both liberalism and human rights.

To those cocooned for their entire existence within an era dominated by a liberalism seemingly possessing no viable opponents, the idea that many people around the globe view liberalism as artificial, oppressive, and even dehumanizing seems irrational – after all, Americans regularly hear the virtues of individualism, consumerism, secularism, and other aspects of liberalism. Yet, for others, the anti-liberal, anti-human rights ideas that originated with the German Conservative Revolution possess a concrete and thoroughly rational basis for belief. Young Germans, emerging from the brutal trench warfare of World War I, developed these ideas as a response to the tremendous social and cultural dislocation they experienced upon returning home to a Germany they barely recognized. In the twenty-first century, these ideas appear in response to similar contexts: a Middle East undergoing a rapid series of modernization, industrialization, foreign humiliation, secularization, and cultural experimentation (Mirsepassi, 2011; Lewis, 2004; Aydin, 2006); and a Europe suffering from post-industrialization, large numbers of migrants, and a crisis of identity (Murray, 2017).

As in the 1920s and 1930s, cultivating empathy for the “Other,” understanding these ideas and the conditions that spur their popularity, remains the fundamental challenge facing supporters of liberalism and human rights. Although the path often seems perilous and difficult, the active cultivation of this empathy represents the only meaningful path towards bridging the divides currently surfacing throughout the world.

References

Aydin, C. (2006). Between Occidentalism and the Global Left: Islamist Critiques of the West in Turkey. Comparative Studies of South Asia, Africa, and the Middle East, 26(3), 446-461.

Bar-On, T. (2012). Intellectual Right-Wing Extremism – Alain de Benoist’s Mazeway Resynthesis since 2000. In U. Backes & P. Moreau (Eds.), The Extreme Right in Europe: Current Trends and Perspectives (pp. 333-358). Göttingen: Vandenhoeck & Ruprecht.

Barrett, W. (1990). Irrational Man: A Study in Existential Philosophy. New York, NY: Anchor Books.

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What is Gender-Based Violence?

Growing up, I was resentful of the social freedoms my male friends naturally enjoyed. Unlike the parents of my male friends, my parents were very strict about things like curfews, not being outside at night alone, and avoiding certain neighborhoods. My dad would always say, “We trust you, but we don’t trust the people around you”. Although I was still resentful, I know my father enforced those stringent rules because he was trying his best to protect me from gender based violence (GBV). GBV is defined as violence towards an individual that is motivated based on his or her gender identity, biological gender, “or perceived adherence to socially defined norms of masculinity and femininity”. The term ‘violence’ encompasses physical, sexual, and psychological abuse along with coercion, threats and compromised liberty. Examples of GBV include sexual violence like rape, domestic violence, and human trafficking. Both men and women are affected by GBV; however it is recognized women and girls are at most risk for exposure due to the imbalanced power relations between men and women “which have led to domination over and discrimination against women by men … and that violence against women is one of the crucial social mechanisms by which women are forced into a subordinate position compared with men.”

Violence against women and girls is a prevalent human rights violation resulting in disproportionate negative consequences on females’ physical, mental and sexual and reproductive wellbeing including but limited to including, but not limited to: “i) fatal outcomes; ii) acute and chronic physical injuries and disabilities, iii) serious mental health problems and behavioral deviations increasing the risk of subsequent victimization and iv)  gynecological disorders, unwanted pregnancies, obstetric complications and HIV/AIDS .”

International Womens Day Strike. Source: Molly Adams. Creative Commons

Some troubling statistics on GBV:

  • In 2014, a UNICEF study projected that ~120 million girls (almost 1 in 10) under the age of 20 have been forced to perform sexual intercourse or other sexual acts during some point of their lives.
  • Almost half of the women killed in 2012 were murdered by a family member or intimate partner.
  • Globally, the WHO estimates 35% of women worldwide have experienced either physical and/or sexual intimate partner or non-partner violence or sexual violence. Other national studies have estimated up to 70% of women experience GBV.
  • “Women and girls together account for 71 per cent, with girls representing nearly three out of every four child trafficking victims. Nearly three out of every four trafficked women and girls are trafficked for the purpose of sexual exploitation.”

Although a pressing issue, it wasn’t until 1992 when the Convention on the Elimination of All Forms of Discrimination against Women (CEDAW) formally adopted General Recommendation No. 19: Violence against Women (GR 19), which legally categorized violence against women a distinct form of discrimination. Likewise, it wasn’t until 1993 the United Nations General Assembly adopted the Declaration on the Elimination of Violence against Women (DEVAW), forming the first ever internationally-recognized definition of GBV. Both documents explicitly outline how GBV violates basic human rights mentioned throughout the UDHR such as the right to life, dignity, and health.

Health Effects of Exposure to GBV

Sexual and Reproductive Health
GBV is a major public health concern contributing to mass amounts of mortality and morbidity. Specifically, the relationship between GBV and HIV and other STIs has been recognized as an important pathway for the contraction and spread of such diseases. WHO states that, in some regions, women facing sexual partner violence are 1.5x more likely to contract HIV, and 1.6x more likely to contract syphilis. Here’s how:

First, increased vulnerability to HIV and STI’s stems from sexual violence such as rape. “Violence reduces victims’ abilities to influence the timing and circumstances of sex, resulting in more unwanted sex and less condom use, including situations where women are coerced or pressured not to use condoms.” For example, of the estimated minimum 250,000 women brutally raped during the Rwanda Genocide, 70% of those survivors tragically acquired HIV.

Second, another important pathway from GBV to HIV is men who are physically violent are also more likely to be HIV positive. Studies find violent men are more likely to engage in risky sexual behavior such as having multiple sex partners and utilizing transactional sex, increasing their chances of contracting and spreading HIV and other STIs.

Along with the spread of disease, women and girls experience unwanted pregnancies due to GBV. The WHO states that women with previous exposure to GBV are more likely to account having had a self-induced abortion. Globally, “80 million unintended pregnancies each year, at least half are terminated through induced abortion and nearly half of those take place in unsafe conditions.” A study analyzing the relationship between GBV and sexual and reproductive health among low-income youth in three Brazilian cities, supports WHO’s statement that women in abusive relationships are more likely to experience unwanted pregnancies. The study found adolescent females who became pregnant as teenagers were more likely to have been victims of controlling behavior or physical abuse compared to teenage girls whom have never gotten pregnant. Among the girls who got pregnant as a teenager during the study, “20% reported having suffered physical violence from a partner and 10% reported having been subjected to sexual violence from a partner, compared to 5% and 3% respectively of those who did not get pregnant as teenagers.”

Mental Health:

Along with physical harm, studies highlight women and children face serious mental health problems after enduring traumatic experiences with GBV. “Exposures to traumatic events can lead to stress, fear and isolation, which, in turn, may lead to depression and suicidal behavior.” According to the WHO, women abused by a non-partner are 2.3 times more likely to have alcohol use disorders and 2.6 times more likely to have depression or anxiety. A cross-sectional study based on the Australian National Mental Health and Well-being Survey in 2007 found that of the 4,451 female respondents, 1,218 (27.45%) of the women have experienced one of the four types of GBV analyzed in the study (IPV, stalking, sexual assault, and rape). Of the 139 women who experienced at least three types of GBV, the rates for mental disorders were 77.3% for anxiety disorders, 47.1% for substance abuse disorders, 34.7% for attempted suicide, and 56.2% for PTSD.

Right On. Source: Liz Spikel. Creative Commons

Potential Solutions to Address Gender-Based Violence

In light in of April being sexual assault awareness month, itself a form of GBV, it is essential to break through the culture of silence. Our health care system can be more active is addressing the prevention of GBV, and also the aftermath of GBV. First, providing survivors with mental health services such as counseling is critical for these women and girls to address their psychological trauma and progress with their lives. Mental health services are vital in providing survivors a voice to express themselves. Second, our health care system could potentially be a major stakeholder in identifying and stopping GBV.

“GBV is very common, but most health care providers fail to diagnose and register GBV, not only due to socio-cultural and traditional barriers, lack of time, resources and inadequate physical facilities; but even more so due to lack of awareness, knowledge and poor clinical practices with limited direct communication and failure to do a full physical examination, not to mention register and monitor the effectiveness and quality of care.”

Moving forward, there needs to be a systematic change within in the health sector. The World Bank, amongst other NGO’s, have provided approaches on how to address this issue. Some strategies to consider include, but of course not limited to:

1) Requiring GBV screenings during doctor visits to ensure early intervention
2) Train and educate health care personal about GBV to improve provider’s knowledge, medical services and attitudes towards GBV.
3) Providing survivors access to adequate infrastructure within hospitals which includes private counseling and examination rooms.

Women are approximately 50% of our global population, yet gender-based violence is one of the most prevalent and widespread human rights violations. Gender equity is an inalienable right protected in numerous human rights documents, however change will never be achievable until we break this vicious cycle of violence through education and strict policy changes. Ultimately, women have proven they are just as equally capable as men, and gender-based violence and discrimination over an uncontrollable biological factor is simply unjust.

Music: A Cultural Expression of Identity

**This blog is a repost as we invite you to join us for a series of events with Violins of Hope Birmingham, April 11-14, 2018. The centerpiece of the project will be the Violins of Hope Concert at the Alys Stephens Center on April 14, 2018, featuring the Alabama Symphony Orchestra under the baton of Music Director, Carlos Izcaray. 

a picture of a unique violin
violin. Source: z s, Creative Commons

If identity were a sound, what would it sound like? For Jews, it sounds like the notes that rise from the striking of the bow across the tension of the strings on a violin. Elie Wiesel, in Night, writes of a brief encounter with Juliek, a dying violinist. This encounter, without full understanding of the context and the role of the violin in Jewish culture, may remain overlooked and misunderstood. It did for me until I began researching for this blog.

Violins, often heard in a piece of classical music, a genre that as Wang describes as “a special form of culture widely defined within an ideological and social sphere in people’s everyday life”, speak to the universal accessibility of music and the cultural complexity of creative expression within the social identity of Jewish people. “Always when people asked Isaac Stern why so many Jewish people are playing the violin, his answer was very simple: ‘It is the easiest instrument to pick it up and to run away!'” The embedding of music in Jewish tradition resulted from their persecution. Music provided a refuge and an outlet for emotional expression, whether pain or joy because music has the power to transcend.

A violinist is an essential figure within the sociocultural dynamic of Jewish high society. Gilman, highlighting the life of Albert Einstein, explains how the violin is “an emblem of the integration of the Jews into Western high culture… [and] links both personal and historical meanings.” Spotts insists that to the Nazis, “Theater, music, art, and literature were inherently ennobling, unless… practiced by the Jews.” Music for Einstein and other Jews allowed for the continuous expression and validation of individuality, in conjunction with and apart from religion. Conductor Franz Welser-Most maintains, “An instrument becomes part of the person which plays it. It’s the voice of that person comes through the instrument.” Violinists and their violins reinforced the humanity of all Jewish people, thereby undermining Nazi anti-Semitic ideology.

Albrecht considers art, including music, an institution. He identifies three characteristics of art: structure, function, and universality. The institution of art exists within the social structures of a society due to the ability of music to fulfill the human psychological need for creativity. While conceding that art is not a primary institution, one needed for the survival of society, he does suggest that it should no longer remain a secondary (or throwaway) institution either. Art should remain as important as religion, philosophy, and science. In other words, societies needs to recover the value of art by understanding its characteristics.

First, the structure of art is expressive and social, exposing what Parsons defines as “the paradigm of social interaction”. The paradigm of social interaction is the triad reciprocal relationship among the author, the critic, and the public based upon a supply and demand existence, or needs-based approach. For Parsons, human behavior consists of patterns of belief systems, which incorporate and appropriate objects, like violins, into the fabric of an individual or group experience based upon meaning. The repetition of the pattern creates a culture that, over time, produces a heritage. For Bortolotto, “Heritage is created …with authenticity understood as an important quality in the perpetuation of a sense of historical continuity and cultural ancestry.” Therefore, the social structure of art features this triadic interaction over a period and this historical interaction creates solidarity. Art is an essential link in the network of social and cultural relations.

Second, art satisfies curiosity, creates balance, and reduces stress. Spencer concludes that art permits “prolonged rest of the nerve-centers, which build up energy in excess of demands for immediate instrumental activities”, creating a satisfaction that comes from being a part of art through its creation or experience rather than simply participating in it. Weber equates art with ‘salvation’; not salvation as in eternal life but salvation that comes as a means of transcending one’s immediate situation or circumstance. Art allows for momentary escape; this quality contributes to the enrichment and augmentation of an individual and society.

Lastly, art is universal. Hoebel asserts, “Man could survive without art; yet man and art are inseparable.” Human beings are creative beings, yet the limitations of art classification detach the social and cultural significance of artwork or performance, whether it be resistance or propaganda. Take rap as an example. Martinez argues rap of the late 1980s and early 1990s utilizes lyrics and sounds as a form of expressing resistance to some cultural norms about music, and as propaganda when considering the urban decay of black communities, in direct contrast to white communities. In other words, regardless of classification, art, including music, possesses the power to influence, to give voice to the minority, and to symbolize resistance.

Amnon Weinstein is a violinmaker. More than 50 years ago, a customer brought him an old violin in need of restoration. Unplayed violins lose their sound and their spirit over time; therefore, a well-played instrument sounds richer and more open. Weinstein, over the course of the conversation, learned that the owner, a Holocaust survivor, “had played on the violin on the way to the gas chamber, but he survived because the Germans needed him for their death camp orchestra.” When the Nazis outlawed prayer, Jewish violinists played as a means of communion and defiance. “And just knowing that some of these people who have owned these instruments did not survive, but their personality is still within these instruments, I find that very moving”, acknowledges Welser-Most. The restoration of more than 30 Holocaust violins has become Weinstein’s method of harnessing the power of music to influence, returning voice to the minority, and to continually cultivating a resistance against the cruelty of the Holocaust and the silence that descended when the war concluded, by listening to the stories told by the violins.

This Sunday, September 17, 2pm at Temple Emanu-El, musicologist and author James A. Grymes will discuss his book, Violins of Hope: Instruments of Hope and Liberation in Mankind’s Darkest Hour, and the work of Amnon Weinstein. Event organizer Sallie Downs, when asked what inspired her to bring the Violins of Hope story to Birmingham, replied:

I am free to bring them; and they are free to come. All musicians, regardless of who they are and what they believe, are free to play the instruments when they want and where they want, and they are free to play whatever music they wish to play. Jewish musicians didn’t have that opportunity. They did nothing wrong. They were persecuted and too many people didn’t believe it could happen and they stood by until it was out of control. With all the hate and evil we are witnessing in this country, and the ignorance and resignation with which it is viewed, I can’t stand by quietly and do nothing. G-d help me, if I ever find myself on the wrong side of a barbed-wire fence, like those who were tortured and murdered during the Holocaust for no good reason, I will never regret that I did nothing when I had the opportunity to do something. The power of music on the Violins of Hope is a call to action. The Violins are giving voice to the voiceless and providing us an opportunity to help them say “Never again will good people stand idly by and watch innocent life be desecrated.  Never again will we allow the voices of the weak to be silenced.” Not here. Never again.

Violins of Hope is a bearer of intangible cultural heritage. By “establishing a relationship with the past by turning it into an authentic historical object”, Weinstein who restores the violins, and the musicians who play them, are “encouraging social practices that allow cultural objects and expressions to be produced and performed by community members”; thereby creating a living exhibition maintaining a focus on perpetuity.