Bangladesh.Gazipur BIGUF.2015.Solidarity Center. Source: Solidarity Center, Creative Commons
Prior to the 1960s, about 90% of the clothes purchased in the United States were also made here. Since then, it has been reduced to only about 3%. Over the years, companies have increasingly chosen to outsource their labor to countries with lax labor laws (or a willingness to overlook them) to pay less for the work that is necessary for clothing production. The purpose of this blog is to highlight the negative impacts of these choices based on the information given in the documentary True Cost.
The term “fast-fashion” refers to the shift in the fashion industry that has resulted in faster production with lower costs. At first glance, this appears to be an extremely beneficial change, especially for the general United States consumer. We can buy more clothes and spend less money in the process. However, it is important that we take time to ask how it is possible to the industry to have changed the way that it did. What does it really cost?
Garment Workers
When discussing the costs of the fast-fashion industry, one of the most well-known examples is the Rana Plaza building collapse of 2013 that occurred in Dhaka, Bangladesh. At the time, the building was being occupied by garment factories for western companies such as Children’s Place, Joe Fresh, and Walmart. Workers in the factories told their managers that they had noticed cracks in the building but were told to go back to work. At one point, the managers were even given an evacuation order (which they ignored). Nothing was done. As a result, 1,129 workers died, and even more were injured.
Outside of the tragedies that have occurred in the industry’s factories, many of the factories cut corners on a regular basis to reduce production costs. Work areas are frequently found to have poor lighting, which can be damaging to the workers’ sight, and toxic chemicals, which can be harmful to their respiratory systems. As of 2016, the minimum wage in $67 dollars each month, which is far less than fair compensation for the labor of these workers, especially in such poor conditions. More often than not, these workers cannot simply quit and find work with better circumstances. They must be able to provide for themselves and their families and lack the education and qualifications for more favorable employment.
Environment
Fast-fashion is also an incredibly unsustainable industry. Eileen Fisher, a high-end fashion retailer who aims to use sustainable and ethical production methods, has called the clothing industry “the second-largest polluter in the world.” It’s easy to see why. In 2013 alone, 15.1 million tons of textile waste were created. The majority of this waste ends up piled up in landfills. These piles release methane as they decompose and are a noteworthy factor in global warming. Even if their relationship with global warming were not an issue, the amount of land required to store of all this waste is simply unacceptable.
Leather tanneries are also a significantly harmful part of the clothing industry. The chemicals used in the tanning process are extremely toxic and are often disposed incorrectly. This leads to the pollution of the drinking water, soil, and produce of the communities surrounding the tanneries. These chemicals lead to serious illness and diseases. People living in these areas are facing skin problems, numbness of limbs, and stomach problems. The chemicals are poisonous to both the environment and the health of human beings. Not only do climate change and pollution have harmful effects that we can see today, but they are also severely damaging to the world and resources that future generations will have access to.
Wide avenue in Old Dhaka. Source: Francisco Anzola, Creative Commons
Human Rights
The issue of fast-fashion is one that impacts many different areas in human rights. Regarding employment, Article 23 of the United Nation’s Universal Declaration of Human Rights (UDHR) states that every person has the right to “just and favourable conditions of work,” as well as the right to “just and favourable remuneration ensuring for himself and his family an existence worthy of human dignity.” The harmful work environments and low-wages involved in the clothing industry prevent workers from accessing these rights. Additionally, Article 25, the UDHR depicts the right to a standard of living that is sufficient to maintain an individual’s health and well-being, which requires an adequate income.
Fast-fashion also has a connection to gender equality. In the garment industry, 85% of the workers are women. Often, these women are single mothers without any other real employment options, due to a lack in access to education and other similar resources. They continue to work in poor working conditions because they want their children to be able to go to school and have better job opportunities in the future.
What YouCan Do
It is easy to fall into feeling like there is nothing you can do on this side of the counter and ocean. Fast-fashion seems to be a very distant issue. However, there are changes you can make in your own life to be a part of the transformation of the fashion industry. First and foremost, it is important that you make an effort to stay informed on the issue and inform others as well. A problem cannot be solved if no one acknowledges that it exists. Second, if you can afford it, buy from brands such as Eileen Fisher and People Tree who work to produce clothing through sustainable and ethical methods. Such companies are generally more expensive than what we have become accustomed to because of the fast-fashion industry, but the products are typically of a higher quality. If you need more affordable options, try to get clothes second-hand, whether that be through clothing swaps or going to thrift shops. Apps like Depop and Poshmark, make it possible to buy clothes directly from other individuals, or sell your old clothes directly to other people. Selling your unwanted clothes through apps like these, you can help keep clothing out of landfills. Donating clothes can be a great option when you want to clean out your closet, but it is best when you can come relatively close to directly giving clothes to the people who will receive them. Of the clothes that are donated to “mission stores” like Goodwill, only about 10% are purchased in those stores, and the rest have the potential to end up in landfills.
Finally, though the aforementioned options are wonderful and should warrant consideration and use, it is imperative to recognize that we do not need to purchase clothing nearly as often as we do. Advertising glamorizes things that we do not really need so that we will spend more money. New trends come out nearly every week, so we feel the need to buy more stuff just to keep up. Society has become very consumeristic, and this contributes to industries, such as fast-fashion, that disregard the health and safety of their workers to allow people in countries like the United States spend as much money as possible. By purchasing less of what we do not need, we can avoid supporting these harmful practices while also saving money ourselves.
You may not always be a part of large-scale change, but you can make small, daily changes that, when combined with the efforts of others, can truly make a difference.
The old train cart. Source: Georgi Kirichkov, Creative Commons
“I had everything until the murderer came,” Riva Hirsch begins, clutching a microphone between two pale hands. “We weren’t rich, but we had a ball and a doll and a dog… There was no discrimination. We loved.”
Sitting in a sterile events space around circular tables, we watch as a map appears on the projector screen to helpfully show us exactly where seven-year-old Riva lived before that day: an area of Ukraine that used to be Russia. She isn’t sure where exactly she was taken. “A better place,” was all the Nazis told her as she boarded a train overflowing with corpses.
“Did you see any towns on the train ride?” the moderator of the talk asks.
“Piles and piles of dead bodies–that I saw. Children. Grown-ups. Babies. But not towns.”
A microphone fails, its battery dead. Some shuffling and chuckling, then Riva’s microphone is handed to the other guest speaker, Josephine Bolling McCall, from Lowndes County, Alabama. “Bloody Lowndes”, it used to be called because of all the murders.
“We thought someone was killing cows,” she tells us, describing the sound of her father’s lynching. His children found him lying in a ditch with his eyes open, shot several times. “The definition of lynching is not about the noose around your neck. It’s about the group of people. At the time, three people made a lynching”
The room releases a deep hum of a surprise.
Her father was rich for a black man, owning a storefront, some land, and several shipping trucks. The night of his murder, Josephine’s brother scrawled down the car tag number of the white men he saw driving away in the dirt outside their store. “The sheriff wasn’t interested. Lowndes County planned my father’s murder and planned to make it look like it wasn’t a lynching, because the county would be held responsible. Most of the blacks were afraid to talk. There was no mercy there.”
The two women trade their lone microphone back and forth, standing tall when it is their turn to speak with the kind of straight-backed poise that has been lost over the generations. Both look dressed for a nice evening out, their hair in big, loose curls around their shoulders, Riva’s white and Josephine’s dark brown, like their skin. Riva talks fast, with an Eastern European accent, her voice booming through the sedate hall. Josephine, by contrast, talks Southern slow and soft enough that we lean forward to catch her words. Riva speaks as if the horrors she witnessed happened only yesterday. Josephine speaks as if they happen to her every day.
“I was lying more dead than alive,” Riva says of her condition when the German man who smuggled her out of the camp to a convent. “Me as a little Jewish girl, I had never seen a nun. But I survived through them.”
“I decided it was time to get some recognition,” Josephine told us about publishing a book about her search to discover what really happened to her father. “They made my book required reading at Northeastern University.”
The moderator asks them what one lesson would they want us to take away.
“The intention was to terrorize,” Josephine says. “Terrorism is what they got… We must continue the discussion, but as it says in Hebrews 13:1, ‘Let brotherly love continue’.”
“Make sure to educate our students,” Riva answers, her voice reaching a fever pitch. “Because the future is in your hands to let the world never, ever let it happen again.”
The room is silent when her words stop ringing through the high ceiling, but in our ears, the shouts of Charlottesville echo. We clap to drown them out.
Mary Elizabeth Chambliss is a graduate English student specializing in Creative Writing at the University of Alabama at Birmingham, as well as a CRM Administrator in UAB’s Enrollment Operations. She graduated from Lehigh University with a Bachelor’s in Cultural Anthropology in 2015.
I did not know what to expect when I walked in to the Alumni House to hear the talk with Riva Schuster Hirsch and Josephine Bolling McCall for class, but what I received from hearing the two was much more than I had hoped for. The rarity of still being able to hear a Holocaust survivor speak is unfortunate, so my class and I were very lucky to have the opportunity to hear Riva speak on the horrors of what she went through. It is also upsetting to know that there are people still living today who were greatly affected by such explicit racial injustices as Josephine Bolling had endured as a child. The only positive thing I can think about it is that today, we can listen to their stories and work on preventing future incidents like those from happening.
Things that stood out to me from what the women said were: There was still slavery in Lowndes County, Alabama in 1947, Riva and her family had to hide in fields and forests, Josephine and her family were “afraid to talk” or speak up about the injustice to her father, and that Riva had gotten so sick while in hiding that she could not walk or talk, only play dead.
Despite all the sufferings these women have gone through, it is thrilling to know that they both turned their unfortunate pasts into present successes. Josephine had a book published in honor of her father titled The Penalty of Success and it is now required reading for certain Law School classes, and although Riva never went to school, she was able to teach herself seven different languages. She also has famous YouTube videos and created a beautiful family for herself in Birmingham, Alabama.
The most important part of their talk was listening to them each give advice on how we can make a difference today.
Riva says: Go around and speak to youngsters—the future of our world—to educate them on the hatred that occurred in the past, to ensure it never EVER happens again.
Josephine says: It is important to continue the message, to acknowledge the Golden Rule, and to spread brotherly love to all.
These are things I will never forget.
Layla is currently a graduate student at UAB studying to obtain her Master’s degree in English with an emphasis in Creative Writing.
what dreams may come. Source: Bahador, Creative Commons
I’ve been to the Holocaust Museum in Washington, D.C. twice. The first time was just over a year after it opened. I was newly out and went with a new gay friend and a straight ally. We picked up random ID cards to “own” during the tour, but also asked for information about the gays who died in the Holocaust. Those pamphlets were kept behind the counter, like the dirty magazines at 7 Eleven.
It was a somber visit. Seeing the shoes was the hardest. The owners were dead. Only their shoes left to give witness. Hundreds—thousands?—of shoes. I whispered the refrain of the tour, “never again.”
My last visit to the museum was a few months ago. Donald Trump had been in the White House for several months. I still had not called him the P word. I can’t do it here. I didn’t remember the tour being so crowded. It felt right, though. Again, I clutched my identification papers. Last time I cheated and looked to see my assumed persona lived or died right away. This time I wanted to find out in real time. The crowd added to the experience, especially when I saw the train car.
Last time when I said Never Again it was defiant, a promise. Now it was a question. The tour starts at the upper floor with the lead up to the Holocaust. It didn’t happen overnight. Old newsreels and headlines show Hitler’s rise to power. Shave his mustache and tint his skin orange and it could have been the buildup to the 2016 elections. It scared me, the Othering part of the German people. Change Jew to Mexican or Muslim and it wasn’t dusty history at all. Never again?
Something else was wrong. The mood wasn’t as somber this time, not for everyone. A group of people in front of me laughed at some of the videos and exhibits. Not nervous titters. I do that sometimes. I smiled nervously when I told my mom that Mr. Lamar, my seventh-grade gym teacher died. I wasn’t happy. I was nervous. These people now, though, were enjoying themselves. This wasn’t a shameful part of humanity’s past but a primer.
I had to sit down, but there was no place to sit.
Last night when I heard Riva and Josephine speak, I thought the Holocaust museum, and the Civil Rights Institute, and the news coverage of the Valentine Shooting at Parkland, and the Pulse nightclub in Orlando and the Sandy Hook, were too sanitized. When I worked in the ICU and ER in the Navy I treated gunshot victims. I keep hearing people speaking abstractly about 2nd Amendment this Crisis actor that. It’s easy to be a talking head when all you see are helicopter shots of students walking single file across a school parking lot with their hands up. Or the flashing lights of emergency vehicles and worried parents behind barricades.
I don’t know what the dead and wounded looked like at Marjorie Stoneman Douglass High School or Sandy Hook, or the Pulse, or the field where Josephine’s father was lynched. But the shooting victims I saw had half their heads missing, their entrails hanging out, entrance wounds the size of a quarter and exit wounds the size of an orange. More blood than you’d think a human body could hold saturated their clothes. I don’t believe anyone could see that and NOT say never again!
And yet those laughing people at the Holocaust Museum took pictures with their smart phones of the photos and videos of the atrocities of Joseph Mengele to show off to their friends back home.
One of them had a red MAGA baseball cap on.
Never again?
Riva and Josephine must keep telling their story, but that’s not enough. Everyone who heard it must also tell it. And they must insist, Never again. And when the assholes with the MAGA caps laugh we have to shout it, Never Again! Never!
And for the love of God, never here.
For Bob Byrd, it was a race to see which he would earn first: an undergrad degree or AARP card. He is a senior at UAB, majoring in Communications with a minor in Creative Writing. He just celebrated his 55th birthday–looks like AARP won, but it was close. He is an award winning storyteller and a frequent contributor to the NPR radio program Says You!. He grew up in Fort Lauderdale but has called Birmingham home for the last twenty years.
A creative writing class from the UAB English department attended the Nazi Germany and Jim Crow South symposium in February. Six students, including Taylor, submitted their reflections on the interview with Riva Hirsh, a Holocaust survivor, and Josephine Bolling McCall, daughter of lynching victim, Elmore Bolling. Their honest and emotionally raw selections will post over the course of this week. — AR
Source: Brian Spratley, Creative Commons
Riva Hirsch scans the room with wide eyes and white hair. Her shoulders are draped in purple and gold, her veiny hands clutched around her microphone. When the interviewer asks her to tell the room about her childhood and family, she stands up and brings the microphone to her lips.
“I had everything I needed until the murderer came.”
Her voice comes out grainy and loud, her lips probably kissing the microphone. She shakes with emotion I’m sure she’s felt for a lifetime.
The interviewer turns to Josephine Bolling McCall, who sits in her chair with her ankles crossed, robed in shades of emerald. Her hair is as red as fall leaves before the separate from branches and litter sidewalks. Like Riva, she wears glasses. The interviewer asks her the same question and she stands. Her voice is softer, as steady as a librarian talking while leading you through the stacks and pulling the book you need from the shelf.
“I lived in Lowndes Country, Alabama. It was known as ‘Blood Lowndes’,” she reveals. I look around the room and watch a few audience members shift in their seats. One squints his eyes, as if trying to imagine just how bloody it had been. “I was only 5 when my father was killed.” Even I shift in my seat.
Riva begins the heartbreaking tale of bring separated from her family by the Nazis. She was seven when war came to her town. A family friend named Joshua warned her family to leave. The second time he came, Riva tells us “I could smell human flesh.” Riva and her family were forced to leave their home, taking only the packages her mother and grandmother made. Joshua hid them until he could hide them no more. One day Joshua came running.
“The SS are coming!” Riva and her family were forced into the forest, where they lived in sickness, became covered in lice. Eventually they were caught and separated by the SS. Riva tells the room of alert eyes and open mouths that her mother was beat in front of her when she refused to let go of her children. They were forced to wear the yellow star and told they would be taken to a better place. She tells us of the trains they were forced on and leaves us with an image that chills to the bone and boils blood all at once.
“There were piles of dead bodies on the train. We were all moving from life to death, death to life.”
Josephine tells us about her father, Elmo, before he was killed. “He had airhorns on his truck,” she reminisces. Her father would blow his horns as he passed the family in the shop or the house. But in December of 1947, gunshots could be heard some time after the airhorns. No one thought anything of it until they were told her father was dead. “He was laying there in the ditch and his eyes were still open,” she says, looking down into the microphone. I know we all imagined a 5-year-old mind replaying that image, understanding more of its horror as time passes.
When asked about the community’s reaction to her father’s murder, Josephine admits that everyone was afraid to talk. “Keep your mouth shut, stay inside, and don’t say anything,” she recites. This was the law of their land. Josephine’s brother saw the murder of their father and saw the car that appeared to be following their father before the murder. Her brother wrote the tag number in the dirt in front of a sheriff, trying to give him the information. The sheriff had no interest. “My father’s murder had been planned,” Josephine says. And the room understands that the sheriff already knew.
Riva is asked to talk about her savior, a man who spoke German. “A man put his hand on my mouth,” she says. “I was so sick with malaria and typhoid. He told me to play dead. He put me on his shoulder and started to run with me.” The German man hid Riva in a carriage to smuggle her out of the camp. The carriage was stopped, but Riva went undiscovered until she was brought to a convent. “He handed me off to a nun and then she started to run with me,” and I imagine a nun’s black clothing flailing in the still of night, a sick child limp in her arms. She was brought to a place where more children were hidden and told the nuns would bring them food as often as they could, but not too often as to draw attention. “They were my guardian angels,” Riva confesses.
After Josephine’s family fled Lowndes County to Montgomery, she found information that would launch her into an investigation about her father’s murder. In the Montgomery Advertiser had an article about her father’s murder. “He had been shot 6 times with a pistol, once in the back with a shot gun. What does that tell you? That there was more than one person there,” Josephine urges into the microphone. After retrieving the article from historical archives and interviewing others, Josephine discovers that many people had known her father’s murder was planned. She also discovered that by definition, her father’s murder had been a lynching. In a Chicago newspaper headline about her father’s murder, the word “lynch” appeared.
The interviewer asks, “Why was it important for your father’s murderers to not make it look like a lynching?”
“Counties were being held responsible and fined,” Josephine responds. “The Association of Southern Women to Protect Lynching (ASWPL) came to Lowndes County to stop the lynching from happening.” The murderers were trying to protect themselves.
Riva tells us about her life after the way. She never went to school, but taught herself 7 languages. She married another Holocaust survivor, who lost his whole family to the gas chambers. He was the only survivor. 28 years ago, Riva came to Birmingham. Her daughter and step-daughter and still with her. She lost her husband 4 years ago, her son 9 years ago. She still claims with excitement, “America is the best place in the world.”
Josephine started a foundation in memory of her father. She wrote a book, The Penalty of Success: My Father was Lynched in Lowndes County, Alabama, and had two book signings a day for a week in Boston. She continues to share her story.
Both women leave us with their own words of advice. Riva cautions, “Make sure you speak to educate our students because the future is in their hands.” She pins us all with a determined stare before finishing, “Never ever let it happen again.” Josephine follows Riva, urging that “we have to acknowledge what has gone on before we can reconcile and come together.” Finally, she points us to Bible, Hebrews 13:1, “Let brotherly love continue.”
Taylor Byas is a graduate student at UAB pursuing her Master’s Degree in English, Creative Writing. She aspires to teach Creative Writing at the collegiate level.
“Ultras,” are “Super Fans” of FC Nürnberg, the soccer team of Nuremberg, Germany. This picture, taken in May 2017, is of a sticker placed on a lamppost in Nuremberg. Ultras use the Confederate Battle Flag to assert the city’s and its people’s “unreconstructed” position within not only Germany but the south German state of Bavaria. Believing themselves exceptional within Germany, this aspect of U.S. Southern identity helps point out an overlap in everyday identity politics between the nationalist cultures. Photo by Derrick Angermeier.
My research seeks to answer a complicated question: Why did everyday people participate in the systems of racial oppression known historically as the Third Reich and the Jim Crow South? Historians have focused on these two national cultures and the wide variety of ways in which they excluded racialized others while elevating their own preferred racial makeups. Much of my graduate career has been spent studying the prejudice that emanated from Nazi Party leadership down to the German citizenry. However, when I took a graduate seminar on Southern History with a preeminent scholar, I was struck by the fact that, at the structural level, histories of the South resembled many of the German histories I had already consumed.
Both fields attempt to sort through complex pasts by debating continuity over time. In Germany’s case, scholars asked if there was something essentially German that caused the rise of the Third Reich by the early twentieth century? Was there a direct path from Martin Luther to Adolf Hitler, or was the development of German history more complex? Similarly, U.S. Southern academics often argued over whether the antebellum South had ever truly given way to a New South built on technology and industry. Both arguments created a self-fulfilling prophecy of sorts that has consequentially damaged historical interpretation in both fields. By setting up a world where the U.S. South was always at its heart magnolias and bigotry and Germany was always a peculiar nation susceptible to authoritarianism, no one needs to take ownership of their horrendous racial legacies. Exceptionalist narratives paint a deterministic picture where the racial castes that evolved into brutality and violence were inevitable outgrowths of inherent flaws. Nobody could help themselves; it was simply meant to be.
Such determinism has long had its opponents and supporters amongst historians, but both fields tackled this problem in remarkably similar ways: memory history. Southern and German historians embraced a historical methodology that called scholars to probe historical actors’ memories. How did exceptionalist myths like the “Lost Causes” and “Special Paths” (Sonderweg) get formed? Scholars of both cultures claimed that historical actors chose to selectively remember and internalize false memories which were then purposely perpetuated to future generations. One of the most blatant of these efforts was the United Daughters of the Confederacy, an organization defined by a desire amongst white Southern women to give permanence to the “Lost Cause” illusions of the Confederacy. Through textbooks, statues, speeches, public events, and other cultural activities the UDC ensured that a Neo-Confederate lifestyle would exist well beyond the South’s military defeat. Germany similarly internalized powerful false memories regarding militarism. Many young German men willingly went to war in the Spring of 1914 hopped up on tales of glory from Germany’s imperial wars; the fact that these conflicts were inherently one-sided and genocidal did not make it into travel accounts and youth magazines. These same myths would influence another generation; instead of seeing the First World War as brutal meat-grinder of humanity, many Germans sought glorification in the Nazi cause. False memories had indeed defined both regions and by extension their historical studies.
The more I read Southern history and reread German history I noticed more similarities. Neither regions’ academics seemed to address one another in any significant way. There were Cursory mentions here and there, footnotes in an epilogue, an occasional article. German historians and Southern historians seemed unaware of how significantly their methods of analysis overlapped. It was maddening! How could either of these places consider themselves exceptional when their histories were so painfully similar?! How had no one else really dug into this subject? The possibilities were staggering! I wrote a paper for my Southern History course on this overlap, and the whole exercise was produced more in the name of catharsis than course completion. However, the paper would not be enough, I did not find myself satisfied.
I read more and more and continued to find considerable overlap, but meaningful comparisons were few and far between. So, my new obsession slowly shifted into my dissertation proposal. I refined my original project, stripped it down to its bolts, and completely rewrote it. I added a research prospectus where I outlined my major argument, my answer to the question I asked above: Why did everyday people participate in the systems of racial oppression known historically as the Third Reich and the Jim Crow South? People were subjugated, excluded, and made the easy victims of violence and deprivation. The answer would not be found in studying politicians, demagogues, and the elites that had often defined my research. No, the similarity between these two regions, the element that formed the foundation of a transnational system of racial intolerance and exclusion was everyday people. The racial castes of Jim Crow and National Socialism may have had the force of law, but everyday people were the ones who enforced and followed the boundaries of racial propriety. Those boundaries were often set and adjusted at very local levels in countless interactions far away from any state supervision.
Many historians have argued that events and circumstances dictated complicity- in other words a historical actor’s present world left them little choice. Other scholars assert that historical actor’s memories of the past informed their complicity. I depart from these arguments; I insist that the answer to everyday complicity in the Third Reich and Jim Crow South lies not in past or present but in the future. I study the various expected futures that these historical actors internalized, which I call “Expectation” for shorthand. Expectation is a fact of human existence; we all walk around with some form of expectation of the future, be it a political identity, a five-year plan, or even what to eat for dinner. Historical actors similarly had expectations. In my research I have unearthed those hopes and fears of countless possible futures that provided considerable motivation for a wide variety of actions that lent credence to Jim Crow and Nazism.
Model for the components of historical “Expectation” as it relates to everyday complicity in racial caste systems. Graphic by Derrick Angermeier.
Identifying and explaining expectation has been a fascinating endeavor that has taken me across six Southern states and all across the Southern German state of Bavaria. This particular German state and its people have long considered their culture to be highly distinct from the rest of Germany, harking back to an aristocratic tradition that thrived long before Prussian led unification “reconstructed” their region into a united Germany. As such, it offers a very proximate point of comparison with a Southern culture that deals with its own hatred of reconstructions. I have assembled pamphlets, newspapers, sheet music, broadsides, tourism brochures, flyers, letters, diaries, and a wide variety of everyday kitsch to assemble a clear picture of white supremacist hopes for the future. These items help illustrate a wide variety of wants, needs, and fears that informed everyday expectations for the future and by extension the justifications people internalized to vindicate their position in racialized states.
My research has shown five key components of expectation, each one of vital importance to understanding everyday complicity. First, tradition: the idea that people expect some form a remembered past will carry over into the future. Second, continuity: the hope that the institution, customs, and society of the present will continue to exist. Third, potential: the desire to maximize the potential of humanity and society to thrive in the future. These three ideas embody expectation generally and can be found outside of Jim Crow South and the Third Reich. However, the next two components help bridge the gap between expectation and complicity. Fourth, urgency: the pressing fear generated by either stressful times, political demagogy, or the perception of changes to the status quo that motivate historical actors to become more ardent in realizing their expectations. Finally, entitlement: the idea that historical actors considered themselves entitled to their expectations of the future at the direct expense of other people.
To fully explain how tradition, continuity, potential, urgency, and entitlement form expectations for the future and motivate everyday people to participate in racial states I use a series of vignettes to tackle each topic and illustrate a component of expectation as it existed in both the U.S. South and Bavarian Germany during the 1920s and 1930s. For example, to study the idea of tradition, I look at the Lost Cause and postwar Confederate worship to demonstrate that Southerners generally expected their futures to contain some vestiges of moonlight and magnolias. In Bavaria, an emphasis on agricultural roots and Bavaria’s separate monarchy demonstrate that Bavarians hoped to honor their separatism of yesteryear. In assembling this argument, I have called on debates over Women’s Suffrage, Bavarian Catholicism, white supporters of Marcus Garvey, sterilization and eugenics, the Scopes Trial, Bamberg tourism, Prohibition, and so much else to unearth everyday expectation in a clear and compelling fashion.
When we consider the factors that contributed to everyday complicity, we must not only look at the usual suspects hierarchy, heritage, racism but also reflect on the role of people’s entitlement to expected futures and the fear of losing those futures. The world of the 1920s and 1930s was truly tumultuous with the rise of communism, a global war and an epidemic that combined wiped out much of a generation, a global depression, and many other destabilizing events. People needed and craved stability; in the case of the Jim Crow South and the Third Reich, that stability was offered by politicians and demagogues in exchange for participation in a strict and violent racial system. This stability afforded everyday whites in both the U.S. South and Bavaria Germany the opportunity to achieve their desired futures and to avoid imagined apocalypses. The opportunity to realize their expectations convinced far too many people to enforce, support, or at least look the other way as African Americans and Jews were stripped of their human rights, their dignity, and sometimes their very lives.
Derrick J. Angermeier is presently a PhD candidate in the History Department of the University of Georgia. His dissertation, titled Both Hitler and Jim Crow: Lost Causes and Imagined Futures in Nazi Bavaria and the New South, 1919-1939, explores the expectations, hopes, and fears for the future held by everyday people in the U.S. South and Bavaria, Germany during the 1920s and 1930s as vehicles to understanding complicity in racialized states. Derrick has been awarded multiple research grants and fellowships which have taken him across the U.S. South and to the southern German state of Bavaria. This May he will be a Graduate Fellow of the Berlin Seminar in Transnational European Studies. Derrick prides himself on sharing his expertise and research with the public. He has spoken at multiple events sponsored by the United States Holocaust Memorial Museum; most recently in February 2018 when he discussed the role “Expectation” played in everyday complicity in the Third Reich and Jim Crow South at a symposium co-sponsored by the UAB Institute for Human Rights.
Relevant works
Benedict Anderson, Imagined Communities: Reflections on the Origin and Spread of Nationalism (Verso, 1991).
Kenneth Barkin, “A Case Study in Comparative History: Populism in Germany and America,” in The State of American History, Herbert J. Bass (Quadrangle Books, 1970).
Peter Bergmann, “American Exceptionalism and German Sonderweg in Tandem,“ The International History Review, vol. 23, no. 3 (2001): 505-534.
Fitzhugh Brundage, The Southern Past: A Clash of Race and Memory (The Belknap Press of Harvard University Press, 2005)
James C. Cobb, Away Down South: A History of Southern Identity (Oxford University Press, 2005).
David C. Engerman, “Introduction: Histories of the Future and Futures of History,” The American Historical Review, vol 117, no. 5 (2012): 1402-1410.
Paul Gaston, The New South Creed: A Study in Southern Mythmaking (Alfred A. Knopf, 1970).
Johnpeter H. Grill and Robert L. Jenkins, “The Nazis and the American South in the 1930s: A Mirror Image? The Journal of Southern History, vol 58, no. 4 (November 1992): 667-694.
John Haag, “Gone with the Wind in Nazi Germany,” The Georgia Historical Quarterly 73, no. 2 (Summer 1989): 378-304
Eric Hobsbawm, The Invention of Tradition (Cambridge University Press, 1983)
Eric Hobsbawm, Nations and Nationalism since 1790: Programme, Myth, Reality (Cambridge University Press, 1992).
Ian Kershaw, “Hitler and the Uniqueness of Nazism,” Journal of Contemporary History, 2, (2004): 239-254.
Jürgen Kocka, “German History Before Hitler: The Debate about the German Sonderweg,” Journal of Contemporary History 23, no. 1 (1988): 3–16.
George L Mosse, The Crisis of German Ideology: Intellectual Origins of the Third Reich (Howard Fertig: 1964).
Wolfgang Schivelbusch, The Culture of Defeat: On National Trauma, Mourning and Recovery, Jefferson Chase (Metropolitan Books, 2001).
Nina Silber, The Romans of Reunion: Northers and the South 1865-1900 (University of North Carolina Press, 1993)
Martina Steber and Bernhard Gotto, eds., Visions of Community in Nazi Germany: Social Engineering and Private (Oxford University Press, 2014).
Fritz Stern, The Politics of Cultural Despair: The Rise of Germanic Ideology. (University of California Press, 1974).
Charles Reagan Wilson, Baptized in Blood: The Religion of Lost Cause, 1865-1920 (University of Georgia Press, 1980).
Andrew Zimmermann, Alabama in Africa: Booker T. Washington, the German Empire, and the Globalization of the New South, (Princeton University Press, 2012).
Green Life… Source: Julie Rutherford1, Creative Commons
On Wednesday, April 11th at UAB Edge of Chaos, dozens of Blazers met, in the spirit of Earth Month and Earth Day (4/22), to hold a discussion titled A Conversation about Sustainability. The event centered on a faculty panel, consisting of Dr. Hessam Taherian (School of Engineering), Dr. Suzanne Judd (School of Public Health), Dr. James McClintock (Department of Biology), Dr. Tina Reuter (Institute for Human Rights), Dr. Josh Robinson (Collat School of Business), and, moderator, Dr. Shauntice Allen (School of Public Health), alongside an inspired, and vocal, student body.
Conversation began with a simple question: Why should we care about sustainability?
The conversation began as far from Birmingham as possible, in Antarctica, where Dr. McClintock conducts research, inspiring him to mention risks to the continent’s biodiversity and its resources that enable pharmaceutical innovation. Dr. Taherian asserts that with almost 7.5 billion people on this planet and counting, so it is imperative we think about our actions, especially as finite resources dissipate. Dr. Judd mentioned how she just came back from Paris, where, in recent years, often rises, and threatens to flood the heart of Paris.
Discussion then turned to Alabama, where raining has increased, resulting in river erosion. Although the effects in Birmingham are minimal, as hurricanes travel through warm water, their strength compounds and influences greater threats to our environment and communities.
When discussing resource distribution, the tragedy of the commons became an immediate talking point — a scenario where individual actors are capable of taking a resource with no clear owner, leading to its depletion. This concept was then related to big hunting in Africa because no one owns the wildlife; therefore, excessive hunting practices have guided many species to their endangerment. Since human behavior was addressed, conversation quickly shifted toward a human rights perspective, demonstrating sustainability’s impact on conflict and displacement of vulnerable communities, namely poor and indigenous persons. The Universal Declaration of Human Rights, an international document that aims to protect security of the person, was proposed as a framework to protect these communities. However, no legal mechanisms are yet in place to protect “climate refugees”, a growing phenomenon.
Panelists exclaimed we need to incentive sustainability because it directs responsible behaviors. For example, in France, one is charged if they don’t bring their own grocery bags, while, in Dr. Reuter’s home country of Switzerland, she mentioned trash bags are $2 each, incentivizing sustainable behavior. Inevitable critiques of business practice then emerged, where Dr. Robinson claimed businesses are designed for sustainability, meaning accumulating costs of unsustainability will pressure enterprises to adapt. However, it was insisted major oil companies don’t want to leave their product in the ground because of it investment, pitting money against environment. Strikingly, the same researchers hired to protect the tobacco industry about the harms of smoking now help Big Oil with denying the existence of climate change.
As the topic of taxing the population entered the discussion, audience members suggested such an approach would disproportionately affect society’s poorest. Although, it was insisted taxes are not monolithic and can be tiered by income brackets. In addition, the groundswell of communities pressuring the Chinese government to clean the polluted air was mentioned. This generated conversation about the multi-stakeholder process that has been excluded from many environmental decisions, leading to a strong suggestion for non-state actors to be included in such discussions.
When formal discussion ended, students forwarded more insightful questions to the panel, which many responses resulted in conversation about behaviors such as beef consumption, sustainable transportation, Styrofoam cups and the importance of not being aggressive when discussing sustainable behaviors with others. As the lively dialogue ended, it was clear that UAB is the largest electricity consumer in the state, inside a city with poor transportation, and represents a state with some of the nation’s greatest solar potential, meaning Blazers are in the unique position to participate in a global cause by leading local initiatives that advocate for a greener, more sustainable community.
How does art affect humanity and human rights? Does it play an important role in human rights advocacy? Throughout history, people have used the arts as a form of self-expression by reflecting on their lives and what they observe. Art and design are constantly changing, and growing, with history. It is constantly being influenced while influencing societal events. As an artist and graphic designer, I believe that use of imagery influences societies, helping raise awareness of social and political issues. In the vast world of social and political arts, there are a few examples of work that stood out to me because of their contribution to society, namely: “The Hand That Will Rule the World” by Ralph Chaplin, “All Power to the People” by Emory Douglas, “The Anatomically Correct Oscar” by The Guerilla Girls, “Red Sand Project” by Molly Gochman, “The Blue Bra” by Bahia Shehab, and “America” by Touba Alipour. These are a few good examples of how art and design can impact human rights with solidarity, awareness, and protest.
“The Hand That Will Rule the World” by Ralph Chaplin. June 30, 1917
The symbol of the clinched fist has been a symbol of solidarity as early as 1917. “The Hand That Will Rule the World” by Ralph Chaplin is an illustration referring to the IWW (Industrial Workers of The World). Industrial unionism began when skilled workers were displaced by modern machinery and the monopolization of industries. It was a union that believed industries should be controlled by the workers, benefiting the many instead of enriching the few, and create better working conditions. In this image, the workers are uniting their arms and creating one giant fist, which represents solidarity and unity, while holding tools, representing manuallabor, while factories in the backdrop symbolize the machinery displacing the workers.
“All Power to the People” by Emory Douglas, March 9, 1969
The Black Panther Party was an African-American organization founded October 15, 1966 in Oakland, CA. One of their greatest successes was using imagery to reach people across the country about their movement. According to The New York Times, even though the Black Panther Party was associated with armed resistance, their most powerful weapon was reaching out to African-American communities through works of art. Emory Douglass, the artist behind many these images, has a background in printmaking and activism, pushing him to create images that show the injustice toward communities of color in the United States. His illustration “All Power to the People” is another example of the solidarity symbolism employed by the raised fist. The raised fist and the words “All Power to The People” brings a sense of unity to the viewer. Also, the person’s expression speaks on an emotional level, as if they’re shouting these words, making it a very powerful piece of artwork.
“The Anatomically Correct Oscar” by The Guerrilla Girls, 26 Feb 2016
Molly Gochman’s “Red Sand Project” is a worldwide instillation that takes a hands-on approach of bringing awareness to human trafficking. This project encourages all communities to pour red sand into cracks on sidewalks to recognize the overlooked populations (refugees, immigrants, girls, and others) that are at risk of slavery and exploitation. “These interventions remind us that we can’t merely walk over the most marginalized people in our communities — those who fall through the metaphoric cracks”, explains Molly Gochman. This informative, and largely interactive, work of art takes simple, yet powerful, gestures and to bring worldwide awareness through photography and social media. It is an ongoing project, raising action for those who are overlooked and vulnerable to human trafficking.
“The Blue Bra” by Bahia Shehab, 2011
In 2011, various outbursts of popular protests swept the Middle East and North Africa, causing a revolutionary wave called the Arab Spring. Staring from Tunisia and later spreading to Egypt, Yemen, Bahrain, Libya, and Syria, people were rising against their oppressive leaders. As the protests grew larger they were met with violent responses from authorities. One of the striking things that came out of this short period was the growth in street art, graffiti, and calligraphy. “The Blue Bra” by Bahia Shehab, located in Cairo, Egypt, is a great example of protest of oppression. This graffiti is part of an instillation called “Thousand Times No” which Shehab explains, “represents a rejection of both the conformity and the repression that often stifle the Arabic speaking region and Islamic cultures.” The text above the Blue Bra is saying “no stripping the people” and the sole of the military boot reads “long live a peaceful revolution”, calling the incident of a veiled girl who was stripped and beaten by police on December 18, 2011, and happened to be wearing a blue bra. In another location, Sheab installed a calligraphic graffiti which is an Arabic translation of Pablo Neruda’s quote, “you may crush the flowers, but you cannot delay the spring”.
Art is a way for people to express themselves, whether for the sake of imagination or to express ideas. It has been used effectively today, and throughout history, to send public messages about social and political issues. Human rights and the arts go together because of the expressive nature of both subjects. As people, we can stand up for our rights through expression. Due to their ability to create visual interest and to promote solidarity, awareness, and protest, artists and designers play a pivotal role in society by promoting human rights advocacy. Especially in the modern age, where people rely heavily on technology and media, it is important to send messages that work toward creating a society that respects human rights for themselves as well as others.
Although one would not be remiss in thinking this scenario occurred in a modern-day United States in which nearly eighty million people visit Pornhub every day and the boundaries of cultural libertinism seem to be constantly extended, in actuality, it occurred in a new Netflix series – Babylon Berlin – accurately dramatizing the Weimar Republic of interwar Germany. Constructed atop the ruins of Imperial Germany in the aftermath of World War One, the Weimar Republic represented the first German experiment in mass democracy and classical liberalism, an ideology oriented around the idea that individuals inherently possess certain natural rights. With this newfound emphasis on the individual, many Germans – theoretically liberated from the emphasis on community and tradition promoted by the elites of Imperial Germany – began a decade-long process of transforming their country into a laboratory in which the social experiments of the twenty-first century originated (Moeller, 2009).
However, intertwined with more questionable experimentation – as detailed in Babylon Berlin – existed one of the first attempts to institutionalize human rights, even though such rights failed to achieve codification until the aftermath of World War II. The German League of Human Rights, although founded as early as 1914, advocated for freedom of speech for political dissidents, civil rights for sexual and ethnic minorities, and opposed the rising tide of anti-Semitism in interwar Germany (Wildenthal, 2008). Meanwhile, the controversial founder of the Institute for Sexual Research, Magnus Hirschfield, established the first gay-rights organization – the Scientific-Humanitarian Committee – and pioneered arguments in favor of granting rights to individuals identifying as transgender (Lind, 2007). Even the Weimar Republic itself, almost completely dysfunctional due to political infighting and polarization, sought the establishment of group rights in order to protect German minorities separated from the Vaterland following partition after World War I (Mazower, 2004). Inspired by these events in the place of his birth, Henry Gerber emigrated to the United States where he sought to continue the struggle for human rights by founding one of its first human rights organizations, the Society for Human Rights.
Although the Weimar Republic initially achieved great progress in immunizing the national culture against human rights abuses, its other experiments – particularly those of a sexual nature – afflicted interwar German society in the manner of a deadly contagion. Even in a healthy body, a powerful contagion possesses the capacity to generate tremendous amounts of damage, however, interwar Germany did not constitute an ideal host – it suffered from two distinct deficiencies allowing the contagion to gain more strength than normally possible. From the beginning, the Weimar Republic, as the product of military defeat, failed to achieve widespread legitimacy in Germany (Peukert, 1993). This lack of legitimacy combined with the deleterious aftereffects of World War I:
Culturally, it discredited optimistic and progressive views of the future, and cast doubt upon liberal assumptions about natural human harmony. Socially, it spawned armies of restless veterans (and their younger brothers) looking for ways to express their anger and disillusion without heed for old-fashioned law or morality. Politically, it generated economic and social strains that exceeded the capacity of existing institutions – whether liberal or conservative – to resolve. (Paxton, 2005, p. 28)
Ultimately, these deficiencies proved the Weimar Republic, and its advances in human rights, ephemeral. However, the ideas of the Conservative Revolution demonstrated far greater resiliency – they continue to influence the global political scene through the rhetoric and ideology of both the European far right and political Islam.
German infantry on the Western Front. Source: US War Department, Public Domain.
A Conservative Yet Revolutionary Critique of Human Rights
Coming of age in this time of systemic failure, a group of German intellectuals and philosophers – later referred to as the German Conservative Revolution (Mohler, 1989) – developed much of the modern rhetoric against human rights and liberalism. At first glance, the term German Conservative Revolution appears incoherent; however, unlike traditional conservatives, these intellectuals did not seek to preserve the established order, nor did they simply seek to turn back the clocklike mere reactionaries. Instead, they sought to combine select elements of the past with acceptable aspects of the present in order to construct an alternate and, in their opinion, much improved modernity. As Göran Dahl notes, the movement appeared:
Conservative in that they wanted to save the nation and protect German culture, and revolutionary because they thought one had to be active and decisive in order to create a new order beyond liberalism, socialism, capitalism, individualism, and parliamentary democracy. The key difference between the leftist and rightest conceptions of revolution was that while the former called for a change in ‘structure’ – political, economic, and social conditions – the latter emphasized a need for a different consciousness, a spiritual reawakening of both heart and mind. (Dahl, 1996, p.26)
In this new order, human rights receive no role – indeed, they effectively cease to exist. Profoundly influenced by the political trends of their era – namely, Social Darwinism and Nationalism – the German Conservative Revolution awarded very little credence to the idea of a common humanity. Martin Heidegger, a leading member of the German Conservative Revolution and one of the foremost philosophers of the twentieth century (Barrett, 1990), contended that the term people “cannot mean humanity, but an organic collective sharing identical ‘cultural’ values” (Dahl, 1996). Likewise, Carl Schmitt posited a Manichean universe populated by a variety of different groups, each of which relates to the others by labeling them either as friends or enemies (Schmitt, 2007).
This idea of a fractured humanity became especially influential among those who served in the trenches along the Western Front during World War I. These individuals, such as Ernst Jünger and Helmut Franke, scoffed at “all the pacifist and international theories of humanity” (Woods, 1990). How could anyone, they ask, believe in a common humanity after witnessing a “jagged piece of iron [as it] bursts out of the dust and noise senselessly in front of staring gazes and knocks them down, tears them to pieces, obliterates them” (Woods, 1990)?
Despite their loss of faith in humanity, they did not perceive humans primarily as individuals either. In their experience, the individual soldier – alone and atomized – suffered from anomie, depression, and anxiety, dwelling on his own mortality in the shadow of artillery explosions and machine-gun fire. The individual rights championed by the Weimar Republic possessed little appeal for them. On the other hand, the soldier as a member of a unit received support, protection, and distraction from his war-weariness while in the company of his fellow infantrymen. Their service in the trenches crystallized within them the importance of their national community, their fellow ethnic Germans – as evidenced by their mantra that “suffering and dying is meaningless; suffering and dying for a grand idea is honorable; suffering and dying for the fatherland is sacred” (Woods, 1990). Upon their return to Germany, the returning soldiers hoped to create “a state based on the experience of the soldiers in the front line,” an organic collective rooted in tradition and sustained “by the values of comradeship, fraternity, and community which were learnt in the face of mortal danger” (Woods, 1990).
At a more abstract level, Heidegger argued that the individual only achieves “true being” – true existence – as part of “a mutual and collective project”united by a “mutual context of understanding” (Dahl, 1996). The ethnically homogenous nation represented the highest and most sacred of these projects, and a combination of shared ethnicity, language, religion, and other factors created mutual understanding between members of the nation. However, this shared understanding presumed hierarchy rather than equality – the ethnic German took precedence over the foreigner, those able to further the nation through reproduction took precedence over those who could not. To Heidegger, “there is no freedom outside of organic communities, no rational individuals beyond their boundaries, and if there is opposition, it must be crushed in the name of the true and great existence” (Dahl, 1996). The rights of the collective receive precedence over the rights of the individual, while the prescription for those who refuse to conform entails removal or elimination.
While conflict between collectives does not represent an inevitable outcome, the German Conservative Revolutionaries routinely single out one country for criticism: the United States. In their eyes, the United States represents:
The ultimate example of civilization without culture; rich and comfortable, materially advanced but soulless and artificial; assembled or at best constructed, not grown; mechanical not organic; technologically complex but without the spirituality and vitality of the rooted, human, national cultures of the Germans and other “authentic peoples.” (Lewis, 2004, p. 69)
Responsible for abstract human rights, consumerism, individualism, materialism, sexual libertinism and other undesirable aspects of modernity, the United States – in the eyes of its German critics – becomes the modern equivalent of the sinful and decadent city of Babylon.
Marine Le Pen, the leader of the French “far-right” National Front, at a convention. Source: Driss Hadria, Public Domain.
The Modern Offspring of the Conservative Revolution
Eventually, the German Conservative Revolution succumbed to an even more radical movement, the NSDAP of Adolf Hitler, which appropriated and repackaged many of its ideas (Mohler, 1989) to appeal to the segments of Weimar Germany distraught by the cultural changes dramatized in Babylon Berlin. However, as Robert Paxton notes, the intellectuals of the German Conservative Revolution, “though sometimes considered the creators of fascism[,] actually account better for the space made available for fascism than they do for fascism itself” (Paxton, 2005).
At this point, some may ask themselves, “What does an early twentieth century political movement and its critique of human rights matter to a citizen of the twenty-first century?”
Mere decades after World War II, the ideas of the German Conservative Revolution began circulating throughout Western Europe once again. The Nouvelle Droite of France, in conjunction with its various sister movements in neighboring countries, exposed the European population to this German ideology through influential media organs, such as Le Figaro and Junge Freiheit (Bar-On, 2012). According to Tamir Bar-On, “the entire European extreme right-wing political spectrum from the Italian Lega Nord (Northern League – LN) to Vlaams Belang (Flemish Interest) in Belgium have been influenced by” the Nouvelle Droite (Bar-On, 2012) and, thus, by extension the German Conservative Revolution. The spread of these ideas through the previously mentioned parties and media organs “helped engender the Pan-European cultural shift” (Bar-On, 2012) that made the current far-right populist wave a reality.
However, the ideas of the German Conservative Revolution did not halt at the frontiers of the European continent. The main ideologues of the Iranian Revolution of 1979 – Ali Shariati, Ahmad Fardid, and Jalal Al-e Ahmad – employed these ideas increating the intellectual superstructure of the Islamic Republic (Mirsepassi, 2011). During the same time period, major Islamist politicians and philosophers in both Turkey (Aydin, 2006) and the Arab world (Tamimi, 2001) similarly adopted this rhetoric.
In the twenty-first century, the main opponents of classical liberalism and human rights constitute the European far right and Political Islamists, both of which employ the arguments of these German intellectuals. Therefore, understanding the appeal of the ideas of the German Conservative Revolution to these movements and their voters represents a matter of increasing importance for those dedicated to defending both liberalism and human rights.
To those cocooned for their entire existence within an era dominated by a liberalism seemingly possessing no viable opponents, the idea that many people around the globe view liberalism as artificial, oppressive, and even dehumanizing seems irrational – after all, Americans regularly hear the virtues of individualism, consumerism, secularism, and other aspects of liberalism. Yet, for others, the anti-liberal, anti-human rights ideas that originated with the German Conservative Revolution possess a concrete and thoroughly rational basis for belief. Young Germans, emerging from the brutal trench warfare of World War I, developed these ideas as a response to the tremendous social and cultural dislocation they experienced upon returning home to a Germany they barely recognized. In the twenty-first century, these ideas appear in response to similar contexts: a Middle East undergoing a rapid series of modernization, industrialization, foreign humiliation, secularization, and cultural experimentation (Mirsepassi, 2011; Lewis, 2004; Aydin, 2006); and a Europe suffering from post-industrialization, large numbers of migrants, and a crisis of identity (Murray, 2017).
As in the 1920s and 1930s, cultivating empathy for the “Other,” understanding these ideas and the conditions that spur their popularity, remains the fundamental challenge facing supporters of liberalism and human rights. Although the path often seems perilous and difficult, the active cultivation of this empathy represents the only meaningful path towards bridging the divides currently surfacing throughout the world.
References
Aydin, C. (2006). Between Occidentalism and the Global Left: Islamist Critiques of the West in Turkey. Comparative Studies of South Asia, Africa, and the Middle East, 26(3), 446-461.
Bar-On, T. (2012). Intellectual Right-Wing Extremism – Alain de Benoist’s Mazeway Resynthesis since 2000. In U. Backes & P. Moreau (Eds.), The Extreme Right in Europe: Current Trends and Perspectives (pp. 333-358). Göttingen: Vandenhoeck & Ruprecht.
Barrett, W. (1990). Irrational Man: A Study in Existential Philosophy. New York, NY: Anchor Books.
Dahl, G. (1996). Will ‘The Other God’ Fail Again? On the Possible Return of the Conservative Revolution. Theory, Culture, & Society, 13(1), 25-50.
Lewis, B. (2004). The Crisis of Islam: Holy War and Unholy Terror. New York, NY: Random House.
Lind, A., & Brzuzy, S. (Eds.). (2007). Battleground: Women, Gender, and Sexuality (Vol. 2). Westport, CT: Greenwood.
Mazower, M. (2004, June). The Strange Triumph of Human Rights, 1933-1950. The Historical Journal, 47(2), 379-398.
Mirsepassi, A. (2011). Political Islam, Iran, and the Enlightenment: Philosophies of Hope and Despair. New York, NY: Cambridge University Press.
Moeller, R. G. (2009). The Nazi State and Germany Society. Boston, MA: Bedford/St. Martin’s.
Mohler, A. (1989). Die Konservative Revolution in Deutschland, 1918-1932: Ein Handbuch. Darmstadt, Germany: Wissenschaftliche Buchgesellschaft.
Murray, D. (2017). The Strange Death of Europe: Immigration, Identity, Islam. New York, NY: Bloomsbury.
Paxton, R. (2005). The Anatomy of Fascism. New York, NY: Vintage Books.
Peukert, D. (1993). The Weimar Republic: The Crisis of Classical Modernity. (R. Deveson, Trans.). New York, NY: Hill & Wang
Schmitt, C. (2007). The Concept of the Political (Expanded ed.). (G. Schwab, Trans.). Chicago, IL: University of Chicago Press.
Tamimi, A. S. (2001). Rachid Ghannouchi: A Democrat within Islamism. New York, NY: Oxford University Press.
Wildenthal, L. (2008, September). Human Rights Activism in Occupied and Early West Germany: The Case of the German League for Human Rights. The Journal of Modern History, 80(3), 515-556.
Woods, R. (1990, January). The Conservative Revolution and the First World War: Literature as Evidence in Historical Explanation. The Modern Language Review, 85(1), 77-91.
Egungun masks in Abomey, Benin. Source: Davide Comelli, Creative Commons
On Thursday, April 5, UAB hosted Dr. John Thabiti Willis, Associate Professor of African History at Carleton College, to discuss the relationship between masquerading traditions of the Yoruba people in Nigeria and hip hop. The Yoruba people are a West African ethnic group of 30 million worldwide; nearly 25 million live in Nigeria.
Dr. Willis’ 19-month long archival and ethnographic investigation was to understand how such traditions arrived in Otta, an ancient Yoruba town that represents some of those most elaborate masquerades. Dr. Willis discovered that a religious leader James White arrived at Lagos in 1852, becoming the first person to preach the gospel in the region. To appeal the local Yoruba people to Christianity, White recruited musicians to perform local melodies which become early influence for Christian music in the region. Today, masquerades in Otta are notable spectacles that celebrate social rites and acknowledge political causes.
Willis’ lecture primarily focused on the masquerade tradition of Egungun, an honoring of ancestors and their living descendants, which originated in Old Oyo. The Egungun masquerades are performed by men masked and veiled in lavish fabric, to conceal the carrier and reveal unseen forces/spirits, while women participate in the harmonics. Performance garments include Burial Shrouds (death), Resurrection (of the deceased) and New Clothes (new life).
Another masquerade tradition, Gelede, originating in Ketu, honors women as mothers. Masked performance symbolism includes: Women (productive and reproductive labor), Foreign Men (productive labor: economic, political and religious) and Mother Nature (nature as the primordial mother). As opposed to Western traditions that prioritize male dominance and the individual, the masquerades center on African indigenous sentiments which champion men and women as leaders, coalitions and support of the people.
Reflecting on these findings, Dr. Willis identified five main elements of masquerading that carry striking similarities with elements of hip hop performance:
Masquerading
Hip Hop
Drumming (rhythm masking)
DJing
Verbal Arts (praise-singing and poetic performances
MCing
Masked Dancing (choreographed and improvised)
B-Boying/Break-Dancing
Visual Art (mural paintings)
Graffiti
Biological and Ritual Kinship (community, identity & purpose)
Knowledge
Though Dr. Willis originally journeyed to Nigeria to understand the masquerading origins of Otta, he discovered this how masquerading and hip hop convey similar narratives with different cultural contexts. Much like masquerading, hip hop, too, can reveal the power of metaphor, as demonstrated in Soul Sonic Force’s 1983 classic “Renegades of Funk”, allowing viewers to reflect on social and political power dynamics as well as enable discourse expression through performance of power.
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